Tag Archives: Anthropocene

Defining peripeteia. The theoretical disentanglement of Möbius Strip

1 Möbius Strip, mixed-media performance


Figure 1. A Möbius strip. Wikimedia Commons

This article is the continuation of my recent publication Enacting peripeteia in Möbius Strip: Adapting Butoh principles in mixed-media performance (2023) and attempts to untangle the theoretical framework of Möbius Strip (when in italics, it refers to the performance and not to the mathematical concept).

To facilitate the reader’s understanding, a brief description of the duet performance Möbius Strip which was part of my ongoing post-doctoral research follows. The post-doctoral research focus is upon enacting alternative time embodiment in multi-sensorial performative praxis[1] (Kolliopoulou, 2023a). I engaged in Möbius Strip wearing the multiple hats of researcher, director, sound editor, video maker and performer. The performance was shown in Corfu (March 2023) and in Athens (June 2023)[2].

Möbius Strip was accompanied by:
a. The experimental short film Carpe diem 2 (2023). Carpe diem 2 (the elaboration of Carpe diem[3]) narrates violence as a complex phenomenon that occurs in society, in nature and in the relation with ourselves.
b. A soundscape (audio collage) of pieces by Steve Reich (Drumming), Allegri (Miserere) and Iannnis Xenakis (Psappha).

Möbius Strip was structured into different scores/atmospheres that narrate the story of two opponent soldiers involved in a war:
a. The (de)construction of the flag narrates the reason for the separation of the adversaries,
b. The outbreak of hostilities depicts how an explosive situation foments violence,
c. Cleaning the battlefield occurs when the involved enemies miss the opportunity to retreat,
d. Reeling into the battlefield refers to the theater of war when violence is exculpated.
d1. Reeling into the battlefield: peripeteia is an unfortunate twist of plot in the situation when both soldiers are fatally wounded,
d2. Reeling into the battlefield: re-discovering humanism is a moment of insight that follows peripeteia, urging the enemies to reconsider their principles and act appropriately. (See Figure 3)

1.1 Discovering alternative bondages in the Anthropocene.

The article suggests that war must (unfortunately) be included in the long list of anthropogenic ecological disorders. Its consequences, especially the long-term ones, for example nuclear explosions, have an impact that can be extensively observed in natural ecosystems, human lives, and cityscapes. Hence, it might be argued that war is one of the crudest symptoms of the Anthropocene.

Donna J. Haraway points out that:
The Anthropocene is determined by its textures: […] the issues about naming relevant to the Anthropocene, Plantationocene, or Capitalocene have to do with scale, rate/speed, synchronicity, and complexity. (Haraway, 2015 quoted by Kolliopoulou, 2020).

In this respect, Butoh comes into play and becomes relevant, as a dance form articulated around the embodiment of situations rather than a movement-based choreography. Both Butoh and the Anthropocene are driven by internal human mechanisms that manifest themselves through external forms. In other words, we could describe them as life-motors or complex systems that emerge out of basic principles that are expressed through textures. Butoh is concerned with the embodiment of death-life forms expressed in a poetic way through the body of the performer, which is here seen as an ensemble of frequencies spanning from birth through dispersion. The Anthropocene is a manifestation of the expansion of (self) destructive human activity on earth; its discordant vibrations affect our body textures.

Butoh and the Anthropocene are ontologically correlated since they do not only advocate but they actually embody a perspective on human nature. As such, they are not simply added to the existing ecosystem, but also have the potential to alter it.

This article aims to steer peripeteia which is taking place as a Möbius strip mixed-media performance. The performance synthesizes the philosophical elaboration of the paradoxical mathematic concept of Möbius Strip.

My artistic research is informed by Butoh-fu principles. Möbius Strip emerged as a response to a current flaming issue, specifically the war crisis that erupted in Ukraine and its global repercussions. Sadly, since Möbius Strip was created, there has been an escalation of warfare around the globe, having at its peak the ongoing Gaza Strip military operations and the Nagorno Karabakh issue. The current political scenery is giving the impression that a domino effect is under way. The performance attempts to shed light on the philosophical and existential quests that foment conflict among nations and give birth to wars. The phenomenon of war is here seen as a sociopolitical facet of the Anthropocene.

The hypothesis here is that if those questions remain unanswered, by default they will perpetuate Anthropogenic disasters. In fact, what we are currently witnessing is a vicious circle. The article suggests possible ways of escaping from this situation of perpetual violence, which is manifested as a static system that needs to be readdressed from a fresh perspective. My claim is that by adopting alternative modalities of facing reality we might reach a rearrangement of the systemic dynamics. It would be necessary to nurture our doubt on what is there. That would allow some openness to this hermetically sealed belief system which is rooted in the Anthropocene.


Figure 2. Pic from the video Carpe diem 2

1.2 The Butoh-informed dramaturgy of Möbius Strip

The dramaturgy of the performance has been gradually developed in the studio, having as its starting point the Butoh-fu World of Burnt Bridges delivered, among others, by Yukio Waguri. Butoh-fu is retrievable in Butoh Kaden (Waguri, 2020a) and in the portal of Hijikata Tatsumi Archive, Keio art center[4]. Butoh Kaden consists of 7 Worlds reflecting on different atmospheres (frequencies) that trigger upon Butoh dancers a variety of body movement qualities (textures).

The 7 Worlds reported in Butoh Kaden[5] are: World of Abyss, World of Flower, World of Wall, World of Bird and Beast, World of Neurology Ward, World of Anatomy and World of Burnt Bridges. The latter refers to the destroyed cities and war-ravaged landscape. Möbius Strip availed of this Butoh-fu imagery as a starting point to unfold in a studio-based dramaturgical research process.

Waguri, in his essay Considerations on Butoh-fu, mentions that Butoh-fu is a transferable system that:
Uses words and images to introduce the observer to an imaginative Butoh space. Also, it manages and shares time and space, via physicalizing imagery through words. (Waguri, 2020b)

Waguri explains that the embodiment of helplessness, sense of loss and despair is at the heart of the World of Burnt Bridges. He further mentions that the choreography made by Butoh-fu is characterized by Naru (Becoming). Naru means transformation, or rather possession. A frequent theme of Butoh is ‘the continuous transformation of the two-dimensional space of the painting into the four-dimensional space of Butoh.’ (Ibid)
To circumscribe Butoh as a method we might say that its core aspects are becoming and/ or being in a constant state of transition (Smith, 2017) that expands the visible limits of the body to the space and the time that is created by the performer.

1.3 The concept of Möbius Strip: embodying paradox

However, as Waguri states in his essay (Ibid) it is important to clarify that although one ‘becomes’ the things that Butoh-fu designates, if one completely becomes it, there is a possibility that the choreography received externally may not have any effect on their audience. The reason is that if the performer is entrapped in their own embodiment, they risk being self-referential and non-communicating anything to the spectator. In that case, their performance will be perceived as a certain state of trance. For this reason, it is necessary to underline that in Butoh-fu embodiment:

[…] living in an imaginative space, becomes necessary. That is the state of awakening, being self-aware, and being able to manage oneself […] Hijikata’s Butoh, brought his intense ego and spirit of negation to the cultural situation of Japan, in which the concept of the individual has shallow roots. (Waguri, 2020)

The Butoh dancers strive to cultivate and master a two-directional attention inside and outside their body-mind to synthesize a two-states presence. In this respect, the Butoh method resonates with the Möbius Strip model: having two sides while being interlinked with one another.

Moreover, it is of salience to highlight that Butoh, as every form of art, emerged out of the needs of its historical period in Japan, having (among others) an intrinsic quest to restore the neglected sense of subjecthood lost in the vortex of nationhood during World War II. As a result, Butoh dancers are asked to maintain continuously and contemporaneously a double presence: the inside (individual) and the outside (social).

As Tanya Calamoneri notes,
the transition which was manifested in dance “through both Wigman (Mary) and Hijikata’s work — post WWI Germany and post WWII Japan — is one from dancing body as form to dancing body as site of experience […]. (Calamoneri, 2014, p. 37)

Hence, the body in post WWI Germany’s and post WWII Japan’s dance scenes is not addressed any more as a mere compositional tool in choreographic practice or as an expresser of virtuosic technique, but rather as a vessel of lived experience.

The suggestion here is that this two-fold quality of presence of the performers but also the situation of the war-sparkling conflict resonates with the mathematical concept of Möbius Strip.

Möbius Strip is apparently a two-sided strip that, because of the unusual modality of bondage, behaves as one surface. The concept of Möbius Strip is deployed as a metaphor in this work to signify that, however in wartime the opponents are clearly seen as two (or more) separated and divided sides, this happens only because their actual (non) bondage is not allowing them to be in harmony as one. (Kolliopoulou, 2023a, p.35)

1.4 Understanding the holographic nature of Butoh-fu

To understand Butoh-fu and how it has informed the choreography of Möbius Strip, it is important to distinguish the difference between the terms ‘multi-layered’ and ‘blended and opaque’. Waguri suggests that:
[…] There is a dance hidden in between each of the Butoh worlds. The way of transitioning between each world decides the speed and density of the dance, and this density builds up the strength of the dance. (Waguri, 2020)

Similarly, Möbius Strip has been articulated through interlinked image-states that form a chain of events. However, the image-states do not constitute a puzzle formed by discrete pieces, but rather a ‘soup’ that comes to life after ‘mixing and cooking together a variety of ingredients.’ I am borrowing the metaphor of cooking from Tadashi Endo (Endo, 2023). He is a second generation Butoh master and disciple of Kazuo Ohno.

I worked with Endo in December 2022 on his Butoh intensive workshop offered at the MaMu Butoh Center at Göttingen. During the workshop, he often used cooking as a metaphor for dancing. He kept mentioning that choreographic practice could also be seen as the preparation that takes place before cooking. Endo said that in both cases we slice (sculpting of movement), we cut (eliminating parts of choreography that are redundant), we mix (composing the final piece by assembling its discrete parts), we spice (adding pauses or accents when necessary), and we taste (performing for the audience and asking for feedback). In all the above processes, the duration is a matter of adjustment to the variable materiality, which also dictates the behavior of the ingredients. The latter is ultimately induced by their nature.

When cooking, we use vegetables, salt, water, and oil to prepare the ‘soup’; in choreography we use space, time and our body (altogether equal to experience) plus our emotions and ideas to address the audience.

In both cases, a dynamic dialogue between the creator (cook/ choreographer) and its material (meal/ dance) is evolving, leading into a final recipe/ dramaturgy. Endo is metaphorically alluding to the fact that the creative process of shaping the final artwork (food/ dance) is a process of synthesis that entails an intuitive approach of intermingling rather than analytic thinking of assemblage. Under this prism, this article suggests that, according to Endo, Butoh is holographic. To clarify Butoh’s holographic nature, it is helpful to mention an explanation by Thomas Kasulis.

Kasulis borrows the paradigm of jigsaw puzzles as an example of holographic entities[6]. In jigsaw puzzles,
Each piece has information not only about adjacent pieces, but also about all the other pieces in the whole. That is, the whole is not simply made of its parts, but also, each part contains the pattern or configuration of the whole of which it is a part. Such holographic relations between whole and part are common in Japanese philosophical systems. (Kasulis, 2022, p. 5)

The intention here is to understand Möbius Strip as a choreographic practice under the prism of Butoh holographic modus operandi. The different scores/atmospheres of the performance are interlinked and evolve both in a conceptual and organic manner. Hence, the ending of Möbius Strip (reconciliation) is already contained within its beginning (war outbreak) like a seed already enclosing the potentiality of a plant that has yet to grow.

2 Time-space in Butoh: konpaku

Möbius Strip was created having the World of Burnt Bridges as a compass and by deploying Butoh training as a methodological tool to sensitize the psychophysical compresence of the performers. During the performance, performers allowed themselves to be affected by being observed by each other, as well as by the gaze of the audience.

Butoh as a choreographic method was of interest here because of the following:
Its subjects (articulated in its notation system known as Butoh-fu or generated on the spot by the Butoh masters during their teaching practice) are often driven by the urge to express the paradoxical coexistence of interpenetrating (see also in p.10) contrasting realities in life. In the same way that darkness and light are entrapped in a never-ending dialogue, Butoh performers seek to embody counteracting forces when they dance.

Similarly, in the Butoh-informed dramaturgy of Möbius Strip, both the heaviness of the warfare and its discordant antithesis with the careless and destructive decision-making of those who have the power to decide, are exposed.

Finally, Butoh lies in an uncharted territory between dance and performance art; it entails a specific training that enhances the mind-body receptivity and porosity to the open-ended dynamicity of time-space. This makes Butoh-informed training a malleable and promising choreographic tool that can be easily adapted and become responsive to an experimental performative approach.

When Kazuo Ohno[7], a prominent Butoh dancer, was teaching his students, he often used the term ‘konpaku’[8] to refer to the ‘ailing body’. The ‘ailing body’ is a characteristic state of presence in Butoh that ascribes a ghostlike and oneiric quality to the dancers’ movement.

Natsu Nakajima (Butoh dancer, disciple of Ohno) wonders:
Where is the field of ‘konpaku’? If there is a field of ‘konpaku’ it would neither be in the ‘heavens’ nor in ‘hell’. It is a term that describes the riverbanks where the dead and the living come and go. (Nakajima, 1997, p.4)

With the term ‘konpaku’, Ohno wished to demarcate the opaque time-space of the ‘ailing body’; Expressed by Hijikata with the term ‘suijaku-tai, the ‘ailing body’ was the desired body condition for the Butoh dancer.’ (Kolliopoulou, 2023, p.40) This quality of body condition heightens its permeability and malleability to embody different states of presence/ atmospheres via Butoh-fu. In an analogous way to Jane Bennett’s Vibrant matter (2010), the body in Butoh ideally loses its human connotations that is limiting its expressive potentiality and becomes a non-human entity in a state of transformation (naru). Ultimately, the body’s vibrancy is also directed outwards and affects space. The ‘konpaku’ time-space is fluid and not fixed, available to be transformed into something else.

The embodiment of the ‘ailing body’ occurs in Möbius strip when the two opposing soldiers are witnessing each other’s death. In this ‘konpaku’, all social constructions that have caused the death of the two soldiers are gradually blurred as they (the opponents) finally share something: the transit time of an ailing body from life to death; When they realize that we are all mortal and fragile, a transformation of their inner attitude is on its way. In the obscured time-space of war, a crack of light suddenly intrudes: peripeteia.


Figure 3: Pic from the video Carpe diem 2

2.1 Time-space as a vibrant field in Japanese phenomenology

In Proto-Shintō animism (ancient precursor of Japanese philosophy) it was generally assumed that
[…] We live in a world of internal relations where various forces and things can be distinguished, but in the end, they are never discrete but inherently interrelated in some way […] Reality is not a world of discrete things connected to each other, but more a field of which we are part (a field often expressed by the indigenous word kokoro). (Kasulis, 2022, p. 8)

Japanese philosophers typically view reality in terms of a complex system of interdependent processes. Thomas Kasulis underlines that, in most Japanese philosophies, oppositional polarities do not create dynamism, but rather, dynamism is the primary event out of which polarities emerge (Kasulis, 2022, p. 21). Similarly, in Möbius strip, the polarities (in this case, the two performers) do not have independent existence of their own but exist as vectors of activity. This also happens during wartime, when soldiers and nations find themselves being moved as mere puppets. They are moved by external decisional powers that apart from demolishing their nations (physically), they undermine their subjectivity. In addition,
The notion of ‘being moved’ as understood in Butoh, is one of its core principles […] One recurring image that is often used in Butoh is strings attached to every part of the body, extending out in all directions, and suspending the body in space. (Smith, 2007, p.17)

According to Presocratic philosophers who were mainly interested in cosmology, space was conceived as some sort of vessel or as a very delicate corporal medium within which material bodies are floating as if connected by invisible strings. On the other hand, time was commonly considered as a stream that flows. The idea of time as passage relates to the idea of events changing from future to past while, in addition, the concept of time is chiefly associated with the term of duration. Anaxagoras, in his Theory of Everything, sustained that time was connected to space through the constant change of things and ideas (flow).

In this respect, it is relevant to mention Nishida Kitaro, a modern Japanese philosopher, and founder of the Kyoto school who coined the term Basho which literally means place. The concept of Basho ‘points to a dynamism that precedes any intellectual dichotomization between experience and reality.’ (Krummel & Nagamoto, 2011, p.11) Nishida suggests that we are not linked to the world in a subject-object relationship. Instead, we affect the world while being affected by it at the same time. Hence, our bond with the world has an interpenetrating character[9].

Besides, Nishida was particularly known for his work because he managed to bring together Zen Buddhism’s cultivation of a holistic form of meaning-making with the traditional philosophical methods of understanding that flourished in Japan. Nishida’s work focuses in describing a philosophical way of understanding the world that surpasses analytical thinking and is based upon intuition.

He saw time:
[…] as the continuation of discrete or discontinuous moments, and as such time has a spatial extension, inasmuch as space has a temporal direction […] Nishida considered predicates (persons) to be already contained in the field of consciousness in which the observer is embedded. (Wynn, 2020, p. 224)

Nishida’s thought was rooted into the idea that:
The world is a dialectical universe […] a place of mediation between acting individuals […] Topos does not one-sidedly determine individuals, but it is a topos that arises with them through their creative interactions. (Maraldo, 2019)

Nishida’s perception of the world as a dynamic time-space entity wherein individuals find themselves constantly in dialogue with their reality, resonates with Endo’s approach to the relationship between the artist/ creator and their artwork in Butoh dance.

This article claims that alternative time-space conceptions derived from Japanese phenomenological perspectives as well as paradoxical models in Mathematics such as Möbius strip could serve as means of inspiration to conceive possible solutions[10] in the era of the Anthropocene. This article acknowledges that those concepts encompass twists of reality that are not easily applicable and feasible. The hypothesis however is, that those concepts could be helpful to deconstruct any kind of answers phrased in hackneyed rumbling, upon truths that cannot be challenged, rules that cannot be reconsidered. Deconstruction stands at the core of every creative practice. Creativity is a human activity that attempts to re-read and re-compose reality. Ultimately, it is our acceptance of rusty nonfunctional conceptions that foments and perpetuates the Anthropogenic disasters, including war.

Michiko Yusa explains that:
For Nishida, the essence of the self lies in one’s creativity and expressive operations. This emphasis on creativity (poiesis, artistic and otherwise) is central to his definition of the person. We are born into this world as “that which is created” (tsukurareta mono), but we in turn become “that which creates” (tsukuru mono). (Yusa, 2005, p.4)

Yusa emphasizes that for Nishida creativity is fundamental; he is skeptical of societies that do not allow individual freedom to be creative and condemns historically what happens in totalitarian societies.


Figure 4: Pic from Möbius strip performance at Fournos lab[11], Athens

3 Towards an alternative Politics of time

Byung-Chul Han (2020), in his book The disappearance of rituals: a topology of the present, lists nationalism as a negative, fundamentalist form of closure. On the contrary, culture is a positive form that aids in providing an identity for a community. At the core of Han’s philosophical stance stands Michel Foucault’s thought, who claims that:
[…] from the economic point of view, neoliberalism is no more than the reactivation of old, second-hand economic theories […] from the sociological point of view it is just a way of establishing strictly market relations in society […] from a political point of view, neoliberalism is no more than a cover for a generalized administrative intervention by the state (Foucault Davidson Burchell, 2008, p. 130)

Foucault’s early work begins with the idea that the subject(ivity) is dead, rather than being the source of meaning because it is fundamentally produced by discourses, institutions, and relations of power. He considers the subject as social and historical rather than innate (Danaher, et al., 2002, p. 115).

In his later work, Foucault coined the term biopolitics to discuss the relation between the human body and institutions of power (Danaher, et al., 2002, p. 124). The basic idea of biopower (the way power is exercised in biopolitics) is to produce self-regulated subjects. Its discipline functions through a series of quiet coercions (Danaher, et al., 2002, p. 62) working at the level of people’s bodies. Those coercions silently shape the manner of how people see the world and, consequently, how they behave.

According to Han, aiming to achieve this subtle interference with people’s bodies, biopolitics functions, amongst others, through politics of time. Peter Osborne explains the term politics of time as follows:
A politics of time is a politics which takes the temporal structures of social practices as the specific objects of its transformative (or preservative) intent. (Osborne, 1995)

Möbius Strip is a choreographed performance that suggests Butoh as a method elaborating on the problematics arising from the current politics of time that shrink time’s meaning to fit into the service of a strictly product-oriented society. By giving emphasis on the experience of the Butoh dancers (and consequently, on the audience’s experience) when embodying different states of presence/ atmospheres inspired by Butoh-fu, time becomes process-oriented, and its socially constructed and goal-oriented nature is reassessed. The intention is to share the embodiment of Butoh-fu (while performing) with the audience, aiming to offer them stimuli of an alternative experience of time that could positively challenge the norms of their everyday life perception induced by biopolitics.

The hypothesis posed in my research is that the embodiment of time stimuli offered during the performance will become a new remembrance for the audience to return to. By cultivating the audience’s awareness of slow processes, hopefully they will begin to question themselves about the natural pace of things and become more responsive to their environment. This kind of subtle sensitization creates an extra filter in their perception that helps to distinguish what is abrupt and odd from what is harmonious. In principle, anthropogenic disasters (like war or pollution) are characterized by violence and lack organicity. By recognizing what is problematic, we make the first step in mobilizing our investment of energy in finding solutions.

Hence, Möbius strip acts as a pool of time embodiments in which the audience gently is thrown, aiming initially to sensitize and then to challenge the current politics of time. Sandra Fraleigh (2010), in her book Butoh: metamorphic dance and global alchemy, states that Butoh performances have an extended impact upon the audience through the activation of empathy. Another important aspect of Butoh is about letting the performer’s metamorphosis to occur in the here and now (becoming and transformation at Considerations on Butoh-fu) (Waguri, 2020). This subtle state of attention that arises when Butoh is performed is believed to affect the audience on a subconscious level.

Our temporal perception is deeply rooted upon our body-mind presence. According to Han, politics of time is a layer of Psychopolitics:
Foucault explicitly ties biopolitics to capitalism’s disciplinary form, which socializes the body in its productive capacity […] biopolitics concerns the biological and the physical […] it constitutes a politics of the body […] but neoliberalism has discovered the psyche as a productive force. This psychic turn — that is, the turn to psychopolitics — […] refers to immaterial and non-physical forms of production […] productivity is not to be enhanced by overcoming physical resistance so much but by optimizing psychic or mental processes. (Han, 2020, pp. 24-25)


Figure 5: Pic from the documentation of Möbius strip (2023) featuring Eleni Kolliopoulou and Stratos Papadoudis performing at Corfu, Polytechnon

Han’s discourse is founded upon the idea that the neoliberal regime is developed around the excess of positivity; This refers to our necessity of being constantly excited and in high spirits (especially in our social interactions) not allowing for negative emotions to be felt or even observed by others. Han notes
the emergence of what can be called self-referential optimism. This is a widespread, almost religious, belief that you must be optimistic all the time. This optimistic attitude isn’t grounded in something real or actual, but only in itself. You should be optimistic not because you have something concrete to look forward to but just for the sake of it. (Cikaj, 2022)

This becomes a constant but shallow search for the bright side of things, putting aside any dark aspects of reality (such as illness, grief, and loss) who are also present in our lives. According to Han,
[…] without negativity, life degrades into something ‘dead’. Indeed, negativity is what keeps life alive. Pain is constitutive of experience. Life that consists wholly of positive emotions and the sensation of flow (Csikszentmihalyi, 2008) is not human at all. (Han, 2020, pp. 30-31)

By posing the question of what is meant to be human in the context of the Anthropocene we are seeking solutions to our everyday common situations in relation to ecological disasters as warfare and climate change issues.

According to Achim Steiner’s (UNDP Administrator) report on Human development report in 2020:
The pressures we exert on the planet have become so great that scientists are considering whether the Earth has entered an entirely new geological epoch: the Anthropocene, or the age of humans. It means that we are the first people to live in an age defined by human choice, in which the dominant risk to our survival is ourselves. (Steiner, 2020)

The question of what it means to be human is also related to the human rights’ issue, to the ethics of human agency upon nature and to the emerging debates around the relationship between humanity and technology. All the above are interlinked to the Anthropocene and would determine its future. As such, they require our attention and care; they require time and space.

3.1 Ningen and the inter-corporeal self

Watsuji Tetsurō (Japanese philosopher, Kyoto school) uses the Japanese term ningen that is usually translated in English as human being. The word ningen is composed of two words. The first word, nin, means person and the second word, gen, means space or between. ‘Thus, the word ningen in his thought emphasizes the meaning of ‘betweenness’ between human beings […]’ (Tetsurō & Bownas, 1961, p.8)

According to Tetsurō the Japanese concept of a person (ningen) has a twofold structure as both an individual existence in time and a social existence in a climate (fudo) of space. This way, Tetsurō introduces the fundamentals for environmental ethics (ecological thinking). His suggestion is that the ‘self’ arises from a relationship between what is individual (which could be also seen as private) and what is social (or related to the public sphere). In this respect, he uses the term spatial climate to include both human society and living nature.

Tetsurō sustains that whatever exceeds the boundaries of the self, belongs to the spatial climate. He believes that personhood is created out of this tension resembling an elastic band that connects the primordial self (oriented to the satisfaction of our basic needs and desires) with the civilized self (in sought of acceptance and exchange with the Other). This elastic band is a channel that allows vibrations to travel from one side to the other, like a Möbius strip enabling synthesis. In Möbius strip this translates to the person (nin) finding themselves on the battlefield (gen), a soldier.

To this tension between the individual and its environment (named by Tetsurō as ningen), Merleau-Ponty adds another one, the inner tension, namely inter-corporeality, which refers to the dynamicity of the bondage between the body and its environment; ‘With the term inter-corporeality, Merleau-Ponty acknowledges and highlights the importance of the context in what forms reality.’ (Kolliopoulou, 2020, p. 38)

Inter-corporeality is a term that resonates with Tetsurō’s climate and gives emphasis to the modalities of connectivity among individuals and society at large. The concept of climate is ultimately based on Tetsurō’s treatment of the body. As Joel Krueger notes:
The body has an irreducibly “dual structure,” according to Watsuji. It is simultaneously an object as well as an experiential dimension, a bodily subjectivity […] The lived body is not strictly speaking a content of consciousness (such as, e.g., the visual perception of a tree or the memory of a childhood experience). Rather, the lived body is our anchored first- perspective on the world. (Krueger, 2013, p. 128-129)

It is important to note that whereas both Tetsurō and Merleau-Ponty appraise the centrality of the context and its potentiality to shape and to be shaped, we note that the latter particularly insists on the ability of the body to remain porous and receptive to its environment. Ultimately, we might argue that Merleau-Ponty’s point of view underlines the centrality of the body as a perceptive lens of reality, while Tetsurō tends to express a less anthropocentric stance that is often encountered in Japanese phenomenologists.

3.2 Butoh-fu and radical imagination

This article conceives Butoh-fu as the trigger of opening an internal space within each performer and, hopefully, within each person in the audience. This process of discovering and subsequently delving into the internal space, has been steadily cultivated during Möbius strip studio-based research (training). The opening of internal spaces allowed the performers to embody specific atmospheres/scores.

Hence, Möbius Strip methodology could be summed up as a conscious effort leading to the discovery of our internal space (during the training) and its nourishment out of mental imagery (Butoh-fu), that gradually acquired a concrete form (performance). The article sustains that claiming individually our creative time/ space could be seen as a conscious political action which could implicitly shift our perception of reality.

Cornelius Castoriadis bases his ontology of creativity on the concept of radical imagination, which is based on psychoanalytic theory by S. Freud.
Radical imagination is defined as a constant flow of presentations, feelings and intention, which cannot be given a fixed definition. (Tovar-Restrepo, 2012)

Castoriadis in his theory of ontology of creativity, explains the layering of the soul and its subjective contents. Contrary to Foucault, he suggests that the maintenance and nourishment of an individual space for self-reflection would offer the potentiality of transformation towards the direction of freedom, both at an individual and a social level. Castoriadis considers that psychical representation (radical imagination) is an immanent condition, ability and quality of the soul that exists before any other organization of the impulses or any real experience.

Ultimately, it is because of radical imagination that human beings can create their own individual and social reality; the soul is creative by nature and is expressed through malleable things. Moreover, for Castoriadis, imagination is iconoclastic, which means that it deconstructs and consumes all pre-given images of self (and reality).
The true polarity is between society and the psyche… These are both irreducible to each other and effectively inseparable. (Castoriadis, 1994: 148 quoted by Ross, 2018:72)

Radical imagination reminds us of the elastic band that connects Tetsurō’s individual and social self (see p. 14) and a Möbius strip (if seen as a process of bondage between the collective and the individual).

4 Agency and transformation: a comparative analysis

The Japanese time-space perception envisions the world as a magnetic field that is articulated by the presence of various agents, and it shapes their actions back in a perpetual flow. This perspective places greater emphasis on the situation that is unfolding rather than on the agency of the engaged acting forces.

In contrast, the plot of Ancient Greek Drama is developed around a tragic event/situation that urges an ethical decision to be made by the protagonist (tragic hero) who is faced with a dilemma. Finally, the tragic hero’s decision affects the development of the plot and interferes with the way the tragic situation is unfolding.

In this way, the plot of Ancient Greek Drama incorporates peripeteia as the decisive turn in time-space when the tragic hero is faced with an unpreceded situation. Being confronted with a vital and crucial dilemma and as a result of the embodiment that this new situation generated, the tragic hero changes perspective upon things (transformation).


Figure 6: Pic from Möbius strip performance at Fournos lab, Athens

This fundamentally different way of spatial perception is evident in the European philosophers’, starting from ancient Greek philosophers’ “ideation of ‘being’ instead of ‘arising from conditional causation’ in the eastern. (Lee, Myung-jin, Michael, 2009 17:02 min quoted by Kolliopoulou, 2020, p.34)

Nishida’s worldview places great importance on the fact that we can change and affect our reality, while, at the same time, he draws our attention to the ways that we are affected by it. Hence, it could be argued that, while in both cases (i.e., Japanese phenomenology and Ancient Greek Drama) the interrelation (bondage) between an ongoing situation and the individual’s perspective is acknowledged, we note that in Ancient Greek Drama the potential of the individual to undergo transformation is highlighted.

4.1 Actors’ peripeteia in Möbius strip: katharsis & flower

According to Aristotle in his Poetics, peripeteia1[12] (Greek: “reversal”) is the turning point in a drama, after which the plot moves uninterruptedly to its finale. It is the shift of the tragic protagonist’s fortune from good to bad, which is essential to the plot of a tragedy. Aristotle explains that peripeteia is followed by a moment of instant awareness whereby the tragic hero reaches deeper understanding of reality.

This article attempts to link peripeteia to other principal concepts encountered in the Ancient Greek drama and the Japanese theater as Noh and Kabuki—here seen as the precursors of Butoh. Lazarin (with reference to Aristotle) describes the cathartic effect of Ancient Greek drama mentioning that:
The states of mind that accompany the most intense and therefore effective, cathartic experiences are astonishment (εκπληκτικός; Poetics 1460 b27) and wonder (θαυμάσιος, Poetics 1452a4). (Lazarin, 2006 p.209 quoted by Kolliopoulou, 2020 p.193)

Lazarin explains that according to Aristotle, katharsis should occur:
At the climactic movement and follow naturally from the construction of the plot and the motivation of the character. (Ibid)

Hence, we could also define katharsis as the feeling of resolution that comes after the embodied knowledge gained via peripeteia, when being faced with the nonsensical nature of reality. Katharsis has a healing potential for both the audience and the tragic hero.

Lazarin comments that through the experience of astonishment and wonder that both performer and audience experience in peripeteia,
Katharsis occurs as a clear marking point or separation from the ordinary state of affairs: transcendence […] the ultimate aim of dramatic performance is to move the audience to a new and presumably higher level of consciousness. (Ibid)

Aristotle’s definition of Tragedy sheds light on the term katharsis as follows:
Tragedy is an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; it is a mode of action and not narrated; and effecting through pity and fear the katharsis of such emotions. (Aristotle 1449b Poetics 6)

Reassuming, katharsis is an emotional shift induced in the spectator throughout the embodied action of the actors who find themselves in a liminal experience, that is peripeteia. Katharsis has a transformational effect on the performer(s) and the audience which resonates with Butoh’s metamorphic journey. (Fraleigh, 2010)

Zeami, the greatest playwright and theorist of the Japanese Noh theater, was fascinated by human emotions which go beyond the rational. His research has been concentrated on identifying the modalities in which performers and their audience are steered to a transformation state that exceeds and transcends everydayness. Zeami used the metaphor of a flower to refer to the transformation of the self as an active process:
Form is, so to speak, a bridge between the will and the body. In other words, the artist creates an agreement between himself and nature. And in this process of struggle with his materials and his body […] the object of his concern is nature. (Masakazu & Matisoff 1981, p.215 quoted by Kolliopoulou, 2020. p.189)


Figure 7: Pic from Möbius strip performance at Fournos lab, Athens

Zeami insists on the fact that to reach the flower (transformation) the actors need to be active both in their body and mind: ‘for the true Flower, the cause of its blooming and also of its falling is in the will of the actor.’ (Zeami 2010, p. 96, quoted by Kolliopoulou, 2020, p.190) He envisions the body-mind in its organic ensemble as the attainment and cultivation of the flower.

Zeami places great importance on the willpower of the actor to master the body-mind: The nonsensical is the primal material of the actor and it is stored within the actor’s body. If ‘tamed’ and channeled through technique, it creates the Japanese Noh theater.

What is more nonsensical than the theater of war, where established values and principles are overturned in a terrifying and absurd way? In Möbius Strip, peripeteia takes place in the dynamic time-space of escalating warfare, when two fatally wounded soldiers suddenly realize that they have more things that bind them together than reasons to fight each other. Their peripeteia occurs in the ‘konpaku’ of their death. Their katharsis is the realization that they are made from the same ‘flesh’ (Castaño, 2019). As Merleau-Ponty calls it in his attempt to understand the ontology of the body in-the-world, ‘he and I are like organs of one single ‘intercorporeity.’ (S, 168/ 274 quoted in Marratto 2012, p. 144).

Ultimately, we could conclude that flower and katharsis occur from the actors’ embodiment of the action, and they point to the relational self. The concept of flower exposes the struggle of the actors to master their body-mind as their primal material for their art, whereas peripeteia and consequently katharsis mobilize the tragic hero to a greater awareness of their attunement in the world. Ultimately, this relational self is in an ongoing process of transformation between the self and the other: like a Möbius strip twirling out of the Anthropocene.

Endnotes

[1] https://avarts.ionio.gr/en/department/people/665-kolliopoulou/
[2] http://www.elenivisualart.eu/interruption-ineffability/mobius-strip-mixed-media-performance/
[3] http://www.elenivisualart.eu/interruption-ineffability/ordinary-people-video-performance-2022/
[4] http://www.art-c.keio.ac.jp/en/archives/list-of-archives/hijikata-tatsumi/
[5] https://butoh-kaden.com/en/worlds/
[6] In the etymological sense that the whole (holo-) is inscribed (-graph) in each of its parts.
[7] http://www.kazuoohnodancestudio.com/english/kazuo/
[8] The Japanese word is: 魂魄[Hiragana: こんぱく] meaning ghost, soul, apparition, ghostlike
[9] Basho has been explored later by Nishida’s student Keiji Nishitani (1982) who coined the term Circuminsessional Interpenetration.
[10] Apart from being a means of dealing with a difficult situation, a solution has also the meaning of compound between two or more liquids, a synthesis.
[11] https://www.facebook.com/FournosLab/
[12] https://www.britannica.com/art/peripeteia
Images 2-7 are author’s pictures.

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The Role of Imagination and Fäerie in Education as a Response to the Crisis in the Anthropocene

Introduction

The current challenges in the so-called Anthropocene[1] age seems insurmountable and has led to disastrous problems. These challenges are brought on by the exploitation of nature for the benefit of our comfort and economy. To counter this, various measures such as UN’s Sustainable Development Goals (SDGs), reforms in schools, green policies, measures to electrify more of the industry and so on have been put into effect to combat the negative consequences. Here in Norway, there has currently been a school reform that, among other things, has put a central focus on sustainability together with employability. A key factor in the reform is the development of problem-solving skills, and a strengthening of the paradigm from the STEM-courses, with more focus on quantifiability, problem-solving and measurement. Nevertheless, we almost daily hear about climate feedback loops, tipping points, and overshoot day. It seems that nothing we do is enough.

The reason for this, is that the measures and attempts at meeting the problems in these Anthropocene times are working within the framework of an epistemology that sees nature as a measurable object that we can manipulate for our benefit. Albeit it seems the manipulation now should be “gentler”. A brief analysis of the school reform in Norway and the intentions behind it, will show how this reform contributes to a further strengthening of the view of nature as an object. The reform is an example of how such a focus is not enough for dealing fundamentally with the problems we are faced with today. For this we need an approach where nature is not merely seen as an object, and the subject as something unreal. This point will be clarified through a presentation of the Norwegian philosopher, Hjalmar Hegge’s analysis in his book Mennesket og naturen (1978).

The background for Hegge’s analysis is his critique in his 1957 book Erkjennelse og virkelighet of the theory of subjective sense-qualities. This theory undermines our experience of the world as being somehow not really real. The really real world is here defined as that which is mechanic, that we can measure in waves and pressure. Due to this theory, an unbridgeable polarity between human consciousness and nature has been created, where these are seen and understood as dual opposites. It is not the polarity itself that is the problem; the problem is that the two poles, human consciousness and nature, are seen as separate realities – so they seem a duality. However, polarity does not mean duality, instead it signifies a tension between to opposite poles creating a “third” (symbols, artworks, concepts a.s.o.), such as we can see in Goethe’s theory of colors, where the polarity between light and dark is what brings forth colors.

Hegge writes in the context of the “positivism-strife” that happened in Norway in the middle of the 20th century[2]. However, despite his critique of basic positivist and sense-empirical standpoints, Hegge himself is affected by these tendencies. This is part of the reason why he himself does not really find a proper response to the unbridgeable polarity, since he analyzes it too rationalistically leading it to be get a dualistic slant. Even though he discusses Goethe and Schelling as two examples of a counter-position to the scientism of their age, where the polarity of man and nature is bridged through their epistemologies, he does not bring these into a solution by the end of his book. His solution is a rather unsatisfactory call for an “inner” reflection across subjects and sectors about nature and our relation to nature (Hegge, 1978, p. 153). One aspect of Goethe’s and Schelling’s philosophies that could be explored, is their theories of the imagination. In these theories, nature and human consciousness are “fused” through the workings of the imagination to create a concept, symbol, or an artwork – thereby bridging the gap.

In this article, however, I have not chosen Goethe or Schelling, but instead the English poet-philosopher Samuel Taylor Coleridge and the modern fantasy-writer John Ronald Reuel Tolkien and their analysis and discussions of imagination and the realm of Fäerie. These two writers are good representatives to look at how a different epistemological understanding can bridge the gap in the polarity between human and nature. In these theories, the creative force of nature and of humans shows itself to be the same force, and by nurturing imagination the created artworks can point us to more universal truths and a different understanding of nature and our relationship with nature altogether. The reason I chose Coleridge and Tolkien, and not Goethe and Schelling, for example, is that Coleridge and Tolkien allow more easily for a reflection around pedagogical approaches usable in school and classroom settings, which will be vital in bringing up young people to maturity with a different view and relation to nature than the dominant one today[3]. We will therefore begin with looking at the school reform to show how, despite some good intentions, it is ultimately lacking in dealing properly with the current environmental and climate problems.

The short-comings of the Norwegian education-system in facing the problems in the Anthropocene

The recent reform in the Norwegian education-system has slowly been implemented since 2020. Before the reform was initiated, work was done to analyze both the current situation of the education system and future needs for a sustainable Norwegian society. One of the earliest documents laying the grounds for the reform came with the official report named The School of the Future. Renewal of Subjects and Competences, in 2015. Early in this document we are presented with what the authors of the document has deemed the main important goal of education: to “produce” employable students “for the development of the economy and competitiveness of Norwegian business and industry” (MOE, 2015, p. 8). From a sustainability-perspective it is a fair point to highlight the importance of a healthy economy, since economy is one of the three pillars of sustainable development (the two others being the social and environmental pillars).

An important and foundational concept guiding the work in the various subjects in the school is “competences”. Competences are, and should be, an important part of education. The problem is that these become the sole focus, and they are limited to merely solving tasks and challenges: “Competence means being able to master challenges and solve tasks in different contexts” (MOE, 2015, p. 19). This is not negative as such. We need these competences for a well-functioning society. However, these competences are predetermined by the needs of the market and industries for a profitable society. Therefore, the students merely need to acquire them, meaning that the change a student is to go through, is to adapt to “fixed demands set for development – to become competent” (Hilt and Riese, 2022, p. 107).

This is further strengthened with the focus on problem-solving skills, and especially how concepts such as creativity and innovation are defined. For example, the report defines creativity in the following way: “creativity is understood as being inquisitive, persevering, and willing to be imaginative when solving problems” (MOE, 2015, p. 10 – my italics). In this way creativity and possibility for “newness” is severely restricted and geared towards a certain skillset for a competitive Norway needing. The needed skillset is often defined as a technological one falling within the STEM-courses, where developing green technologies seem to be the answer and solution to our current problems. One could argue that this is a scientifical-technological approach that mainly develops students into passive receptacles of problems to which their competences, creativity and innovative thinking is then applied to[4].

This has consequences for how the education-system thinks and teaches sustainability. When the basic focus is to develop and acquire pre-determined competences that are based on problem-solving skills defined by the industry and the requirement for a “profitable Norway”, it seems we merely end up symptom-treating the problems, if even that. To deal fundamentally with the current problems, we cannot have a one-sided focus on problem-solving skills or competences geared towards business and technology. Furthermore, this technological view, is a view that treats nature as an “it”, something we can manipulate, and through this manipulation solve the problems we are faced with today. This is not to say that technology is bad overall. However, one should ask if the necessary “green” technologies will fundamentally do much to deal with the problems we are facing at its root. If developing competences and problem-solving skills are mainly to develop green technologies or changes in industries, do we then really solve the problem or just treat symptoms?

As we saw above, the possibility and potential for transformation that can eventually lead to a change of perception and relation to nature is severely restricted. The pupils are shaped into pre-determined competences for the sake of developing skills for a profitable (and green) Norway. There is increasingly less room for approaches that challenge the current frame of mind, since so much is geared towards technology and employability. To put it polemically: students become more like employable automatons ready to solve problems when problems occur.

Hjalmar Hegge and the limits of the current epistemology in solving our current crisis

Hegge expresses concern about the way we humans are beginning to view ourselves as automatons as a result of viewing nature as a measurable object. We ourselves have become a human type that not only thinks in technological, mechanistic ways, but a type that experiences the world like this. We more and more view ourselves as Descartes viewed animal: as complicated machines. This can also be seen in the we talk about how certain behaviors or characteristics are “programmed into the genes”, and how the brain “is like a computer” – we are becoming automatons ourselves. As he says: by having mechanized nature, we have mechanized ourselves (Hegge, p. 150-51). I think this is also the reason we fear that AI will develop consciousness and become human. Only an amputated and mechanized view of humans can give soil for such an idea and fear.

In Mennesket og naturen, Hegge gives an ideal-typical presentation of one aspect of the development of the Western consciousness and our relation to nature from prehistory till modern times. The basic tenet of his book is a critique of the theory of the subjectivity of sense-qualities that he had earlier presented in Erkjennelse og virkelighet. In Mennesket og naturen he applies the epistemological analysis and shows how the theory of the subjectivity of the sense-qualities has serious consequence for nature, mainly because it reduces nature to be of a mechanistic character, where the primary qualities are what can be measured as waves or force, and the secondary qualities, such as tone, color, smell and so on are seen as merely subjective and not really real (cf. Hegge, 2003/1957, foreword). His presentation is therefore not a full picture of the development of Western history of ideas, but a small aspect, that despite this limited focus does highlight an important challenge in the current Western mindset and relation to nature. In this article there is no room to enter into the details of his presentation of this development. I will here only focus on the last part of his book, which deals with early modern to modern time.

Hegge pinpoints three main tendencies in our current relation to nature:
1. External oriented subjugation and exploitation of nature
2. A mechanistic view of nature
3. A natural scientific developed technology

These tendencies are based on a view of nature, where nature is seen as something “out there”, that is different from the nature we experience. The view can be summed up by the following quote:

Nature (the world) is in reality just a barren compilation of swirling atoms, with no purpose or meaning, and the human is merely a random product of a biological development explained in physical-chemical terms. (Hegge, 1978, p. 133)[5]

An important phrase in this quote is “in reality”. The reason Hegge is concerned with this phrase, is because it signifies a relation to the world with a strong polarity between human consciousness and the nature “out there”. This is most clearly seen in his explanation of how qualities such as color, heat, lights, sound has been reduced to abstract quantifiable concepts. To be able to measure these, they had to be explained in terms of an extension-and-movement language, such as waves and push. Furthermore, these quantifiable properties are now deemed the only true ways to attain knowledge of nature. The red we see is not really what we think it is, it is actually just waves. The really real world is understood as being toneless, colorless, tasteless and with no heat nor cold (Hegge, 1978, p. 128).

According to Hegge, such a view does not give us knowledge of nature as a whole. All we can know with such an epistemology is its mechanistic, quantifiable side, and this is how we view nature as the really real nature. In other words, we have created a “conceptual screen” that establishes a split with ourselves being “inside”, and nature, matter, being “outside”. The consequence of this conceptual screen is that we view nature and matter only on its surface, we never catch their depth (cf. Sugerman, 2008, p. 192). Thereby, the polarity seems as if it is a duality with two separate realities. What we can see, measure and touch are only an outside, and in these measurable quantities we can manipulate nature and secure our grasp (cf. Ibid, p. 193). This has, in a sense, made us see nature as a dead, mechanic world. And with such a view, nature is reduced to an object that we can manipulate for our benefit.

Hegge contends that this is the view that is spread through TV, radio, magazines, and in education and has therefore become a sort of “common property” (No: allemannseie) more or less consciously adopted. The image of nature often given here is one of a dead mechanism, which is something that we as humans cannot identify or feel at home in, and we thereby lose our connection with nature. This mechanistic view of nature is the decisive cause for the crisis we are facing today. Because, as we saw above, when nature is viewed as a dead mechanism it is easy to exploit it for our own benefits (Hegge, 1978, p. 133) And the more we know and understand of nature as a mechanism, the more we can manipulate it.

The practical consequences of this can be seen in the technological development, which the mechanized worldview goes hand in hand with. Here the main point is to manipulate and control nature to exploit it for our benefits (Hegge, 1978, p. 139). With the industrial revolution, this has reached a climax today, where manipulation is also seen as the only way to save us from the consequences of the Anthropocene.

However, it is vain to attempt solving the problems within this frame. We need to “break” with the epistemology where human consciousness and nature are seen as two dual realities, but instead see them as two poles of a polarity. This is the root of the problem with which we need to deal, if we are to make fundamental changes in our relation to nature, and not merely symptom-treat the problems. As Hegge shows, the fundamental problem is a relation of a polarity that has become so strong, that it seems unbridgeable, and where subject and object, human and nature, are seen as two different worlds – as a duality. What is needed is something that can reweave the self and the world around us, where our subjective experiences are not viewed as less real or unreal, but as real as the measurable world around us, and is experienced as a co-creative force with nature and the world; fusing subject and nature together in its creativity. In other words, we need an epistemology where the knowing human and the known world is reweaved, and thereby pave the way for a new relation to, and living in, nature and the world.

Imagination: bridging the gap in polarity

With imagination Coleridge felt he had found a way to “knit together again” subject and object, human and nature, and bridge the gap between the two; a gap that was strengthened with the mechanized worldview (Engell, 1981, p. 7).

To bridge the gap there needs, however, to be a congruence between the I and the other. This happens through self-consciousness. Here we have the identity of subject and object, where, as Sugerman says: “by virtue of the free act of the will of the self or subject “constructing itself objectively to itself”” (Sugerman, 2008, p. 197). This conception of self-consciousness can then be elevated up to the “eternal I AM”, where being and knowledge are absolutely identical (Ibid). On this basis we have the important foundation for seeing how imagination works in bridging the gap between the two polar opposites.

We will therefore now look more closely at Coleridge’s definition of imagination, and his distinction between the primary and the secondary imagination. The most famous expression of the difference between these two comes in chapter XIII of the Biographia Literaria:

I consider [imagination] either as primary, or secondary. The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM. The secondary I consider as an echo of the former, coexisting with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create; or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. (Coleridge, 2008/1817, p. 313).

On the one hand, the primary imagination is here described as a necessary “foundation” for our operation in life. It is the “faculty” through which we perceive the world around us. In this way it is passive. However, it is also a “power” of human perception – being a repetition of the “act of creation in the infinite I AM”. Therefore, it is also a generative and creative power, where the same law that created and is creative in nature is the same law with which we are created and being creative. Cheney describes the primary imagination as a “mostly involuntary productivity” – being that in which we are conscious of things (Cheney, 2020, p. 109). Engell interprets this as being basically a process of education, where one forms knowledge of nature and the symbols, terms, concepts etc. used in the world around one, which then become part of us, and our expressions and actions (Cf. Engell, 1981, p. 344-45). This process rests on a correspondence between the “inner” and the “outer”. For Coleridge, knowledge depends on noumenal forces that work within us as well as in all life (Sugerman, 2008, p. 200).

Coleridge defines the secondary imagination as an esemplastic power, that which shapes into one (coined by Coleridge from the Greek eis en plattein) (Coleridge, 2008/1817, p. 239). The secondary imagination is that through which a person, with their own volition, forms and fuses together the sense-impressions with (a universal) “truth” into one to create what he calls the third, the tertium aliquid. This, then, is the symbol where self and world interpenetrate (another word Coleridge coined). In other words, the secondary imagination is where we operate as individuals on a volitional level. As we can see in the quote above, this is where we not merely co-create, but re-create by dissolving, dissipating, and diffusing, to then put together again.

However, this does not mean that one should seek to express one’s personality. To confuse an individual’s personality with “the register of what is human” must be avoided (Engell, 1981, p. 348). The symbols are not to express a particular truth; instead, the symbols should point to universal truths. To achieve this is the sign of high poetry. This is something which Shakespeare is praised for by Coleridge. The ideal of unity is seen in Shakespeare’s characters where all genera are “intensely individualized” (Engell, 1981, p. 356).

A key in Coleridge’s philosophy lies in the definition of the primary imagination being a “living power and prime agent of human perception” and “repetition in the finite mind of the eternal act of creation”. Since the secondary imagination springs from this, the sense-perceptions are important. Imagination should therefore be seen as both an active and a passive power that joins the world of self and world of nature. Hence, the poet creates symbols, which gives concrete form to ideas and passions, and connects these with the objects of nature – in other words: imagination elaborates essence into existence (Cheyne, 2020, p. 117) – as can also be seen in the last sentence of the long quote above: “It [secondary imagination] is essentially vital, even as all objects (as objects) are essentially fixed and dead” (Coleridge, 2008/1817, p. 313 – my italics). Coleridge hoped that imagination could be the cause of “a human reunion with nature and the source of the principles of the universe” (Cheyne, 2010, p. 41). In this way it would be the force that could bridge the gap between the world of nature and the world of consciousness.

According to this, artistic creativity would stem from inward movement, through the mode of operation of the imagination that fuses together subject and object. Through imagination the subjective pole of being and the objective pole of natural phenomena interpenetrate (Engell, 1981, p. 339), and the creative force of nature is experienced as the same as the creative impulse of man, creating an artwork pointing to universal truth. Art is here understood in a broad sense of “language, poetry, painting and the like, which are bridges thrown out toward an invisible shore and which bring new worlds into being”; as such art and creativity is a revelation (Sugerman, 2008, 200) – and not just something with which we solve problems. As Coleridge says:

Art itself might be defined, as of a middle nature between a Thought and a Thing, or, as before, the union and reconciliation of that which is Nature with that which is exclusively Human. (Coleridge, quoted in Cheney, 2022, p. 123)

An artwork created through the workings of imagination can therefore have a powerful effect on the experiencer of the artwork. Tolkien explores the effects of one type of created artwork, the literary genre of fantasy, the realm of Fäerie, which we will now investigate, to strengthen why we would need a focus on these in our educational system today, to counter the current trend towards increased unbalance in the polarity, and more thoroughly deal with the environmental and climate problems we face today.

Tolkien’s realm of Fäerie: renewing our relation to nature

The realm of Fäerie is created through a process of Sub-Creation, which is akin to imagination. Sub-Creation starts with our experiences of the world and through our senses. This Tolkien explains by looking at the importance of the “invention” of the adjective. If we take the adjective “green”, for example, coupled with the noun “grass”, then instead of seeing a thing which is “green-grass” we became, with the adjective, aware of green grass. This gives us the enchanter’s power to separate green from grass, yellow from sun, and instead produce a green sun, as the famous example from Tolkien goes (Tolkien, p. 41).

What is important to Tolkien, is that in making a green sun, one needs to make a world where a green sun is a believable reality. If not, one merely creates “fanciful” decoration (Tolkien, 2014/1947, p. 61 – he himself uses the term fanciful here). What is needed is to create a Secondary World that will command Secondary Belief in the reader – only in this way will one truly be a sub-creator. Making Sub-Creation is something that requires skills and labor (Ibid). Fantasy is the highest expression of Sub-Creation since it creates an “inner consistency of reality” in the work, which is the realm of Fäerie where this comes alive (Ibid, p. 59).

In a similar vein as Coleridge’s definition of imagination, we can also see in Tolkien a definition of Sub-Creation as a way of creating by the power which we are created. Of course, both being Christian thinkers, this is equated to God (Flieger, 2002, p. 41). However, this does not mean we have to be Christian thinkers ourselves to see the significance of the Sub-Creative act. What is important here is that we ourselves are part of a force with which we create, not only a product of it.

Fäerie, then, as much as being a creative artwork of a sub-creator, is also something which will have an effect in the readers of the Fäerie-story, and in such a way makes the readers themselves co-creators. These effects will according to Tolkien create a healthier relation to nature. The effects Tolkien discusses are fantasy, recovery, escape and consolation. Fantasy has already been mentioned, and good Fäerie creates good fantasy, that will lay the foundation for the other effects.

If we begin with recovery, we can read the following from his essay to his story The Smith of Wootton Major:

Faery represents at its weakest a breaking out (at least in mind) from the iron ring of the familiar, still more from the adamantine ring of belief that is known, possessed, controlled, and so all that is worth being considered […] More strongly it represents love: that is, a love and respect for all things, ‘inanimate’ and ‘animate’, an unpossessive love of them as ‘other’ … Things in this light will be respected, and they will also appear delightful, beautiful, wonderful even glorious. (Tolkien, 2015/1967, pp. 143-144).

The effect of recovery redirects our attention back to the Primary world. Through recovery from the secondary world of Fäerie we gain a renewed way of seeing and sensing this world here. This is “seeing things as we are meant to see them” – a way of seeing that purifies things from their “drab blur of triteness or familiarity – from possessiveness” (Tolkien, 2014/1947, p. 67). An important phrase here, is: “an unpossessive love of them [all things animate and inanimate] as ‘other’”. Not only is the unpossessive love important, but it is especially the word “other” that strikes us. The love for all things involves a change of view of them as not “its”, but “others”. This will then bring about respect, delight, beauty a.s.o in how they appear to us, and, I will add, in how we act and relate to them.

Recovery comes hand in hand with the escape from the “triteness of familiarity”. For Tolkien, escapism is not to be viewed as a negative thing. Like a prisoner wants to escape prison, so we would most likely want to escape the strait-jacket of modern industrial life, which he deems as ugly, empty and transitory. In comparison to this Fäerie is much realer in many ways. He argues against the notion of “real life” that this world and life we are currently living in is often defined in opposition to “escapist” fantasy. Furthermore, what Tolkien speaks of here, is an escape from separation from other creatures and nature as such. For Tolkien, that Fäerie consists of speaking trees and animals, is an expression of a desire to regain a connection once lost. The severance from nature he expresses as being a strange fate and guilt on us. Being a Christian thinker, he ties this to a desire to connect to life before the Fall (Tolkien, 2014/1947, p. 74)

The ephemeral nature of the modern, technological world, where items are replaceable and empty – soon new, much sooner obsolete on behalf of another item or upgrade – is therefore something one should try to escape from, in order to gain a deeper insight into eternal truths. The “eternalities of myth and Faerie, unreal though they may seem have outlasted, and will outlast improvements and artifacts of ever-changing technology” (Flieger, 2002, p. 26). This is how I interpret the effect of consolation; as we saw in the quote above; one sees nature and the world as an “other”, not an “it”. Something which we need to respect and not just manipulate. In this way we recover our relation to nature again, to a more healthy and equal relation.

However, a limitation of Tolkien is that the realm of Fäerie must be read; it has to be a literary, or narrative, artwork. For example, he argues against Drama as a literary genre, and as especially unfit for Fantasy (Tolkien, 2014/1947, p. 61). Despite the advancement of special effects that can dazzle the viewer in today’s movie theaters, the problem for Tolkien is that this will always just be beheld, not imagined. It is only when we imagine that the effects of Fäerie can be achieved. To imagine is to connect the specific with the general. Only when the readers themselves take part in the imaginative process, do they become co-creators. An example he gives is that when we read about a piece of bread, we add our own image to the text. The bread as concept and the particular bread we picture is, then, a fusion of the universal with the particular. When we behold a work of fantasy redone as a movie, we will see a particular bread on the screen, and not add anything ourselves. This mundane example shows the power and importance of nurturing imagination and fantasy as a reader and, hence, co-creator (Tolkien, 2014/1947, p. 63).

For Tolkien, then, language has the “power” to create a fantasy realm, Fäerie, and words can “modify perception, thus stimulating the imagination that uses it” (Flieger, 2002, p. 40). Therefore, language has enchanting powers in the right hands, and can therefore have powerful effects on the reader of a fantastic piece of literature.

One can analyze forth a similar power in the purpose of poetic activity and the creation of the symbol that we saw above with Coleridge, where universal truths are communicated, elaborated, into the created work. One could say, with inspiration from Sugerman’s essay on Coleridge and the imagination, that through these artworks one establishes an equal existence of another, the object, as an “other”. With this is meant, according to her, a recognizing of the “independent existence of another by rejecting sameness and affirming equality” (Sugerman, 2008, p. 196). Thereby some of the effects of artworks in general are present also in artworks beheld, not just read.

From this, we can point out some important paths for educational settings in response to the crisis of the Anthropocene. Instead of nurturing automatons and skilled laborers, we can also balance this out with nurturing co-creative humans where manipulation of nature as an object has been transformed to a creative activity in relation to an other.

Imagination and Fäerie in education

The intention here is not to reduce the importance and necessities of the STEM-courses. The intention is to show why we need a balance in the educational setting, that will give room for nurturing faculties that will eventually make possible a different relation to nature altogether. The focus on sustainability and STEM-courses can go a long way in reducing the speed of escalation of the problems. The problem, though, is that the epistemological framework this focus functions within reduces nature to an “it”; being something for our benefit, and therefore it can be questioned if working within this framework will fundamentally be enough.

Although it can seem as if one needs to have a high level of poetic talent to be able to experience the workings of imaginations, we can, first of all, be reminded that we do not all of us have to create a realm of Fäerie. As we saw with Tolkien, reading it is enough to gain the effects. Furthermore, it is possible for all people, not only poets, to experience the creative process, at least as co-creators, even in what Coleridge calls secondary imagination. This is because the process of creation itself is of importance. Here on can experience the creative force within oneself, although one does not necessarily have high poetic skills. Instead of performing a mere utilitarian, mechanistic manipulation of nature, we need to develop an attitude of aesthetic shaping of nature, nurtured by respect due to an awareness of us and nature being part of the same creative force.

Therefore, the theory of Imagination as analyzed through Coleridge and Tolkien gives an interesting alternative to reconsider and develop our relation to nature and the world in an educational setting. Consequentially, it is important to have a more balanced focus on the different courses. In the last many years, artistic courses like arts and handicraft have been prioritized away. Furthermore, the aspect of literature and artworks in courses like English and Norwegian has been reduced for the sake of more skills-focused education. If we remember the public Norwegian document, the focus and intention behind the reform was to create employable workers for a competitive Norway. In this document, creativity is also reduced to being merely about solving problems. This is not unnecessary or unimportant, but the focus severely limits our potential for creative development of human-nature relations.

If the school is to be an arena to develop full human beings, and not just workers or resources, and properly answer to the crisis facing us today, it is necessary to have courses and elements in where students can develop their imaginative faculties. This should be prioritized as much as STEM-courses and problem-solving skills. Giving room for students both to read literature of the fantasy-genre, poetry, but also to experience the process of creating other types of artworks, or even to delve into RPGs like Paulsen and Mosberg encourages, will nurture their imaginative faculties, and open up for an experience of creativity larger than the mere particular self-expression. In this way creativity is seen as something much more than merely solving problems – it is a way to co-create with and as nature, and through this create a newness through the artwork. And through this, we can experience, as Tolkien says of the effects of Fäerie: a breaking out of the strait-jacket of the modern, ephemeral technological life and see deeper truths, which will reconnect us, as subjects, with nature again – where both we and nature are seen as equally real, and equally important.

Conclusion

This article has hoped to show that the current focus in education, with Norway as an example, is not enough to fundamentally deal with the problems facing us today. An alternative approach to the current educational focus is of the essence if we are to respond to the problems we face at a more fundamental level. Considering the depth and width of both Coleridge and Tolkien, this has merely been a “teaser” for how such an approach may look.

As much as the educational reform has good intentions in meeting these issues, we see how its focus severely limits human potential and creativity to be merely about solving problems and working. The reason for this is a limited epistemological framework, that reduces nature to the surface-values of measurability and quantifiability, completely ignoring the reality of the subjective experiences of nature and the world, which was shown through Hegge’s diagnosis. Fundamentally, the problem is that one pole in the polarity has dominated, rendering the nature out there as an objective “it”. Not an other.

A response to this can lie in imagination as a working, creative force through human consciousness, where subject and object are fused together through a creative act, creating a symbol that discloses a deep co-existence between the two – where self and other are seen as equal and of equal importance in the experience of reality. Both the created artwork and the process shows us how it is possible to nurture this in students (and people in general), and that one does not necessarily need poetic or creative talent to change one’s relation to nature and its creative force. This, then, can hopefully lead to a change in consciousness through changing epistemological framework, that will make us not manipulate nature, but nurture nature and our relation to it as an other in aesthetic co-creative and re-creative shaping of nature.

To give room to nurture this in schools is essential if we are fundamentally to respond to the issues we are facing in the Anthropocene age. To continue with a view of nature as an “it” that we can manipulate with, however “gentle” form this takes, will not ultimately change much, it will just be treating the symptoms. What is needed is a renewed view of human-nature relation that the theories of imagination as analyzed above can provide.

Endnotes

[1] I refer you to Friberg’s article in the current volume for a discussion of the problems of using this term.

[2] Other representatives taking a critical stand towards positivism in this strife was Hegge’s teacher, the famous eco-sophist Arne Næss, and the philosopher Hans Skjervheim. The latter wrote from a more social-oriented philosophy, whereas Næss and Hegge are more environmental-philosophers.

[3] The concept of imagination is a wide and complicated concept with a long history of ideas. It should therefore be known that I here only explore one minor aspect of it, relevant for the focus of this article. Other important writers just from the romantic period alone could be Schelling, Goethe, Shelley, Keats and so on. As important as these are these will all need their own articles at another time. Furthermore, as much as imagination here is discussed as a positive faculty, it must not be forgotten that almost all the writers on the imagination also warns about the dangers of imagination (cf. Engell, 1981, pp. 282-283). Imagination is a massive force, that can, if not nurtured properly, be overwhelming and destructive. A most prime example here would be the writings of Edgar Allan Poe, who shows how imagination driven by dark forces can lead to madness and downfall.

[4] These are just some examples of how the ideology of reform restrict the possibility for the development of full human beings, and a necessary change in relation to nature. There are other examples of this, also in the documents that followed this first one from 2015. However, these examples are representative of the basic thrust the reform takes us in. For a further discussion of these issues and a more thorough analysis I refer you to the article “The Purpose of Education and the Future of Bildung” by Hanne Riese and Line Hilt (2022).

[5] Norwegian: “Naturen (verden) er i virkeligheten en blott og bar ansamling av hvirvlende atomer, uten mål og mening, og mennesket i siste instans et tilfeldig produkt av en biologisk utvikling, forklart fysisk-kjemisk

Literature

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Cheyne, P. (2020). Coleridge’s Contemplative Philosophy. Oxford University Press.

Coleridge, S. T. (2008/1815-17). Biographia Literaria. In “Samuel Taylor Coleridge: The Major Works including Biographia Literaria”, pp. 155-482. Oxford University Press.

Engell, J. (1981). The Creative Imagination: Enlightenment to Romanticism. Harvard University press.

Flieger, V. (2002). Splintered Lights: Logos and Language in Tolkien’s World. The Kent State University Press.

Hegge, H. (2003/1957). Erkjennelse og virkelighet: Et bidrag til kritikk av teorien om sansekvalitetenes subjektivitet; Ny utgave med et tillegg om reduksjonisme og atomisme i vår tids vitenskap. Antropos.

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Riese, H. and Hilt, L. (2022). “The purpose of education and the future of Bildung”, in Karen Bjerg Petersen et al. (eds) Rethinking Education in Light of Global Challenges: Scandinavian Perspectives on Culture, Society and the Anthropocene, pp. 97-111. Routledge

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Tolkien, J. R. R. (2014/1947). On Fairy-Stories. Harper Collins Publishers.

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Delusions about the human in the Anthropocene

1. Introduction

The Anthropocene is an appealing title for the global scale of current environmental crises when it suggests the problem is one of a nature-human conflict with the responsibility placed on one protagonist of the Anthropocene, the anthropos. It probably makes sense to discuss a biological species’ global impact on the environment within the natural sciences where also competing categories exist (Vernadsky 1945; Steffen et al., 2011; Lewis & Maslin 2015; Bonneuil and Fressoz 2016), but it is problematic in philosophical, social and political contexts because both “nature” and “human” are generalising and ambiguous. As such they are more of a political and ideological character than a descriptive.

I share a concern about the Anthropocene voiced from more sides – for example, by Françoise Vergès who writes that the Anthropocene’s “apocalyptic narrative is an ideological strategy that blames out-of-control forces rather than structures of power” (Vergès 2017, n.p.). The blindness to structures of power gives a false perspective that preconceptualises the problem (Moore 2017, I, 621). As Jason W. Moore writes, “The Anthropocene has become the most important – and also the most dangerous – environmental concept of our times” (Moore 2018, II, 237). A danger is that it frames some of the post-anthropocentric responses that identify human exceptionalism as responsible for environmental crises which is a reductive understanding of the nature-human relation. Different approaches, such as the Plantationocene, Capitalocene (Haraway 2015) and the Racial Capitalocene (Vergès, 2017; Loscialpo 2023) will point out that it is not humanity as such we must approach but a specific human activity.

With inspiration from these discussions, I suggest changing focus from what we do to the environment – which undeniably is a problem – to what we do when we determine what it is to be a human being. This is not to deny that the nature-human relation in Western thinking is problematic, but it is to question a single narrative of that relation which reduces the different practices that form the relation to a single and also extreme narrative then used as representing Western thinking as such. This is more of a political act than a scholarly or philosophical one. When one does philosophy with the belief that it is philosophy but is blind to the political implications, one’s work is ideological. Neither nature, nor human can be unambiguously characterised, and one should be careful about confusing biological agency of human (singular) as a species with political agency concerning humans (plural).

The problem with the Anthropocene can be demonstrated by contrasting how it states that coal transformed the world to the Capitalocene saying that capital and sciences transformed coal, i.e. turned nature into a mere resource for human activity. If coal were the only source of transformation, one would need to ask why the use of coal in medieval China did not become a transforming event (cf. Wagner 2001; Hartwell 1966, 56 f.). It is changes in practices that lead to changes in our interpretation of nature and human, and we do not find a single narrative about centuries of practices in Europe and consequently no simple diagnosis for managing – a revealing notion used in the Anthropocene discourses – the nature-human relation.

The aim in the following is to focus on changes in structures important for what makes sense to us as humans, including for our understanding of what it is to be human. The latter points at the central role of education which is about what we believe is implied in becoming human. The first part of the paper, consisting of two sections, raises some critical issues about the Anthropocene and some forms of post-anthropocentric thinking. It points at how a reductive understanding of nature and human conceals complexities in this relation, and, consequently, it becomes ideological in form. The second part, also in two sections, addresses practices that form our view on human and nature in relation to social roles, production and capital which problematise the line drawn between human and nature and points at how “[t]he question of who is – and who is not – Human is therefore at the core of the climate crisis” (Moore 2022, 14).

Part I.
1. Anthropocene preconceptualisation

The Anthropocene preconceptualises the discourses of environmental problems by reducing the geological Anthropocene to a timeline where “[p]opulation, urbanization, economic growth are all reduced to empirical “indicators” of an abstract globalization” (Moore, 2021, 4). Complex events become a simple narrative in which the invention of the steam engine and the use of coal are the causes of climate changes due to the emission of CO₂ thus framing further discussion by stating that something is the case without asking how it has come to be the case. With a logic of problem-solution we stumble into discussing solutions before critically investigating what makes the problem the problem it appears to be, i.e. by ignoring if it is what it appears to be. The Anthropocene conceals the complexity of the matter and appears as an ideological notion.

The Anthropocene narrative explains that climate changes are the result of human activities and the outcome of a process beginning when our hominid ancestors began to master the art of making tools and the control of fire which helped grow a larger brain allowing for the development of language (Steffen et al. 2011, 845 f.). The trick of argument here is to use “one framework (geology and climatology) to make universal claims about the world—it helps make only one world possible” (Vansintjan 2016, n.p., emphasis in original). This is a huge simplification that allows simple recommendations for policy makers about how to manage populations as we are all in it together, all sharing the same responsibility.

One world has one narrative in which James Watt’s patented steam engine is set to be the defining mark of the Anthropocene (Crutzen 2002). Even though it points at the industrialization of Europe, the blame is on humanity. Why call it the Anthropocene if it only includes some anthropoi (Malm & Hornborg 2014, 63)? In the narrative of one world, it is only accidentally that the innovative steam engine appeared in England.

The inclusion of all humans distributes a responsibility for specific activities to everyone on a planetary scale. Critics pointing out that OECD countries have been responsible for most of the global environmental impact are swept aside with reference to how the increasing impact of the developing countries is the price for bringing people out of poverty (Steffen et al., 2015, 11 f.). Third-world countries will pursue the same course as the first world; consequently, the problem is not Western but the global development we know as the Great Acceleration displayed in hockey-stick diagrams of human-driven changes to the Earth System (Steffen et al. 2011; 2015). Because everyone is believed to pursue the same goals, it becomes a mere matter of the number of individuals and the impact of their activities. In a one-world view, the task is to manage side-effects of technical driven accelerations by more technical innovation including considering the use of geo-engineering (Crutzen 2002; Steffen et al. 2011), thus emphasising “humanity’s responsibility as stewards of the Earth” (Crutzen & Schwägerl 2011, n.p.).

A trick of argumentation here is to combine scientific models, social matters and political administration: a crisis caused by population growth and scarcity of resources requires administration of the resources to prevent social instability. Crisis-management is the answer to what is considered a necessary outcome of humanity’s development, and the Anthropocene proves to be “one Environmentalist expression of neoliberal dogma: There is no alternative” (Moore 2021, 5, emphasis in original). The general notion of humanity conceals that there are specific activities we should announce as problematic, and it ignores recent years’ studies – for example, post- and decolonialism, that have problematised the talk about human and humanity in singular (Bonneuil and Fressoz 2016, 71 ff.; cf. Chakrabarty 2012). The single narrative of the Anthropocene discourse becomes instrumental in suggesting models for management of humans, and we must say “that the inauguration of the Anthropocene is thoroughly ambiguous, and thoroughly political” (Davison 2015, 299). It reveals itself as an ideological notion when the managing of specific practices is for these practices, i.e. legitimating them. Abstractions such as “human” as well as “nature” are not neutral; they are “ruling abstractions”, i.e. they have material force and become “building blocks of hegemonic ideologies that trickle down to the folk concepts of everyday life” (Moore 2023, 10).

Instead of human stewardship, others suggest humanity – we also find generalisations in post-anthropocentric thinking – should have “loved nature enough to restrain a fatal technological lust” (Davison 2015, 300). The lack of love can be seen as the result of an idea of human exceptionalism, the idea that there is “a difference in kind between humans and non-humans and not just a difference in degree” (Descola 2015, 14). Such a belief in human uniqueness is supposed to blind us to the perspectives of other beings. To understand humans, we use specific attributes considered “distinctive to humans – language, culture, society, and history” in a process in which “the analytical object becomes isomorphic with the analytics” (Kohn 2013, 6). A shift to a more-than-human perspective is suggested to enable us to break “open the circular closure that otherwise confines us when we seek to understand the distinctively human by means of that which is distinctive to humans” (Kohn 2013, 6), and to acknowledge the multiple other agents in the Earth System. This perspective should enable a different understanding that “links human cultures with nonhuman natures” (Åsberg 2017, 186) which is needed because we “can no longer afford the modern divide of non- or subhuman and human, nature and culture” (Åsberg 2017, 194). The more-than-human becomes here an umbrella term for including non-human agencies, the human entanglements with ecosystems and establishing multispecies justice (Fieuw et al. 2022, 2; cf. Lawrence 2022).

Human exceptionalism is seen as related to a Cartesian dualism that places the human subject, culture and reason against objects, nature and matter (Conty 2018, 74). Such a confrontation is the occasion for ideals of knowledge through a rational representation of the world in and by a human mind seen to form “the basis for privileged ontological status” (Benson 2019, 259). However, this only suggests that exceptionalism and the ontological dualism are keys to the environmental crises, not how they have come to appear as such. It merely says dualism instead of coal transformed the world and that the solution is to close the gap between humans and other beings with, for example, a new materialism.

New materialism is an example of post-anthropocentric thinking. New materialism covers more variations, for example, negative, vital, and performative new materialism (Gamble et al. 2019; cf. Conty 2018; Rosa et al. 2021, 2 f.; Truman 2019), but common is the claim that matter is not “dead” and exists to be manipulated by a human agent, a view seen to come from Descartes’ epistemology and Newton’s mechanistic view on nature (Barad & Gandorfer 2021, 16; Benson 2019, 257; Truman 2019). Instead we must understand matter has agency that is distributed indiscriminately between all there is, and the exceptional position of humans is thus eliminated by understanding how we are, in a world of vibrant matter, “an array of bodies, many different kinds of them in a nested set of microbiomes,” paving way for a hope that we will start asking questions of the following kind: “if we were more attentive to the indispensable foreignness that we are, would we continue to produce and consume in the same violently reckless ways?” (Bennett 2010, 112 f., emphasis in original; cf. Benson 2019, 260). However, it raises a precarious question. If we are more of an assemblage of bodies with agency, a consequence seems to be that “[m]any contemporary Earth dynamics may be inherently human in origin, but they are not thereby exclusively human, […] Contemporary climate change, then, is anthropoflected, not anthropogenic” (Davison 2015, 303). Furthermore, an increased awareness of the environment seems to presuppose the subject that the environment is environment for and an acting subject capable of changing attitude.

Some forms of new materialism pursue the Anthropocene’s crisis-management when they propose the solution to the problem is to regulate interpretation, thus emphasising “humanity’s responsibility as stewards of the Earth”. It comes without investigating the competences of the reason issuing this interpretation, and some will argue that this is a return to pre-Kantian thinking (cf. Cole 2015), i.e. a neglect of a critical reflection on the capacity and legitimacy of our faculties of knowledge which should prevent us from confusing epistemic thinking with wishful thinking. New materialism criticises the Kantian critical reflection for fostering human exceptionalism because it should imply that a correlation between being and the human subject makes only what the subject can think of matter. However, this ignores that Kant was motivated by investigating reason to establish the limited competences of scientific knowledge and preventing the intellectual harm of materialism, along with fatalism and atheism (Critique of pure Reason B XXXIV) leading to false and dogmatic views of the world. In fact, it is New materialism that is in danger of subscribing to an immodest confidence in human knowledge issuing claims about the character of nature (cf. Boysen & Rasmussen 2023, 12 ff.). Kant wanted to save the world from reason’s imperialism insisting on limiting reason to what is reasonable; New materialism, unhappy with not engaging us in the world beyond human capacities, embarks on a conquest of the world with uncritical postulates of what it is.

Hence, a peculiar consequence is that post-anthropocentric critique of an exaggerate belief in human agency can propose an immodest intellectualistic solution to manage and empower human agency. To avoid the ideological blindness and philosophical inconsistency in such proposals, we should instead give more attention to how changes in practices – such as engineering techniques, accounting, mapmaking, juridical practices, mining, trade, medicine etc. – gradually formed a modern Western world-view and required interpretations that could explain and legitimate these practices along with making explicit their implicit assumptions. Among them is a dualism of nature and man/spirit to which we may ask for “not the metaphysical mystery of conjunction, but rather the practical and political mystery of separation” (Agamben 2004, 16). We must ask for what made coal become a resource and not merely stating that the use of coal is the cause of climate changes to which the answer is new technology to manage human production maintaining the very same system of production. Likewise, we must ask what made dualism an interpretation of the nature-human relation and not dogmatically state it is a false worldview only to offer an alternative in form of a universal idea to manage the mindset of humans globally.

2. New practices, new world-interpretations

This section is a brief interlude to add nuances to the Anthropocene narrative of the scientific revolution and the birth of modernity in the 17th century as the cause of transformation of nature into resources to exploit and of the human subject into an exceptional being confronted with nature represented in a human mind. While we can say that such views appeared although there are competing interpretations of both nature and human to be found, we also have to say how it has been possible to understand nature as a resource and to discard a view on nature as God’s creation in which we also found moral guidance.

Changes in interpretation of world and nature cannot be simply dated to the scientific revolution and to specific discoveries, debates and writings. The changes must be interpreted in relation to several practices that required new explanations. Among them were social changes emerging from crafts people and merchants like when the introduction of bookkeeping in late 14th century moved from merchants’ organisation of their commerce and into the management of the political world: “In the past seven centuries bookkeeping has done more to shape the perceptions of more bright minds that any single innovation in philosophy or science” Alfred Crosby writes (1997, 221). Peter Sloterdijk suggests that the main protagonist of modernity is not Copernicus but Magellan; what forms the modern world is not the idea that the Earth circulates around the sun, but that money circulates around the Earth (Sloterdijk 1999, 56; 856). The entrepreneurs of European trade and colonial expansion, he writes, are no longer rooted in a world with historical points of orientation and in their natal landscape with its significant locations; they move in the abstract places of points and lines on paper, in a mappamundo in which the making of maps transform the concrete world into abstractions where every point is a potential for capital (Sloterdijk 1999, 828). The practices of new sciences also accommodate new institutions and political culture as we can learn from, for example, the debate between Thomas Hobbes and Robert Boyle (Shapin & Schaffer 1985).

The modern sciences discarded a worldview where natural phenomena were signs making something absent become present. The language was one of similitude and resemblance, like in a Wunderkammer, and the Bible the key to interpret the signs. When, “by the end of Renaissance Humanism, language had withdrawn from the world, closing itself up in the abstract space of representational signs” (Esposito 2015, 74) because new sciences offered an ideal language of geometry, resemblance was substituted with representation of order (Foucault 1966/1994, 50 ff.), an order with its own structure and logic representing by “standing for” what is absent instead of “making it present”. Representation now became an independent model, a copy of the original where what connects signs was “a bond established, inside knowledge, between the idea of one thing and the idea of another” (Foucault 1966/1994, 63, emphasis in original). The legitimacy of knowledge was no longer in the order of resemblance in the world, but in the models of representation (Foucault 1966/1994, 78; cf. 218 and Arendt 1958/1998, 290 f.); in the order of a logical structure guaranteed by clear and distinct concepts and secure methods.

However, the limits of this model of representation revealed a new problem and with it a new change in the mode of thinking at the end of the 18th century. We cannot represent the act of representing in a representation. The subject which is the foundation for representation cannot itself be represented in the representations. The subject reflects the world, but the mirror reflecting cannot reflect itself. The sciences about human life, wealth and language – biology, economy and philology, i.e. the topics of what produces the human subject – view the human subject as an object, but the conditions for these sciences reside outside representation (Foucault 1966/1994, 239; cf. 244). Human sciences are no longer about what “man is by nature” (Foucault 1966/1994, 353), but about what enables the concrete forms of human existence. Hence, human sciences are for the analysis “of norms, rules, and signifying totalities which unveil to consciousness the conditions of its forms and contents” (Foucault 1966/1994, 364). Consequently, should this way of thinking disappear, its object, man, will disappear with it (Foucault 1966/1994, 387).

To “unveil to consciousness the conditions of its forms and contents” – to make us conscious about what it is to be conscious and what we are conscious about, or, to know what the subject that cannot represent itself in a representation is, are philosophical questions that have occupied a large number of philosophers since the end of 18th century. This interest in subject and subjectivity gives priority to studies of the human subject but does not necessarily imply man has an exceptional position against nature – nature appears along with the interest in subjectivity in more forms including as drives, feelings, and sentiments that are challenging any idea of an exceptional position. It is not false to say there is a conflict between nature and human, but it is a very reductionist view of Western history of ideas to see human entrepreneurship and its technical use of natural resources as the only characteristics of humans. This only suggests that there is a false understanding of nature and human without explaining how such an interpretation has appeared.

Part II
1. Cheap nature

It is insufficient to say that the environmental crises today are caused by the introduction of fossil fuels with the industrial revolution in the 19th century and that other defining events are the scientific revolution in the early 17th century and an ontological dualistic view on nature. These components are not insignificant but must be accompanied by explaining how they have come to play the role they do. The Anthropocene suggestion of managing human activities globally can have an effect, but the neglect of the structures causing the environmental problems and of the political premisses of this management reveals the ideological character of the management of the planet’s population. Moreover, regulating the exploitation of nature to avoid collapse is still exploitation.

A study that explains what has led to current environmental crises must address the complexity of causes for changes in practices. This requires comprehensive empirical studies and only two significant suggestions can be made here: (a) new technical inventions caused different practices that were articulated and enhanced by the new sciences, leading (b) to changes in economic structures necessitating a devaluation of nature and the relocation of large numbers of humans into a cheap nature.

(a) The transition from medieval to early modern world in the 15th century witnessed “the greatest landscape revolution in human history” with respect to “speed, scale, and scope” (Moore 2016, 91). It not only transformed the landscape but caused “a new pattern of environment-making” (Moore 2016, 97). New machines, new agricultural methods, new chains of production appeared in the outgoing Middle Ages and made, over centuries, machines, like the steam engine, accelerators of this process. It has led to how we today find that “[a]griculture is now the mechanized food industry” (Heidegger 1977 [Die Frage nach der Technik], 15).

The technological innovation transformed nature from something we work with to something that works for us (Moore 2017, I, 613). A nature put to work is not only a nature domesticated through deforestation and expansion of agricultural land; nor is it one of providing different means for specific products such as metals for tools. It is a nature that can be subject to planning and control through division of labour, where a process of production can be reduced to a number of specialised partial events distributed in a chain of production where each part can be optimised for their contribution to the total outcome – a nature of which regulating and securing are chief characteristics (Heidegger 1977 [Die Frage nach der Technik], 16).

Such a view on nature corresponds to the new sciences of the 17th century that discarded a view on nature as one that reveals a meaning for our existence in a language of resemblances, analogies, allegories, and other literary figures for one that subsists human existence. The nature of sciences is described in a language of mathematics compatible to a mind of accounting, map-making and administrative technologies (Moore 2016, 112), and it is beneficial for practices such as the trans-Atlantic expansion with its monoculture and slavery that emerged in the 16th century. Likewise, it relates to productive aspects of intellectual investigations opening a field of research “through the projection within some realm of what is – in nature, for example – of a fixed ground plan of natural events” (Heidegger 1977 [Die Zeit des Weltbildes], 118). Not experience, but models of representation conceiving conditions for experiments constraining “the anticipatory representing of the conditions” (Heidegger 1977 [Die Zeit des Weltbildes], 121, cf. 124 and 129 f.) characterises the modern sciences. The methodological investigation of nature through experiments matters, not experiences (Koyré 1973/1992, 169).

The success of modern sciences is not merely due to beneficial explanations of phenomena, but also to their use for productive and administrative purposes explaining how to construct artefacts that make nature work for us. The explanations correspond to changes due to, for example, new agricultural technologies and medicine, new instruments for measuring and discovering the world, and new inventions transforming daily living. New practices discarded the metaphysical interpretation of the world that guided human existence and emphasised a responsibility for what we have been given a user right to but no ownership of. Instead, they could offer means of intervention through models of representation.

Simultaneously with the landscape revolution of the 15th century, feudalism was confronted with becoming economically and ecologically unsustainable because of decreasing revenues due to an increasing population on exhausted soil causing deforestation, geographical expansion and urbanisation which put further pressure on land (Moore 2003, 106 ff., also pointing at how different structures made Europe and China develop differently 121 ff.; Federici 2014, 61 ff.). An answer to the crisis was “land privatization and the commodification of social relations” (Federici 2014, 66); hence, the modern age “began with the expropriation of the poor” (Arendt 1958/1998, 61; 254 ff.) when the commons that had served as social security were privatised. With the commons disappearing, more people were forced to work for money. Substituting an economy of product-exchanges with money-economy changed social relations by creating an abstract relation of value separated from the direct production, and transformed “human activity into labor-power, something to be “exchanged” in the commodity system” (Moore 2016, 85; cf. 2003, 130 f.). Instead of land productivity for sustaining life, labour productivity for accumulation of wealth became central, and with it “an irresistible tendency to grow” (Arendt 1958/1998, 45) enhanced by transforming consume into something non-satisfied (Arendt 1958/1998, 124; cf. 143 and Böhme 2017).

(b) The economic crisis of feudalism in late medieval times made it of importance that labour, food, energy, and raw materials were devalued to accumulate value (Moore 2017, I, 611; cf. 2016, 101 f.). A central component in the relation to nature since late 15th century has thus been to make it cheap “understood as work/energy and biophysical utility produced with minimal laborpower” (Moore 2016, 99). A nature made cheap is one of “relocating many – at times the majority of – humans into Nature, the better to render their work unpaid, devalued, invisibilized” (Moore 2018, II, 242; cf. Vergès 2019; Schmelzer 2023). One group relocated were women confined to the unpaid or cheap labour of reproduction; another group the increasing number of enslaved people. Along with relocation came a need for regulation and control. A mean is through social norms, like the sanctuary of the family, and political regulations, such as criminalization of contraception (Federici 2014, 92). An extreme form was the witch hunt that Silvia Federici explores for its role “in the development of the bourgeois world, and specifically in the development of the capitalist discipline of sexuality” (Federici 2014, 197).

The Anthropocene assumption of a nature-human conflict and human exceptionalism ignores this relocation. The mastering of the environment through human enterprises does not place humans as such against nature as exceptional beings, but it addresses a perpetual question in Western philosophy of who is – and who is not – human which is a matter of social position and power. When ignoring this, the idea of human exceptionalism becomes itself an instrument for these powers, a ruling abstraction, i.e. ideological.

The prevalent definition in Western philosophy of man as animal rationale, as a synthesis of the living being and reason, expresses a relation and a task of balancing the necessities of life such as to liberate reason and live accordingly, i.e. not to enslave reason to necessities. The task is educational; it is to learn to become human, and it is expressed in legal discourses of recognising another as human. Labour provides us with the material conditions for our existence and is thus, traditionally, related to the necessities of nature, i.e. to the animal element different from the distinctively, or exceptional, human activity: the political, the sphere of the free. One is free from necessities when one owns things necessary for providing for one’s existence. The opposition of freedom and necessity appears related to practical matters, to how we must learn to deal with necessities because they qua necessities cannot be dealt away with. Thus, the composition, or relation, of animality and rationality poses a constant challenge as to what composition it is. Answers are multiple, whether a Roman of thing and person, a Christian of flesh and spirit or a modern of (physical) body and (psychological) soul (Esposito 2015). “In our culture, the decisive political conflict, which governs every other conflict, is that between the animality and the humanity of man” (Agamben 2004, 80). The conflict is political as it is decisive to how we relate to another – who is considered true human and who is not.

2. Being human, an educational task

Relocating some, i.e. many, humans into nature captures well the ideological implication of reducing the nature-human conflict to one of a simple dual opposition of an active human spirit confronting a passive material world constituting human exceptionalism. Not only does this reductive view of exceptionalism (a) miss the complexity of the nature-human relation, it also (b) misses the different mechanisms of including and excluding individuals into an understanding of what human is.

(a) The standard reference to a dualism of Cartesian philosophy is reductive in the sense that it pays little attention to other influential traditions in the 16th to 19th century with different views on human existence and capabilities, for example Christian meditations like Ignatius Loyola, Renaissance humanists such as Lucrezia Marinelli, and Baroque thinkers like Baltasar Gracián. Thus, Pascal: “What a chimera is man, what novelty, what monster, what chaos, what subject of contradiction, what a prodigy, judge of all things, feeble like a worm, disposing of truth and a cesspool of uncertainty and error, the glory and the scum of the universe! […] Know then, proud man, what a paradox you are to yourself! Humble yourselves, impotent reason! Be silent, ignorant nature! Learn that man is only man and hear from your Master your true condition that you do not understand. Listen to God!” (Pascal 2000, §164, my translation) – not exactly a praise of exceptionalism. The new sciences did also not display a unison picture. For example, Alexander von Humboldt wrote in 1844 (Entwurf einer physichen Weltbeschreibung) how his treatise was motivated by an effort to understand the appearances of physical objects in their coherence and to conceive nature as a living entity moved by its inner forces out of a concern for how partial investigations of nature would make us forget the human endeavour of contemplating the spirit in nature (Ritter 1989, 152). His contemporary, Auguste Comte, described the sciences as only a tool for humanity: “Science unassisted cannot define the nature and destinies of this Great Being with sufficient clearness. […] it leaves inevitable deficiencies which esthetic genius must supply” (Comte 1848/1865, 360). The “fundamental doctrine of Positivism” we read is “that the Heart preponderates over the Intellect” (Comte 1848/1865, 340).

This is only to exemplify the complexity of the nature-human relation in modern philosophy that inherits Greek philosophy, Roman law, and Middle Eastern, notably Christian, theology all often intertwined in modern mind where to new sciences add yet another perspective. We cannot reduce this complex narrative to only a human-nature conflict. We have to pay attention to the components in forming relations to the world implying both changes in the physical environment through new practices and new ways of perceiving nature and humans.

(b) A persistent element in understanding humans as humans is the necessity-freedom conflict. A true human is considered to be one who is not enslaved to external conditions, in particular the necessities of nature. Considering that many individuals have been relocated into nature like women, indigenous (cf. German Naturvolk, i.e. nature people) and enslaved people, we must ask for the logic of relocation to understand who is included into being human and who excluded. Because we are (also) animals it matters how we differentiate human from non-human, what Giorgio Agamben (2004) calls the anthropological machine. It is obviously a question with political implications as it implies how to recognise fellow beings’ humanity.

To be human in a Western philosophical tradition is to be something different from nature, but it is not to reject nature, only to reject being nothing but nature. It is a matter of balancing natural drives with spirit, and of finding guidance regarding humanity. Classical metaphysics integrated man into nature in the belief of an affinity between the world’s order and mind, the premise questioned in late 18th century. New experiences were of environment-changing interventions into nature followed by a question of how to understand new world-transforming practices of material accumulation and destruction of the environment. Following Marx, capitalist production developed the technique and combination of social process of production that undermined the sources of wealth: the soil and the worker (Marx 1962, 529 f.).

Soil and worker, i.e. the physical environment made cheap, and some humans relocated and made invisible enable excessive accumulation of wealth. Made invisible is an equivalent to necessity – some are made invisible because their work is a necessary evil for providing services for others, for example the, often brown, people cleaning the spaces and maintaining households for the “neoliberal and finance capitalism to function” (Vergès 2019, 1). There is a remarkable parallel to the ancient anecdote of the Roman senate turning down a proposition that slaves should dress uniformly in public as too dangerous, not because they would “be able to recognize each other and become aware of their potential power,” but because of the “appearance as such” (Arendt 1958/1998, 218n), i.e. the visibility of what is not worthy to be seen.

To conclude, let me return to the end of the introduction where Moore was quoted for stating that “the question of who is and who is not human is at the core of the climate crisis.” This inclusion and exclusion is driven by different motives – above Agamben was quoted for the importance of asking for “the practical and political mystery of separation” in dualism rather than for a conjunction. Therefore, ideas of healing or ending a nature-human division by turning to more-than-human approaches in non-Western traditions may prove to be wishful thinking if it is not accompanied with awareness of what it is that creates the separation. We may find that inclusion and exclusion is also at work in some of the interpretations considered as more-than-human.

Take, for example, an Amerindian perspectivism, a cosmology that builds on a spiritual unity and corporeal diversity, a view in which people see animals as ex-humans. This is contrasted to a common Western idea of a natural unity and different cultural manifestations (Viveiros De Castro 1998, 472). When animals are ex-humans, a differentiation must exist to avoid “confusing hunting with warfare and commensality with cannibalism” (Kohn 2013, 119), a differentiation that can turn living beings into objects. Likewise, beginning from a spiritual unity, when, for example, people in the Runa village Ávila in Ecuador’s Upper Amazon “recognize many animals as potential persons with whom, on occasion, they have “personal” interactions” (Kohn 2013, 153), the problem is not to establish intersubjectivity but the opposite: how not to connect. Other spirits, with whom we connect, appear in different bodily forms from which their experiences emanate. Consequently, it becomes important to distinguish problematic forms of entanglement, emphatically expressed in an example from Mapuche people in Chile about meeting the Devil (Course 2013). The danger, the details wherein the Devil is, is that while sharing spiritual bonds with the other living being, i.e. speaking the same words, different bodily origin and education means the words have different references. When animals are ex-humans “they see their food as human food (jaguars see blood as manioc beer, vultures see the maggots in rotting meat as grilled fish, etc.)” (Viveiros De Castro 1998, 470). The other is not lying to us, but the truth in one bodily world does not correspond with the truth in another.

No conclusions about non-Western more-than-human practices can be drawn from a few examples, but they can draw attention to the importance of the dynamics forming our relation to the environment. Instead of pointing at a nature-human conflict as the origin of environmental crises we should look at the sense-making which unfolds between humans as well as between humans and the environment to understand how specific nature-human relations appear. Active self-regulatory interaction of an organism with the environment is a process that gives direction for a human self-determination between the necessity of the environment and its possibilities, i.e. freedom. We can, with Arnold Gehlen, understand human as the not determined animal which has as its task to become human, i.e. not merely to live but to lead one’s life (1950/2004, 16 f.).

We engage in a process of forming the environment to our needs and ourselves to our environment in a process of practices and interpretations (Gehlen 1950/2004, 338; cf. De Jaegher 2021). This is a process of education, and a process in which the world can come to appear as a second nature (Gehlen 1950/2004, 348) – as something that has its own necessity determined by cultural norms of, for example, sexuality that have been transformed into controlled forms of reproduction, gender relation, and acceptable forms of sexual pleasure. What appears as “natural” is the outcome of a cultural and educational process of the human being.

Practices make sense in practice, but we need to make explicit what it is that makes sense in them to understand what brings the sense-making about. The dialogues with the environment unfolded in practices, and the dialogues in making them explicit are what contribute to make us understand what it is in our environment-relation that create conflicts ending in crises. This is why the approaches of human sciences appearing in late 18th century invite us to “unveil to consciousness the conditions of its forms and contents” as described by Michel Foucault. We must ask for the implicit views on what it is to be human and what gives meaning and direction to human existence at work in current cultures, of what appears as necessity and freedom, of what we include and exclude for the recognition of the other. This points at investigating the sense-making of the concrete interactions between humans and their environments that result in ways of seeing and ways of making the world, a task taken upon by a number of different disciplines such as philosophical anthropology, critical theory and critical phenomenology, to name a few that have also been the foundation for this text. What they offer are investigations into how an “anthropological machine” is at work in determining our understanding of what the education to become human is.

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I would like to thank Tinka Harvard for proof reading

Essay: The development of and tensions in the idea of sustainable development and SDG2030

Introduction

The genesis of the concept of sustainable development (SD) holds significant importance, serving as the foundational framework for the UN’s Sustainable Development Goals for 2030 (SDG2030) and the broader notion of Education for Sustainable Development (ESD). Understanding this genesis entails delving into the historical trajectory of the concept, particularly the pivotal role played by the United Nations in its evolution. Moreover, an exploration of the genesis reveals that several recurring themes in contemporary discourse, such as sustainability, the three pillars of sustainable development, capability, and the concept of the Anthropocene, can be traced back to this evolutionary process.

This exposition adopts an essay-like approach, weaving together a narrative that elucidates the emergence of sustainable development. It examines key events and intellectual currents that have shaped the concept over time. Central to this narrative is the interplay between the ideals of sustainability and development, where development, primarily understood as economic advancement, became linked to human progress following World War II. This tension has engendered diverse perspectives on sustainable development, reflecting differing interpretations and priorities.

It is important to note that this narrative provides a broad overview of the concept’s development, refraining from delving deeply into specific subtopics such as biodiversity or climate change. Furthermore, it is essential to recognize that this narrative represents just one of many possible interpretations of the genesis of sustainable development.

The relationship between sustainability and development before the Brundtland Report

The prominence of the concept of Sustainable Development surged notably with the release of the Brundtland Report in 1987. Since then, it has served as a cornerstone of the United Nations’ endeavors toward sustainability, transitioning from a focus on mere sustainability to the broader framework of sustainable development. This transition was crystallized in 2015 with the adoption of the UN’s 17 Sustainable Development Goals for 2030, marking a pivotal moment in global efforts towards a more sustainable future.

While the terms “sustainable development” and “sustainability” are often used interchangeably, their historical trajectories reveal nuanced distinctions. Understanding these distinctions becomes pertinent in certain contexts, as it unveils the inherent tension between the notions of economic development and sustainability.

The concept of economic development gained prominence in the post-World War II era as a mechanism for fostering global equality. However, over time, its meaning became increasingly ambiguous and subject to contestation. Concurrently, the notion of sustainability emerged as a multifaceted concept, rooted in various ideologies, all contributing to the modern understanding of sustainability. This crystallization was exemplified in the 1972 publication of the Club of Rome’s report, ‘Limits to Growth,’ which marked a seminal moment in the discourse on sustainability.

In the same year as the publication of ‘Limits to Growth,’ the inaugural international environmental conference convened under UN auspices in Stockholm. Here, the tension between the ideals of sustainability and economic development took center stage, setting the tone for subsequent dialogues on sustainable development.

The ambiguous concept of sustainability and the longing for a new worldview.

The international political landscape of 1972 marked a pivotal moment in the recognition of sustainability as a concept worthy of global attention. However, as highlighted by Kidd’s influential study in 1992, the modern notion of sustainability post-World War II emerged from a tapestry of diverse ideas spanning the 1950s, 1960s, and early 1970s.

Kidd (1992) delineates six somewhat contrasting meanings of the concept of sustainability, contingent upon different focal points: 1) purely quantitative considerations of resource scarcity, which emerged after World War II and was a central theme in the 1950s, 2) more qualitative considerations of “the environment” (the environment itself emerges as an increasingly comprehensive concept in the youth counterculture of the 1960s), 3) concerns related to the entire biosphere and the state of the planet (here, a poignant example would be that of a “Spaceship Earth” metaphor, which became particularly well-known in peace researcher and economist Kenneth Boulding’s 1966 version), 4) criticism of irresponsible technological development, 5) no-growth/slow growth criticism of economic development understood as economic growth (e.g. the Club of Rome report “Limits to Growth”, as well as many other critiques of growth economics), and finally 6) an explicit linking of the concepts of “ecology” and “development” in a form of so-called “ecological development” (Kidd, 1992:5-12).

The diverse origins of these sustainability perspectives underscored the complexity of the concept throughout the 1970s, reflecting a multifaceted understanding shaped by various intellectual currents and societal concerns. Through the lens of history, it becomes evident that sustainability is not a monolithic concept but rather a dynamic and evolving discourse that continues to inform global efforts toward a more sustainable future.

In many respects, sustainability emerged as a central theme in the endeavors to redefine humanity’s relationship with the natural world and the broader implications of such a reevaluation for worldviews and human society at large. Scholars began to observe the emergence of a new worldview, termed the “New Environmental Paradigm” (NEP), which represented a departure from the prevailing “Dominant Social Paradigm” (DSP).

The NEP distinguished itself from the DSP by emphasizing several key principles, including the recognition of limits to growth, the endorsement of “equilibrium economics,” the acknowledgment of the “balance of nature,” and the attribution of intrinsic value to nature beyond mere human utility (Dunlap et al., 1978). This paradigm shift signaled a fundamental reorientation towards viewing nature not solely as a resource to be exploited for human ends but as a system deserving of respect and preservation in its own right.

Moreover, during the 1970s, these reflections on sustainability became increasingly intertwined with novel conceptions of politics and economics that transcended the conventional capitalist-communist dichotomy of the era. This evolving discourse underscored the inadequacy of existing ideological frameworks to address the complex environmental challenges facing humanity, paving the way for the exploration of alternative models and approaches that are better aligned with the imperatives of sustainability.

Furthermore, the insights of economists like Kenneth Boulding and Herman Daly regarding peace economics and “environmental economics” were assimilated into these emerging worldviews, often in tandem with a reassessment of political paradigms. Boulding’s essay, The Economics of the Coming Spaceship Earth (1966), offers a poignant illustration of the critique against growth-oriented economic ideologies. Boulding delineates between two contrasting economic paradigms, namely ‘cowboy economics’ and ‘spaceship economics,’ which symbolize perspectives of the economy as either an open or closed system. While a cowboy economy, reminiscent of the lawless frontier, perceives material resources as inexhaustible and readily available elsewhere once depleted, a “spaceship economy” acknowledges the finite nature of resources and underscores the imperative of resource recycling to maintain equilibrium within the system, epitomized by “spaceship earth.” Boulding’s text extends beyond mere economic analysis; drawing inspiration from Teilhard de Chardin, he introduces the notion of the ‘noosphere,’ rooted in the Greek concept of “nous” or “spirit,” which anticipates themes later echoed in discussions surrounding the Anthropocene. This holistic perspective highlights the interconnectedness of ecological, social, and existential considerations within the broader discourse on sustainability.

Also, within the realm of art, certain artists began to forge connections between art, politics, and economics in innovative and environmentally conscious ways. A notable example is the German artist Joseph Beuys, whose influence extended beyond the confines of the art world to shape the political landscape, particularly with his pivotal role in the establishment of the Green Party in West Germany in 1980. Beuys drew inspiration from a diverse array of sources, including Goethe, Schiller, Rudolf Steiner, Japanese esoteric Buddhism, shamanism, and mythology, synthesizing these influences into a unique artistic vision. His work aimed to cultivate an aesthetic-existential expansion of human perception and foster a dynamic relationship between humanity and the natural world. Central to Beuys’ philosophy was the concept of society as a social artwork, wherein every individual was regarded as an “artist.” This radical reimagining of societal dynamics profoundly influenced his understanding of the interplay between existential meaning, pedagogy, politics, economics, nature, and the spiritual realm.

Through his artistic practice, Beuys sought to challenge conventional boundaries and engender a deeper awareness of humanity’s interconnectedness with the broader ecosystem, advocating for a more harmonious and sustainable coexistence with nature. Beuys explored these themes through a multitude of artistic expressions, ranging from large-scale installations that actively engaged viewers in “direct democratic” processes to simultaneous dialogues with bankers and economists, where he cultivated alternative perspectives on the fundamental concepts of work and money (Beuys, 1984/2010). In Denmark, the perhaps slightly more prosaic but nonetheless visionary book Oprør fra Midten [‘Rebellion from the Center’] was published in 1978, which, among numerous other things, sought to identify novel means of ruminating about the environment and ecology.

The book co-authored by Professor Niels I. Meyer from the Danish Technical University, along with politician K. Helveg Petersen and author Villy Sørensen, garnered significant attention in Denmark, selling 122,000 copies and being translated into five languages. The authors advocated for a humane equilibrium society, the implementation of a general basic income, and the adoption of an “ecological economy.” Referred to as the “rebels from the [political] center,” the authors faced criticism from both the right and left ends of the political spectrum. They lambasted liberalism and socialist political-economic ideologies alike, accusing them of fostering a utilitarian and instrumental relationship with nature, despite their differing foundational assumptions. Additionally, they criticized the pervasive emphasis on economic growth espoused by both the political left and right.

Despite the initial fervor surrounding the book, its messages faded in significance towards the end of the century. This decline can be attributed, in part, to a broader societal shift in the 1980s towards a more economically oriented discourse. This shift, observed in Denmark and globally, reflects a larger trend in economic thinking during the 1980s and 1990s, which also influenced the evolution of the concept of sustainable development.

Before 1980, discussions concerning humanity’s relationship with nature and the environment often centered around sustainability, which contributed to the emergence of new worldviews. However, as Kidd argued, the term “sustainability” remained ambiguous and lacked a clear definition. Some scholars even questioned its coherence, citing its complex and contradictory nature. Despite this ambiguity, there was a consensus among researchers that sustainability encompassed a critique of traditional notions of economic development.

Indeed, the literature on sustainability reflects this complexity, spanning a broad spectrum and occasionally causing confusion. Nevertheless, amidst this diversity, a common thread emerges: a critical stance towards the concept of “economic development,” whether through environmental considerations or the pursuit of human well-being beyond economic metrics. This critical perspective laid the groundwork for the integration of environmental, social, and economic dimensions within the framework of Sustainable Development, a concept that gained prominence following the 1992 UN Rio Conference (Purvis et al., 2019). Thus, while the roots of the sustainability concept lie in a critique of economic development, the exact nature of this critique warrants further examination.

Economic development: economic growth – human welfare?

The concept of economic development finds its roots in the post-World War II era, characterized by a fervent desire for a new world order. Following the war, while European colonial powers sought to maintain their colonial holdings, both the United States and the Soviet Union opposed this stance. Notably, among the 51 countries instrumental in founding the United Nations in 1945, 27 were former colonies. The establishment of the UN stemmed from a profound aspiration to forge a novel framework for international politics, one that departed from the prevailing paradigm of state self-interest dominating international relations. In essence, the aim was to construct an “idealistic” alternative to the “realist” view of international politics, underpinned by shared global values and a network of international agreements and organizations. This idealistic vision envisioned a world order focused on fostering mutually beneficial and egalitarian interactions among nations while upholding human rights.

Central to this vision was the notion of economic development, which became intricately linked with the concept of “human welfare.” However, the UN swiftly found itself navigating the complex terrain between capitalist and communist social systems, and later, between the Global North and the Global South as decolonization gained momentum. Consequently, the UN evolved into an organization tasked with reconciling idealistic aspirations for a better world with the pragmatic realities of global politics—a dynamic worth considering when contemplating the evolution of the sustainable development concept.

This idealistic pursuit of a new world order also resonated within American foreign policy during this period. In his 1949 inaugural address, US President Truman articulated four points guiding US foreign policy, including a commitment to implementing a “bold new program” aimed at leveraging American scientific and industrial advancements to foster the growth and development of underdeveloped regions (Truman, 1949).

The program known as Point 4, distinct from the Marshall Aid initiative announced the prior year, diverged in its primary focus. Instead of primarily bolstering Europe’s economy and fostering economic growth, Point 4 aimed at the modernization and advancement of notably “underdeveloped” regions across the globe. Rooted in a modernist conception of linear progression, these regions were perceived as “not yet” in terms of their development compared to industrialized nations. The remedy to this perceived lag in development lay in trade and the infusion of various forms of American expertise. The overarching objective was to alleviate hunger, enhance healthcare, and establish “modern economies” in these targeted regions. Truman underscored the distinction between the exploitative colonial practices of former colonial powers and the ethos of the new program. The Point 4 initiative aimed for all parties involved to benefit from a “fair and democratic” exchange. Thus, Truman’s presentation of the concept of economic development encapsulated not only the notion of economic “modernization” (wherein the Marshall Plan implicitly implied a notion of economic growth) but also the belief that such modernization would engender greater human well-being and prosperity on a global scale.

Over the ensuing decades, it became evident that the situation was more nuanced than initially perceived. Firstly, during the 1950s and 1960s, economic development, often equated with human prosperity, was frequently conflated with economic growth. Economic growth was viewed as a prerequisite for achieving human “well-being,” with the means being conflated with the ends. Secondly, elucidating a clear understanding of the emergent world order and the aspiration for global equality proved challenging. Until 1989, two competing visions of modernization and economic development existed: the “capitalist Western Bloc” and the “communist Eastern Bloc.” These contrasting perspectives underscored the divergent interpretations of how to achieve progress and prosperity on a global scale. Thirdly, the notion of promoting global economic development through the transfer of knowledge and equitable trade, as advocated by modernization theories, faced challenges from the emergence of dependency theories. These theories, which gained traction in the 1960s, particularly in Latin America but also in the analysis of African countries throughout the 1970s, contested the efficacy of modernization theories in practice. Instead, they posited that the implementation of such theories could exacerbate dependency and economic underdevelopment.

Dependency theories highlighted structural issues underlying global trade dynamics, arguing that trade between the industrialized and the “developing world” inherently favored the former. Specifically, they contended that the prices of raw materials, exported by non-industrialized nations, failed to keep pace with the rising prices of manufactured goods, perpetuating an unequal exchange. This unequal trade relationship contributed to the uneven development between industrialized and non-industrialized nations (Sørensen, 2020). In this brief overview, we refrain from delving into the intricacies of these theories and subsequent developments. However, it is crucial to acknowledge that both modernization and dependency theories recognize global inequality as a pressing issue. Furthermore, economic development was not solely discussed in the context of environmental sustainability but also in pursuit of greater equality among nations and regions, ultimately aiming to enhance human “welfare.” Nevertheless, as will be explored, the divergent concepts of economic development would not only clash with one another but also conflict with the principles of sustainability, particularly regarding environmental protection. This tension came to the forefront of the political agenda during the UN Conference on Sustainability in Stockholm in 1972.

The first beginnings of the concept of sustainable development in the 70s and 80s

The Stockholm Conference, initiated by Sweden, marked the first major gathering under the auspices of the UN to address mounting environmental concerns. Despite political tensions of the time—illustrated by the absence of Warsaw Pact countries, including East Germany—the conference held significant importance on several fronts.

Firstly, alongside politicians, two additional groups participated in the conference with a shared objective of ensuring that the conference did not “end in nothing.” A smaller contingent of concerned scientists and a larger assembly of diverse grassroots organizations convened a “Peoples Forum” in conjunction with the conference, thereby establishing a precedent for UN gatherings to incorporate both political and NGO tracks. Secondly, the conference underscored a fundamental tension between the so-called IC countries (mainly representing the “Industrialized countries,” predominantly from the “first world” with scant representation from the “second world”) and the DC countries (primarily hailing from the “Developing countries,” largely from the “third world”) regarding the nexus between sustainable environmental protection and economic development. It is noteworthy that the classification into 1st, 2nd, and 3rd worlds originated from early UN discussions in 1946, although the terminology, including terms like “developed” and “developing” countries, and “the global south” and “the global north,” has since been subject to debate. While these terms are employed here in their historical contexts, no stance is taken on their general applicability.

In essence, the divergence between the priorities of ‘first world’ nations, primarily focused on forging international agreements to address global environmental challenges, and the concerns of ‘third world’ countries, apprehensive that expanded environmental protection measures under the guise of sustainability would perpetuate structural global inequality vis-à-vis economic development, emerged as a pivotal theme. This dichotomy would subsequently underpin the UN’s continued endeavors in the realm of sustainable development. The outcomes of the Stockholm Conference included the adoption of a joint declaration, which catapulted environmental concerns onto the global agenda, and the subsequent establishment, in December 1972 by the UN General Assembly, of a novel UN program tasked with coordinating environmental protection efforts and aiding developing nations in formulating “environmentally sound policies and practices.” This initiative materialized as the United Nations Environment Program (UNEP). Notably, as a concession to the “Global South,” the headquarters of UNEP were sited in Nairobi, despite vigorous advocacy by “developed” countries for Geneva, where several other UN agencies were headquartered. UNEP emerged as the pioneering UN entity dedicated to the pursuit of sustainable development and has wielded substantial influence across multiple domains, including spearheading efforts to advance the circular economy and collaborating with UNESCO to advance the concept of education for sustainability and environmental education (EE). Nevertheless, the fluctuating significance and impact of UNEP over time, owing to multifaceted factors beyond the purview of this discourse, merit acknowledgment. Noteworthy in our context is UNEP’s proposal, during 1981-82, for the establishment of an autonomous commission comprised of “eminent persons” tasked with formulating and propagating a vision for post-2000 global environmental policy. This initiative laid the groundwork for the formation of the World Commission on Environment and Development (WCED), colloquially known as the Brundtland Commission, in honor of its chairperson, former Norwegian Prime Minister Gro Harlem Brundtland.

The Brundtland Report in 1987 and the first Global Summit in Rio 1992

In 1987, the WCED published the report “Our Common Future,” commonly known as the Brundtland Report, which had a major impact on the global spread of the idea of sustainable development. This report introduced the concept of sustainable development in the following manner:

“Sustainable development is a development that meets the needs of the present without compromising the ability of future generations to meet their needs.”

The Brundtland Report, though widely recognized for popularizing the concept of sustainable development, was not the inaugural publication to introduce this paradigm. As early as 1980, the UNEP released a report that laid the groundwork for the notion of sustainable development. Yet, the genesis of this concept predates even this milestone. In 1978, UNEP was already engaged in discussions surrounding the concept of “ecological development.” This notion, identified by Kidd as one of the six paradigms underpinning the concept of sustainability, was initially articulated by Ignacy Sachs in 1977. Sachs delineated “ecological development” as “an approach to development that aims to harmonize social and economic goals with ecologically sound management in a spirit of solidarity with future generations” (Kidd: 12). Notably, the definition of ecological development not only underscores the importance of inter-generational relations, a concept later central to the Brundtland Report’s articulation of sustainable development, but also serves as a precursor to the notion of the three pillars of sustainable development. These pillars, emphasizing environmental, social, and economic sustainability, gained significant traction in the discourse following the Rio Conference in 1992. Furthermore, while the Brundtland Commission’s work garnered greater visibility compared to UNEP’s efforts, its conception of sustainable development diverged from that of UNEP in several respects. Primarily, the Brundtland Commission sought to embed sustainability within a framework that prioritized the sustainability of inter-generational relations by addressing human needs fulfillment. This framework, as articulated in the definition above, underscores the imperative of “meeting basic needs,” encompassing essentials such as food, water, shelter, and clothing, necessary for maintaining a certain standard of living. Notably, the notion of basic needs was first introduced by the International Labor Organization (ILO) in 1976.

Secondly, the Brundtland Report marked a definitive departure from the prevalent trend of technological skepticism and the notion of limits to growth, sentiments pervasive in much of the sustainability discourse during the 1960s and 1970s. These ideas also featured prominently in UNEP’s reports on ecological development and sustainable development, which primarily focused on nature preservation. In the Brundtland Report, environmental limitations were contextualized relative to technological advancements, particularly within the framework of “environmentally friendly technology,” which, in turn, was interlinked with sustainable economic advancement. This perspective enabled the Brundtland Report to outline a vision demonstrating, at least in principle, how the two agendas that had emerged from the Stockholm Conference could be harmonized without negating economic growth. This approach considered both environmental concerns and global (in)equality issues. Additionally, the Brundtland Report advocated for a new conference to explore the nexus between environment and development. Two years later, in December 1989, the United Nations Assembly endorsed this proposition, a decision catalyzed by the fall of the Berlin Wall in November 1989 and buoyed by the emergent concept of sustainable development.

Follow-up and institutionalization of sustainable development – the Rio Conference 1992

This led to the inaugural Earth Summit, convened in Rio de Janeiro in 1992, marking two decades since the Stockholm Conference and occurring in the year after the dissolution of the USSR and the end of the so-called “second world.” Mirroring the structure of the Stockholm Conference, the Rio Summit comprised an official conference alongside a “global public forum,” wherein NGOs and grassroots organizations were represented. This landmark event was subsequently succeeded by two additional Earth Summits centered on sustainable development: Johannesburg in 2002 and Rio in 2012, colloquially termed Rio+10 and Rio+20, respectively. The 1992 conference assumed pivotal significance in fostering a new paradigm of “global governance” and institutionalizing the concept of sustainable development. Resulting from the Rio Conference were the adoption of the Rio Declaration, Agenda 21, and several binding conventions, notably the “Convention on Biological Diversity” and the “Climate Convention,” aimed at curbing greenhouse gas emissions. Subsequent summits and conventions, including climate summits such as the Kyoto Agreement (1997), the Copenhagen Climate Summit (2009), and the Paris Agreement (2015), have expanded upon these foundational frameworks, underscoring the multifaceted nature of sustainable development beyond climate considerations.

The Rio Declaration introduced fundamental principles for sustainable development, including the concept of “the polluter pays.” Complementing this, Agenda 21 emerged as a comprehensive, albeit non-binding, action plan delineating avenues for diverse stakeholders to engage in advancing sustainable development. Fostering grassroots participation, Agenda 21 targeted involvement from various sectors, encompassing local governments, NGOs, businesses, organizations, and indigenous communities, thus serving as a bridge between business and civil society. Notably, Agenda 21 laid the groundwork for the UN SDGs, colloquially known as SDG2030, which evolved from Agenda for Sustainable Development 2030, or Agenda2030. Post-Rio, in December 2002, the establishment of the Commission on Sustainable Development (CSD) ensued to oversee the Rio Summit’s resolutions. The CSD played a pivotal role in organizing Rio+10 in Johannesburg in 2002 and served as the UN’s focal entity for advancing sustainable development, particularly Agenda 21, until the Rio+20 summit in 2012. Subsequently, in 2013, the High-level Political Forum on Sustainable Development (HLPF) superseded the CSD, assuming a prominent role in steering global sustainable development initiatives.

Also, the field of education is explicitly discussed in Agenda 21. Here, what later became known as ESD, Education for Sustainable Development (emphasizing Sustainable Development, rather than “only” the Environment in Education) was introduced. ESD is Agenda 21 presented from a normative policy perspective as aiming at promoting Sustainable Development through also Education by ‘raising awareness,’ and not least through ‘training’ (Agenda 21, Chapter 36). It is important to note that the idea of ESD in Agenda 21 was formulated from a general policy perspective outside of education, even though UNESCO after 1992 became the UN organ responsible for developing ESD. We will later briefly return to some of the criticism this has led to from inside the field of education.

Economic – and Human Development

Neoliberal perspectives on economic development and sustainability after Brundtland
In essence, both the Brundtland Report and the Rio Conference elevated the concept of sustainable development to the forefront of international political discourse. However, the subsequent period witnessed significant shifts in prevailing global political-economic ideologies, leading to new fault lines regarding sustainable development. While this article does not delve deeper into these transformations, it is noteworthy that the 1990s witnessed a departure from the sustainability ideals of the 1960s and 1970s, particularly in terms of critiquing economic growth.

The Brundtland Report notably departed from the notion of limits to economic growth, advocating instead for “sustainable economic growth.” This emphasis on sustainable economic growth persisted throughout the 1990s, reflecting a broader trend towards neoliberal economic perspectives. This shift entailed a move away from critiques of structural inequalities, as articulated in dependency theories of economic development during the 1950s and 1960s. Instead, there emerged approaches in the 1980s and 1990s that emphasized the liberation of individual choices within a deregulated free market, positing that such liberalization would foster long-term economic growth conducive to human welfare, including social welfare.

This neoliberal self-understanding marked a departure from planned economies and state interventionism, advocating instead for deregulation, privatization, and efficiency enhancements within the public sector. Consequently, perceptions of economic development evolved, with development aid increasingly falling under the purview of international financial institutions rather than the UN. However, development aid from entities such as the World Bank or the International Monetary Fund was often followed by demands regarding recipient countries’ adherence to “structural adjustment programs” (SAPs), which frequently entailed deregulation and privatization measures. Thus, the discourse surrounding economic development witnessed a rekindling of debates akin to those between modernization and dependency theories (see, for example, Babb, 2005).

The evolution of economic and environmental ideologies during this period significantly impacted discussions surrounding global environmental resources, commonly referred to as “global commons,” such as water, land, and forests. Beginning in the late 1960s, these discussions evolved into debates centered around two main principles: the Common Heritage Principle (CHP) and the Polluter Pays Principle (PPP). The CHP emphasized the concept of a “common heritage,” advocating for the collective management and ownership of environmental resources. Conversely, the PPP asserted that those responsible for pollution should bear the associated costs.

In alignment with neoliberal economic agendas, the PPP gained prominence, particularly due to its compatibility with market mechanisms and free trade. Originating from the OECD in the early 1970s, the PPP aimed to minimize interference from environmental regulations that could impede economic growth and market dynamics. This principle found favor among proponents of neoliberalism throughout the 1980s and 1990s, aligning with the notion that sustainable economic growth was both feasible and desirable. Under this framework, recognizing and internalizing environmental costs into market prices became the preferred method for regulating the relationship between the environment and the economy.

However, the neoliberal approach to sustainable development, characterized by the PPP, was not without its critiques. Throughout the 1990s, several challenges arose that called into question the effectiveness and fairness of this approach.

Alternatives: Commons and ecological economics; the capability approach
While the neoliberal understanding advocating for free trade, privatization, deregulation, and structural transformation programs as pathways to both maximum prosperity and sustainable economic growth prevailed during the 1990s, alternative perspectives emerged, offering different insights into the relationship between the economy, sustainability, and development. One significant divergence was the continued exploration of the concept of the commons and the risks associated with subjecting shared environmental resources, such as water and land, to market forces and privatization.

American economist Elinor Ostrom led efforts to investigate the governance of a shared “societal legacy” throughout the 1990s and 2000s. Ostrom’s research focused on developing economic and social-ecological theories that emphasized democratic governance within a “common pool of resources” framework. This approach challenged the traditional notion of the ‘Tragedy of the Commons,’ as articulated by ecologist Garrett Hardin, who suggested that shared resources would inevitably be depleted due to individual self-interest.

Ostrom’s seminal work illustrated that effective governance mechanisms could mitigate the tragedy of the commons by establishing clear rules and structures for resource management. Her research showcased historical and contemporary examples where communities successfully managed common resources sustainably. Notably, Ostrom’s insights countered the prevailing neoliberal narrative by emphasizing the importance of collective action and democratic governance in achieving sustainable resource management. For her pioneering contributions, Ostrom was awarded the Nobel Prize in Economics in 2009, becoming the first female economist to receive this prestigious honor. Her work laid the groundwork for the development of models in “ecological economics” and “commons”, underscoring the significance of community-based approaches to sustainable development.

In the 1980s and 1990s, Indian economist and philosopher Amartya Sen introduced a novel approach to bridging the realms of economics and ethics, centered on the concept of “capabilities.” The capability approach posits that individual freedom encompasses more than just the absence of external constraints; it also entails the genuine opportunity to fulfill one’s desires and pursue one’s aspirations. This requires not only possessing the necessary abilities and competencies but also having access to the resources required to actualize one’s choices. Sen refers to this amalgamation of possibilities as capabilities.

Sen’s emphasis on individual human freedom incorporates a liberal perspective, acknowledging the diversity of human desires and aspirations. Unlike earlier development theories, which often delineated a universal set of “basic needs,” Sen’s capability approach diverges by recognizing the subjective nature of human preferences. However, this departure from a one-size-fits-all approach does not signify an endorsement of unfettered market mechanisms or deregulation. Instead, the capability approach underscores the importance of equality and resource distribution in fostering a just society. According to Sen, genuine equality extends beyond the notion of fulfilling abstract “basic needs” uniformly across society. Rather, it involves ensuring equal capabilities, wherein individuals have real opportunities to pursue their aspirations. These opportunities, termed capabilities, are contingent on both internal factors, such as personal abilities, and external conditions, including access to resources. In essence, Sen’s framework underscores the multifaceted nature of equality and freedom, emphasizing the importance of enabling individuals to lead lives that align with their inherent capabilities and aspirations.

Sen, alongside the American philosopher Martha Nussbaum, has significantly later expanded the scope of the capability approach, leading to its adoption across various disciplines. This theoretical framework has transcended its origins within the social sciences and has permeated diverse fields including the humanities, education, feminist studies, and peace and conflict research. Moreover, Sen has contributed to a substantial critique of fundamental tenets of neoliberal economic ideology within the social sciences, further enhancing the breadth and depth of the capability approach’s influence.

From capability to HDI as an alternative to GDP as a measure of human development
The capability approach, championed by Sen and Haq, exerted a profound influence on the UNDP, reshaping its methodology for assessing the developmental trajectories of individual nations. Rejecting the narrow view that equated human well-being solely with economic progress, Sen and Haq advocated for a comprehensive framework that embraced diverse dimensions of human welfare. This vision crystallized in the formulation of the Human Development Index (HDI) in 1990, a pioneering metric that amalgamated indicators such as life expectancy, educational attainment, and economic prosperity to offer a holistic portrayal of human flourishing within distinct countries. While Sen initially harbored reservations regarding the quantification of human development, he ultimately conceded to the necessity of such metrics, recognizing their superiority over conventional economic yardsticks like gross domestic product (GDP).

Consequently, the HDI emerged as a pivotal instrument for gauging global human development, catalyzing extensive longitudinal analyses, and inspiring the creation of analogous indices targeting specific domains such as gender equality and poverty alleviation. Crucially, the advent of the HDI heralded a paradigmatic shift in development discourse, elevating human development as the paramount objective for the UNDP and wider development endeavors. Furthermore, the adoption of rigorous mathematical models and salient indicators associated with the HDI aimed to enhance transparency and elucidate the transition away from traditional economic-centric metrics toward a more nuanced understanding of development.

From Economic Development to Human Development: The Millennium Agenda and the Millennium Development Goals
In the year 2000, the United Nations convened a pivotal summit during which the “Millennium Declaration” was endorsed. This declaration, shaped by inputs from various stakeholders including the Organization for Economic Co-operation and Development (OECD), which had by then formulated its sustainability objectives, served as the cornerstone for the establishment of eight goals. These objectives, subsequently recognized as the Millennium Development Goals (MDGs), and occasionally referred to as the Human Development Goals (HDG), constituted a comprehensive framework aimed at achieving the following objectives: 1) eradication of radical poverty and hunger, 2) education, 3) gender equality and women’s rights, 4) reduction of child mortality, 5) reducing maternal mortality, 6) combating diseases, 7) Sustainable Development (focusing on access to clean water and improved living conditions for people living in slums), and 8) Global Partnership for Development.

These goals represented a departure from previous development initiatives by delineating specific targets for each goal, thereby establishing clear benchmarks for achievement within defined timeframes. As the UNDP assumed responsibility for monitoring these goals, it could assess the progress made towards their realization. Despite facing criticism on various fronts, the MDGs have generally been regarded as a notable success story for the UN, evident in the quantifiable changes observed following their expiration in 2015.

Against this backdrop, several key observations merit attention. Firstly, the MDGs primarily addressed developmental challenges within developing countries, contrasting with the later formulation of the SDGs, which encompass global concerns. Secondly, while the MDGs exhibited a limited focus on environmental considerations, the SDGs reflect an enhanced emphasis on sustainability. Thirdly, the SDGs inherit certain principles from the MDGs, notably the recognition of the interconnectedness of individual goals and the imperative of establishing measurable targets to ensure accountability. Lastly, the MDGs omitted or marginalized several themes outlined in the original Millennium Declaration, including endeavors toward democracy, human rights, and peace, all of which bear significance in the broader context of human development.

Concerning the final point, Amartya Sen, in a lecture delivered in Delhi in 2012, emphasized the significance of the Millennium Declaration over the MDGs, attributing greater importance to the former due to its broader conception of human development. While Sen acknowledged the merit of the MDGs, he cautioned against the oversimplification inherent in their formulation, which aimed at facilitating measurability. He cautioned against prioritizing operational efficiency to the extent that fundamental questions, particularly those about value orientation, are overlooked. Sen’s stance, underscored by his support for the MDGs and his previous contributions to the development of the HDI, suggests a nuanced perspective that advocates for a balance between practical efficacy and substantive considerations in the pursuit of human development, especially concerning cultural and educational dimensions.

The new millennium – some takeaways for sustainable development

Some key events in the 00s, which influenced the idea of sustainable development.
At the turn of the millennium, several developments suggested that sustainable development could emerge as a globally unifying agenda. The adoption of the MDGs provided a framework for addressing key global challenges, while the UN’s decision in 1998 to designate 2001 as the year of “dialogue among civilizations” responded to Samuel Huntington’s thesis on the clash of civilizations. This initiative aimed to foster greater international understanding and cooperation amidst cultural diversity. Additionally, anticipation surrounded the candidacy of Al Gore, then Vice President under Bill Clinton, for the Democratic presidential nomination in 2000. Gore’s prior involvement in environmental issues, notably his participation in the Rio Conference of 1992, fueled hopes for a renewed focus on sustainability and environmental stewardship.

The prospects for enhanced international cooperation on sustainable development received a further boost with the agreement reached at the UN General Assembly in 2000 to convene a new “Earth Summit” in Johannesburg in 2002. Officially termed the “World Summit on Sustainable Development 2002” (WSSD), this conference marked the first instance of “Sustainable Development” being included in its title. Given its timing, a decade after the Rio Conference, the event was also referred to as Rio+10. The WSSD aimed to forge partnerships for sustainable development, building on the principles outlined in Agenda 21 from 1992 and integrating them with the poverty eradication goals articulated in the MDGs. While the final declaration of the Johannesburg summitt affirmed the linkage between these agendas, challenges arose in translating this commitment into practical action.

Initially, there appeared to be promise on the horizon. By the spring of 2001, discussions surrounding partnerships evolved into a more concrete proposal for the 2002 summit to yield an intergovernmental agreement known as the “Global Deal.” This envisioned a collaborative effort between wealthy and impoverished nations, aiming to partly finance the sustainable development agreements established in Rio in 1992 (and subsequent conferences) and partly to secure resources for implementing the MDGs. Denmark, under the leadership of Svend Auken, the Minister for the Environment at the time, played a pivotal role in advocating for this initiative during the preparatory negotiations for Rio+10. Denmark’s significance was further underscored as it was slated to assume the presidency of the EU in July 2002, thereby shaping the EU Council of Ministers’ agenda during Rio+10. South Africa, the host nation, also embraced the concept, garnering increased interest throughout the summer of 2001, albeit met with some skepticism from nations like Russia and the USA.

However, the political landscape shifted following Al Gore’s defeat in the 2000 presidential election and the subsequent inauguration of Republican George W. Bush. The trajectory took a drastic turn following the terrorist attacks on the World Trade Center on September 11, 2001, prompting the United States to declare a war on terror and intervene in Afghanistan to combat Al-Qaeda. By the spring of 2002, Bush’s infamous declaration regarding Iran, Iraq, and North Korea as the “axis of evil” further reshaped priorities. Consequently, the focus veered away from Agenda 21 and the MDGs in the ensuing years, pivoting towards efforts to secure peace, rooted in a heightened sense of security.

Rio+10 in Johannesburg 2002 – The idea of Type 2 partnerships
In the autumn of 2001 and the spring of 2002, the USA made it clear they weren’t interested in a comprehensive Global Deal for Rio+10, leading the concept to collapse in the form of a large-scale “deal”. This prompted discussions on the next steps, and during the spring 2002 pre-conference meetings, an idea emerged: distinguishing between two types of partnerships, Type 1 and Type 2 partnerships. Type 1 partnerships were traditional state-centric agreements in the form of mutually binding agreements; Type 2 partnerships focused on voluntary arrangements to ensure broader involvement of non-state actors. These arrangements aimed at collaborations on sustainable development among civil society, businesses, and public authorities not only at the state level but also regionally and locally. The rationale was to ensure both legitimacy and practical implementation of sustainable development.

Despite widespread interest in Type 2 partnerships, including from the Bush administration, this didn’t deter the US from withdrawing from the conference. This process raised concerns as early as 2002 that Type 2 agreements might allow states to evade responsibilities associated with traditional Type 1 agreements. Therefore, it was emphasized that Type 2 agreements should complement rather than substitute Type 1 agreements (Type 2 Outcomes-Voluntary Partnerships, 2002). At the conference, several hundred Type 2 partnerships were established. However, doubts persisted regarding whether they would be more effective than traditional partnerships in achieving objectives such as implementing the sustainable development agenda locally, promoting social learning, and enhancing democratic legitimacy (Andonova, L. B. et al., 2003).

In essence, Rio+10 treated Agenda 21 and MDGs as interconnected elements of the same agenda, addressing the lack of opportunities for Type 1 partnerships by prioritizing Type 2 partnerships. However, these partnerships faced implementation challenges, leading Rio+10 to be a disappointment for many participants (Dodds et al., 2012: 93-122).

Agenda 21 Cultura, UCLG and UNESCO: Sustainable Human Development – Culture and Context
While the efficacy of Type 2 partnerships remains a subject of debate, the Johannesburg conference underscored crucial issues. It highlighted the vulnerability of Type 1 partnerships to the willingness of key state actors to engage in binding agreements, a problem not exclusive to Rio+10. Additionally, there’s a recognition that spreading and transforming the concept of sustainable development requires anchoring ideas in tangible social practices and value systems. This concern was addressed at a conference in Porto Alegre, Brazil, in September 2002, where Agenda 21 was linked with a cultural dimension, giving rise to Agenda 21 Culture or simply Culture 21.

In 2004, another conference elaborated on this cultural dimension. Its final document outlined principles for decentralized cultural thinking, emphasizing the ‘city’ as the locus of cultural creation, alongside the importance of cultural diversity and human rights, including cultural rights. Furthermore, it proposed ideas for promoting cultural development in alignment with these values, as well as offering recommendations for local authorities, governments, and various UN agencies (Agenda 21 Culture, 2004).

Following this, two organizations have championed Agenda 21 Culture. Firstly, the UN partner organization “United Cities and Local Governments” (UCLG), boasting over 200,000 members, emerged as the world’s largest body for fostering cooperation among local authorities and cities. Although founded in 2004, UCLG traces its origins back to the Union Internationale des Villes (UIV), established in 1913 during a conference in Ghent, Belgium. Inspired by the peace movement of the time, UIV later evolved into IULA, with a history of collaboration with UNESCO dating back to 1945 when IULA’s Secretary-General attended UNESCO’s inaugural meeting, fostering a tradition of partnership between the two organizations (Gateau, 2013).

In discussions surrounding sustainable development, there has been a notable emphasis on integrating the cultural dimension into efforts concerning the MDGs and subsequently in the United Nations’ early endeavors to formulate the SDGs. This collaboration reflects a shared aspiration to broaden the understanding of sustainable development beyond purely environmental, economic, and social concerns. In 2010, a significant proposal emerged advocating for the integration of culture as the fourth pillar of sustainable development, alongside the existing environmental, economic, and social pillars. Implicit in this proposal is the recognition of the distinct contribution of the cultural dimension. On one hand, it underscores the significance of the social dimension, which encompasses concepts such as social inclusion, cohesion, and equality (and equity), in shaping sustainable development outcomes. On the other hand, it highlights the unique role of culture, emphasizing its capacity to foster creativity, knowledge, diversity, and beauty. These values are seen as closely intertwined with human freedom and development. As such, the proposal argues for the promotion of these cultural values to facilitate dialogue, peace, and progress on a global scale.

Simultaneously, there was a proposal to view the relationship between culture and sustainable development through two distinct lenses. Firstly, by emphasizing the development of the cultural sector within society, encompassing aspects such as cultural heritage, creativity, the cultural industry, crafts, and tourism. Secondly, by advocating for the integration of cultural considerations across various policy domains, particularly in education, economics, science, communication, environmental initiatives, social cohesion, and international cooperation (Culture: Fourth Pillar of Sustainable Development, 2010, Points 3 and 4).

While the notion that concepts of freedom and human development possess a cultural dimension appears plausible, culture itself is notoriously complex and subject to intense debate. Consequently, integrating culture as a fourth pillar or an independent point in the ongoing evolution of the sustainable development concept proved to be difficult. Instead, cultural considerations were dispersed across several different SDGs within the SDG2030 framework. However, this does not alleviate the challenge of embedding the sustainable development agenda culturally and contextually, particularly given the issues highlighted in connection with Type 2 partnerships.

Overall, while Agenda 21 Culture may not have achieved the level of prominence initially envisioned, its efforts, particularly through the work undertaken by UNESCO and UCLG, have proven more successful than those of the Type 2 partnerships.

Sustainable development, the SDGs, and emerging issues
As we bring this narrative to a close, it is useful to delve deeper into the genesis of the concept of sustainable development. Firstly, let us recap the significant themes and insights we’ve explored thus far, tracing the historical trajectory and pivotal moments that have shaped our understanding of sustainability. From there, we will embark on an exploration of how the principles of sustainable development are reflected and operationalized within the framework of the SDGs. By examining the specific targets and indicators outlined in the SDGs, we can gain a nuanced understanding of how sustainability is being pursued on a global scale, across various sectors and dimensions of human well-being. Furthermore, we will broaden our perspective to consider the broader socio-environmental context in which sustainable development is situated. This entails a closer examination of the concept of the Anthropocene epoch and related concepts, such as planetary boundaries and ecological resilience. These emerging paradigms challenge traditional notions of development and compel us to rethink our relationship with the Earth system and its finite resources.

Summing up the idea of sustainable development before the SDG agenda
A fundamental aspect of the sustainable development concept is its fusion of the intricate modern notion of sustainability with that of (human) development, particularly framed within economic progress. Our exploration has traced back to the Stockholm Conference in 1972, which marked the initial instance where the inherent tensions between these two paradigms were openly acknowledged. The subsequent Brundtland Report aimed to reconcile these divergent perspectives under the umbrella of sustainable development, setting the stage for the inaugural Global Summit in Rio in 1992. Here, Agenda 21 was adopted, charting a course for sustainable development in the 21st century.

Furthermore, we’ve examined how during the 1990s, the concept of sustainable development became intertwined with a neoliberal economic ideology, exerting structural influences on the developmental strategies pursued by emerging economies. Alongside this, we’ve presented two alternative economic frameworks from this era. Firstly, the ecological, economic framework proposed by Ostrom, advocating for localized decision-making and embracing the concept of Commons as an alternative to the initially introduced polluter pays principle by the OECD. Secondly, we briefly explored UNDP’s initiative to develop the HDI as an alternative to GDP, emphasizing human development over purely economic metrics. Inspired by the capability approach pioneered by Amartya Sen and Martha Nussbaum, this approach redefined notions of freedom and equality.

The influence of HDI and the capability approach was profound, shaping the Millennium Declaration and the subsequent eight MDGs, with poverty eradication and gender equality emerging as pivotal objectives. Despite initial reservations, the MDGs proved to be a success, laying the groundwork for what would evolve into the Sustainable Development Goals. However, it’s worth noting that Sen himself has expressed ongoing concerns, not just about the quantification of human development but also about the potential pitfalls of overly pragmatic approaches, which risk overlooking deeper issues in human development.

During the Rio+10 conference in Johannesburg, both Agenda 21 and the MDGs were entered into and coalesced into the final document, marking a significant convergence of sustainable development agendas. Following the collapse of the Global Deal concept, a new form of partnership emerged out of necessity, known as Type 2 partnerships. However, their impact was less than stellar. Nonetheless, these partnerships underscored the critical need for anchoring sustainable development initiatives within their specific contexts. We have observed a parallel expression of this need in Agenda 21 Culture and the collaborative efforts between the UCLG and UNESCO. These initiatives advocate for the integration of culture as the fourth pillar of sustainable development, driven by the inherent understanding that human development and freedom are inseparable from cultural considerations. However, this integration poses significant challenges in terms of conceptualization and implementation, highlighting the complexity inherent in fostering a truly holistic approach to sustainable development.

Sustainable development in the SDGs

At this juncture, we opt to forego a detailed examination of the impacts of pivotal events such as the financial crisis, climate summits, the Arab Spring, and the Occupy movement on the discourse surrounding sustainable development. Similarly, we abstain from delving into the Rio+20 summit of 2012, which initiated the trajectory leading to the adoption of the SDGs by the UN General Assembly in 2015, as well as the subsequent changes witnessed within the international community post-2015. These omissions are motivated primarily by the need to constrain the scope of our discourse on sustainable development. Furthermore, they underscore the inherent challenge in discerning the essential from the nonessential amidst contemporary events, a task rendered more arduous by their immediacy.

Nonetheless, our focus pivots towards a closer examination of the 17 SDGs, exploring how they encapsulate various themes and contexts elucidated thus far. It is imperative to recognize that these SDGs, akin to their predecessors, the MDGs, operate synergistically, necessitating a holistic understanding and concerted action across multiple fronts. However, criticism has emerged regarding the expanded scope of the SDGs, transitioning from 8 MDGs to 17 SDGs, potentially fostering confusion. Consequently, there have been propositions advocating for a structured framework to organize the SDGs into coherent groupings, facilitating analytical endeavors.

For instance, within the preamble of the UN document Transforming our World: the 2030 Agenda for Sustainable Development, colloquially known as Agenda2030, five fundamental categories are delineated: ‘People, Planet, Prosperity, Peace, and Partnership,’ often denoted as the 5Ps. These categories serve as linchpins in the framework of sustainable development, as encapsulated by the 17 Sustainable Development Goals (SDGs). The initial trio of ‘People, Planet, Prosperity’ resonates with the traditional tripartite pillars of sustainable development, encompassing the social, environmental, and economic dimensions. Meanwhile, the emphasis on ‘Partnership’ underscores the pivotal role of collaborative efforts and the varied forms and strengths of partnerships that have emerged as focal points in post-millennium discussions on sustainable development. Lastly, ‘Peace’ assumes significance within the context of the preamble’s opening statement: ‘This Agenda is a plan of action for people, planet and prosperity. It also seeks to strengthen universal peace in larger freedom.’ (UN, 2015, my italics). Shortly thereafter, it is asserted that sustainable development is inseparable from peace, and vice versa. This underscores the centrality of integrating both theoretical and practical considerations of peace into efforts aimed at advancing Sustainable Development and the SDGs, an aspect that is often overlooked within the Agenda2030 framework.

One method of categorizing the 17 goals based on the 5Ps framework is to associate “People” with goals 1-5, “Planet” with goals 6 and 12-15, “Prosperity” with goals 7-11, “Peace” with goal 16, and “Partnership” with goal 17. This grouping strategy offers the advantage of emphasizing the significance of peace and partnership within the context of the established dimensions. However, it does not explicitly address how the SDGs aim to reconcile the tension between sustainability and development, a longstanding theme in the discourse since the Stockholm Conference, and one which the Brundtland Report endeavored to tackle by introducing the concept of sustainable development.

To illuminate how the SDGs might navigate this tension, we turn to the insights of Kathrine Richardson, director of the University of Copenhagen’s Center for Sustainable Science, who proposes an alternative grouping of the SDGs (Richardson, 2020, pp. 25-47). Richardson’s analysis delves into the concept of “the great acceleration,” which posits that the rapid escalation of socio-economic human activities has profoundly influenced the Earth’s intricate system. Initially conceived as the cumulative interaction of the Earth’s physical, chemical, and biological systems, this concept has evolved to encompass human social and economic processes, highlighting the interconnectedness of human activity with the broader environmental dynamics. Over the decades, measurements across various socio-economic and environmental parameters have revealed a staggering increase in human impact on the environment, demonstrating a near-exponential rise since the 1950s. In the context of the SDGs, Richardson draws attention to the inherent tension between the dual objectives of enhancing human socio-economic conditions and mitigating the continued exploitation of the Earth’s resources. This tension is palpable between goals 1-6, which are centered on improving human well-being by addressing issues such as poverty, hunger, and health, and goals 13-15, which prioritize environmental conservation and sustainability, focusing on actions to combat climate change, protect ecosystems, and ensure the sustainable use of natural resources. This juxtaposition underscores the complex interplay between human development aspirations and environmental sustainability imperatives within the framework of the SDGs.

As individuals in poorer nations strive for development while exhibiting relatively low resource consumption, and conversely, those in wealthier nations often exhibit high resource consumption, a principle is needed to balance these contrasting goals. Richardson proposes that this principle is encapsulated in Goal 10, which addresses inequality. This highlights the radical departure of the Sustainable Development Goals (SDGs) from their predecessors, the Millennium Development Goals (MDGs). By intertwining global environmental concerns with notions of human, social, and economic development, the SDGs underscore the imperative of addressing inequality on a global scale.

Regardless of our interpretation of equality as the overarching principle for addressing the inherent tension in sustainable development, a sole emphasis on equality is insufficient. It is imperative to also consider how we navigate this tension. Richardson organizes the remaining goals into four distinct groups aimed at tackling this fundamental challenge. These groups are delineated as follows: A) Science and Technology (encompassing goals 7, 9, 11, and 12), B) Economics and Finance (covering goals 8 and 17), C) Governance (addressing goals 16 and, once more, 17), and finally D) Individual and Collective Action (covering goals 11, 12, and, again, 17).

In addition to illustrating how the tension between environmental preservation and human development must be addressed in principle, grounded in the spirit of global solidarity expressed through equality, Richardson underscores the significance of partnerships. Partnerships feature prominently in three of the four types of tools aimed at resolving this tension, with governance intertwined with peace—an emphasis that is also strongly underscored in the agreement itself.

Richardson’s systematic arrangement of the goals not only sheds light on the underlying dynamics and tensions intrinsic to the notion of sustainable development but also provides valuable insights. While some may argue that her approach does not fully address the inquiry raised by Agenda 21 Culture, UCLG, and UNESCO concerning the significance of culture and education, Richardson’s framework offers a significant advantage over alternative representations of sustainable development. By meticulously delineating the inherent tension within this concept and proposing a central principle for its resolution within the framework of the SDGs, Richardson furnishes a commendable suggestion for navigating this multifaceted landscape.

From the great acceleration to the Anthropocene epoch?
The concept of the Great Acceleration, which Richardson employs as a foundational concept, is frequently associated with another notion that has garnered increasing attention since the turn of the millennium: the Anthropocene epoch. Richardson acknowledges this linkage, highlighting how the Anthropocene epoch derives its name from the Greek term “Anthropos,” meaning human, as it posits that the primary driver of significant geological change in this epoch is human activity. Consequently, this period was proposed as a new geological epoch succeeding the Holocene, which commenced approximately 11,600 years ago following the last ice age.

Nobel laureate Paul J. Crutzen first introduced the idea of the Anthropocene at a conference in 2000. While it has proven to be a remarkably fertile concept, sparking interest across various disciplines including the humanities, and catalyzing the emergence of the environmental humanities, it has also engendered vigorous debate, criticism, and discussion within the academic community. Various perspectives on the interpretation of the Anthropocene are presented in numerous articles within this thematic issue, underscoring the multifaceted nature of this discourse.

Recently (February 2024), the underlying concept of the Anthropocene as a new geological period has been rejected by the ‘International Sub-commission on Quaternary Stratigraphy (SQS)’ under the International Commission on Stratigraphy” (ICS), a decision with no possibility of appeal. Therefore, it is not far-fetched to envision that this was ‘the end of the Anthropocene.’

However, this assumption may not hold true. Beyond the initial voting result, the legitimacy of the decision has been called into question by a complaint filed by Jan Zalasiewicz, the chair of SQS, and Martin Head, one of the vice-chairs of the Anthropocene Working Group (AWG) under SQS, which submitted the proposal. Moreover, the debate surrounding the Anthropocene extends far beyond geological discourse, delving into existential, cultural, and political dimensions. This expansion of the discourse is particularly intriguing as it offers an avenue to address some of the challenges previously mentioned regarding the integration of sustainable development with culture. By broadening the scope of discussion, these conversations have the potential to shed light on the intricate intersections between human activity, environmental change, and cultural dynamics, providing valuable insights into the complex relationship between humanity and the planet.

In terms of the strictly geological facets of the Anthropocene debate, some members of SQS who opposed the proposed acceptance of the Anthropocene as a new geological epoch clarified that their dissent did not stem from a denial of human impact on the planet. Rather, their objection centered on the perception that the proposed definition of the start of the geological Anthropocene was too narrow. Indeed, a former member of the group, who initially submitted the proposal in January 2024, departed from the group in 2023 for the same reason. The contention against a narrow interpretation of the Anthropocene hinges on the argument that it should not be characterized as a formal epoch commencing with a singular, abrupt event, as suggested in the proposal. For instance, the proposal set the onset of the Anthropocene to the year 1952, marking the detection of plutonium from hydrogen-bomb tests in the sediment of Crawford Lake, near Toronto (Witze, 2024).

Rather, proponents of a broader understanding assert that the Anthropocene should be regarded as an event in geological history, akin to phenomena such as the Great Oxidation Event over two billion years ago. This perspective aligns with the notion that geological processes unfold gradually over time, encompassing transformations such as human industrialization and environmental pollution, rather than abrupt shifts from one state to another (Walker et al., 2024). This nuanced perspective underscores the need to conceptualize the Anthropocene within the broader context of geological evolution, recognizing the gradual and cumulative nature of human-induced changes to the Earth’s systems.

The argument advocating for a broader understanding of the Anthropocene, rather than fixating on specific starting points, is deeply intertwined with the ongoing debate surrounding its inception. Since the inception of the concept of the Anthropocene, there has been ongoing discourse regarding when precisely this epoch began. Various proposals have emerged, each positing different milestones in human activity as the catalyst for the Anthropocene. Paul J. Crutzen, for instance, asserted that the Anthropocene epoch commenced around 1750 with the onset of the Industrial Revolution. Conversely, other perspectives suggest much earlier starting points, tracing the origins of the Anthropocene back to phenomena such as the organization of plantations in the Roman Empire or even the advent of agriculture by early human societies. Under this lens, the Anthropocene period aligns almost concurrently with the Holocene epoch. Numerous alternative starting points have been put forth in this ongoing discourse, reflecting the complexity and diversity of perspectives within the scientific community. However, due to the scope of our discussion, we will not delve further into these alternative viewpoints at this time.

Jan Zalasiewicz, who advocated for the acceptance of the proposal, posited a more specific commencement for the Anthropocene. Nevertheless, in collaboration with fellow scholars in a comprehensive review article, Zalasiewicz advocated for a broader comprehension of the Anthropocene, albeit from a divergent perspective. The scholars articulated two pivotal assertions. Initially, they delineated between anthropogenic influence on the Earth’s systems and the trajectory toward a geological threshold precipitated by this influence, which could potentially pinpoint a more defined geological inception. Secondly, they expanded the concept of the Anthropocene to encompass both analytical dimensions and a consequential meta-level. The analytical level is divided into 1.1. sciences describing the ‘Anthropocene as an Epoch’ (among this prominent, geology), and 1.2) the sciences which on various levels elucidate the entanglements in various global systems, that is, ‘the Anthropocene as an Earth System.’ The consequential level 2) is referred to as ‘the Responsible Anthropocene’, which concerns the human-influenced state of the Earth System and cultural thresholds associated with the Anthropocene (Zalasiewicz et al, 2021).

Therefore, notwithstanding the disparities between proponents and detractors of the proposal, there exists a collective endeavor to refine the concept of the Anthropocene. The divergence appears to revolve around the geological characterization of the Anthropocene—whether it should be defined as a distinct geological epoch with a fixed commencement or construed as a transformative geological event. These methodological variances are likely to persist as subjects of discourse in the foreseeable future, with the ultimate geological recognition of the Anthropocene yet to be determined. Nevertheless, the notion of the three dimensions of the Anthropocene, particularly the concept of the Responsible Anthropocene, underscores the imperative of contemplating the cultural dimensions of this epoch. This, in turn, necessitates engagement not only from the sciences but also from the social sciences, environmental humanities, future studies, and education. Central to this discourse is the recognition that the ramifications of human influence on the environment extend beyond human-centric perspectives to encompass broader ecological contexts.

It has been argued that acknowledging this interconnectedness will fundamentally alter our understanding of history and our anticipations for the future. This emphasis on the interplay between the human and the non-human realms is reflected in inquiries into the potential culmination of the human “world” and the cultural thresholds that shape our perceptions of space, time, history, and identity. These themes are elucidated within the realm of environmental humanities, which encompasses disciplines such as philosophy, anthropology, history, religion, literature (including climate fiction and Cli-Fi), and art. Furthermore, emerging scientific paradigms seek to reconceptualize the relationship between nature and culture, as evidenced by works such as those by Cook et al. (2015), research conducted under Aarhus University’s Research on the Anthropocene (AURA), initiatives like the Center for Environmental Humanities, and publications such as Vetlesen’s (2019) work.

Nevertheless, in addition to the aforementioned discourse within the geological realm regarding the Anthropocene, critiques have emerged from the realms of social sciences and humanities, as exemplified by Haraway (2015). One salient criticism pertains to the underlying tension inherent in the concept, reminiscent of the tension observed in discussions surrounding sustainable development, concerning the interplay between developmental equity and the socio-political distribution of resources. Specifically, the Anthropocene has been faulted for its unilateral focus on the relationship between humanity and the environment, thereby obscuring the reality of unequal resource distribution.

Previously, we explored this tension between the pursuit of equitable human development and the utilization of environmental resources. In the context of the Anthropocene, critics argue that the advent of the Industrial Revolution was contingent upon the prior accumulation of capital, a process that gained momentum during the Renaissance. Consequently, designating the Anthropocene epoch as commencing from 1750 or later overlooks what has been termed “the Age of Capital” or the Capitalocene era, spanning from 1450 to 1750 (Moore, 2017, p. 17). This critique underscores the complex socio-economic dynamics that underpin the Anthropocene narrative, as for example articulated in Friberg’s analysis within this journal issue.

The emergence and subsequent discourse surrounding the Anthropocene concept serve to reignite discussions on the intricate interconnections between nature, economy, social equity, and inclusivity. This discourse, both directly and indirectly through reactions to the Anthropocene concept, fosters new avenues for integrating the more “cultural” as well as humanistic dimensions inherent in the notion of sustainable development. In several ways, the themes explored in environmental humanities, alongside those echoed in popular culture, not only echo the inquiries initiated by Agenda 21 Culture but also harken back to earlier dialogues on “deep history” and “possible futures,” prevalent during the 1960s and 1970s.

However, a crucial distinction lies in the contemporary discussions occurring within the framework of a nuanced understanding of sustainable development, epitomized by the SDGs. These discussions not only grapple with existential questions about the planet’s future but also strive to translate these inquiries into actionable strategies at an operational level. Amartya Sen’s emphasis on addressing both fundamental and operational levels in discussions on human development resonates here. Similarly, discussions on sustainable development necessitate a complementary approach that simultaneously addresses overarching existential concerns and practical implementation.

Hence, it becomes imperative to maintain a balanced perspective on sustainable development, the SDGs, and the Anthropocene concept, recognizing their dual role in addressing fundamental existential queries while also guiding tangible actions at the operational level. This complementary approach underscores the need for holistic engagement with the multifaceted challenges posed by the Anthropocene era, aligning with the ethos embedded within the SDGs to effect tangible change at the grassroots level.

Conclusion: a few remarks concerning Sustainable Development and Education

Hopefully, this narrative has been illuminating in elucidating the concept of sustainable development, its interconnectedness with sustainability and human development paradigms, and its further evolution through the SDG2030 agenda, alongside insights into the emerging discourse surrounding the Anthropocene. Additionally, I have also briefly touched upon the significance of Education for Sustainable Development (ESD), and as we conclude, it is pertinent to ponder how the concept of sustainable education intersects with broader educational frameworks. As mentioned, the initial promotion of ESD was very much ignited by a normative policy perspective aiming at promoting Education for Sustainable Development, through ‘raising awareness, and not least through ‘training.’ This prompted concerns from an educational perspective about the integration of sustainable development concepts into educational curricula regarding taxonomic levels, including the cultivation of critical thinking skills necessary for addressing sustainability challenges, as well as pedagogical questions regarding how the promotion of values and behaviors conducive to sustainable living sits not necessarily well with ideas concerning issue related to the student’s freedom in the pedagogical process (the pedagogical paradox).

We will start by pointing to the distinction between two dimensions of ESD, namely ESD1 and ESD2. These two dimensions, delineated by Vare and Scott (2007), constitute complementary approaches to ESD. In their seminal article, Vare and Scott offered a critique of UNESCO’s prevailing approach to ESD, which they claimed primarily emphasized the transmission of expert knowledge to prompt behavioral change (ESD1). While acknowledging the importance of this directive, Vare and Scott posited that ESD1 must be complemented by an educational paradigm that fosters critical thinking and independent inquiry, thereby enabling learners to grasp the intricacies of sustainable living more profoundly and to autonomously navigate change (termed ESD2). This assertion resonates with broader discussions within educational theory regarding the role of autonomy and critical reflection in pedagogy. Vare and Scott’s exposition garnered widespread recognition within the global ESD community, catalyzing further dialogue and scholarship. In essence, ESD2 transcends mere behavioral modification; it engenders a deeper understanding of sustainability, empowering individuals to contemplate diverse perspectives and make informed choices. Indeed, the discourse surrounding ESD2 underscores the importance of cultivating a discerning mindset that interrogates conventional wisdom and the nuances of sustainable practices. For instance, Scott and Vare’s examination of Fair Trade exemplifies this approach, reframing it not as an unquestionable ethical imperative but as a subject of critical inquiry. By encouraging learners to scrutinize the complexities and trade-offs inherent in sustainability initiatives, ESD2 fosters a more nuanced understanding of sustainable development and equips individuals with the intellectual tools to navigate its multifaceted terrain.

Given the complexities inherent in integrating culture into the framework of Sustainable Development and setting aside discussions around the term Anthropocene for a moment, it is pertinent to consider the implications of the Responsible Anthropocene, as posited by Zalasiewicz et al., which underscores the human-influenced state of the Earth System and the associated cultural thresholds. In light of these considerations, one might question whether the existing ideas of Education for Sustainable Development (ESD1 and ESD2) are adequate for preparing present and future generations to navigate the challenges posed by the emerging paradigm. An alternative or complementary approach to the traditional three pillars of sustainable development could involve conceptualizing sustainable development around three poles: the environmental pole, the political-economic pole, and the cultural and existential thresholds that humanity will confront in the foreseeable future. Such an approach emphasizes the interconnectedness of environmental, political-economical, and cultural-existential dimensions and broadens in relevant ways the discourse of both sustainable development and ESD.

Translating the integration of cultural and existential thresholds into the realm of education, one could envision a new dimension of ESD termed ESD3. Unlike its predecessors, ESD3 would incorporate existential depth and cultural critique into the educational framework, thereby broadening the scope of inquiry beyond immediate calls to action (ESD1) and (limited) critical discourse (ESD2). While ESD1 focuses on instilling behavioral changes and ESD2 emphasizes critical thinking but does not necessarily, to paraphrase one of the debates from the 70’ies, represent the possible departure from the prevailing “Dominant Social Paradigm,” then ESD3 delves into larger existential questions such as the nature of humanity, societal development, and our relationship with nature and other living beings which in short might lead to deep change in our worldview.

It is important to note that the introduction of ESD3 as it is proposed here does not seek to negate the value of action-oriented education or critical inquiry within established frameworks. Rather, it underscores the significance of addressing broader existential and cultural dimensions in ESD, which have profound implications for shaping worldviews and guiding collective action in the face of unprecedented global challenges. By engaging with these deeper existential questions, ESD3 offers an approach to education that is attuned to the complex interplay between human societies and the natural world.

Perhaps the point could be explicated crudely (and rather uninhibitedly) by referring to levels I, II, and III in Bateson’s theory of learning:
Learning I is change in specificity of response by correction of errors of choice within a set of alternatives. Learning II is change in the process of Learning I, e.g., a corrective change in the set of alternatives from which choice is made, or it is a change in how the sequence of experience is punctuated. Learning III is change in the process of Learning II, e.g., a corrective change in the system of sets of alternatives from which choice is made. (Bateson, 2000, 298)

ESD1 could then be likened to “Learning I,” which entails acquiring knowledge leading to behavioral changes. In contrast, ESD2 corresponds to “Learning II,” involving adaptation to established patterns, developing the capacity for autonomous learning, making choices, and shaping one’s character within a given system, as per Bateson’s expansive interpretation of systems. According to Bateson, these two levels of learning (along with the foundational “Learning level 0,” which we will not discuss here) are the most prevalent forms of learning.

However, experiences such as the loss of a loved one or significant life transitions may prompt individuals to question not only their current way of life within a given system but also the possibility of inhabiting an entirely different system or reality. Bateson describes “Learning III” as a transformative process that entails corrective adjustments to the system of choices made in “Learning II.” This level of learning, which might be characterized as pointing to “freedom of spirit,” fundamentally alters one’s mode of existence in the world. Bateson notes that such profound shifts occur infrequently.

But it is claimed that something of the sort does from time to time occur in psychotherapy, religious conversion, and in other sequences in which there is profound reorganization of character. Zen Buddhists, Occidental mystics, and some psychiatrists assert that these matters are totally beyond the reach of language. But, in spite of this warning, let me begin to speculate about what must (logically) be the case. (Bateson, 2000, 307)

Given the inclusion of cultural-existential thresholds as the third aspect in ESD, ESD3 might perhaps be related to Learning III. Certain emerging theories and practices in Education for the Anthropocene appear to be progressing in this direction (see for example Fettes & Blenkinsop, 2023). However, a question pertains to our readiness and ability to engage in education and learning at this level, considering Bateson’s examples of Learning III, and that they occur infrequently.

On one hand, we might envision promising alternative futures at an existential level if we can engage in education and learning at this depth. Nonetheless, these aspirations may be tempered by the environmental and political-economic dimensions and dilemmas inherent in Sustainable Development we have discussed. Moreover, as discussed in various articles, the concept of the Anthropocene may both unveil and obscure realities. Nevertheless, if these three (new) dimensions of Sustainable Development (environmental, political-economic, and cultural-existential thresholds) are integrated into education and ESD, they could herald new ways of conceptualizing the world and education itself.

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