All posts by Carsten Friberg

About Carsten Friberg

PhD. in philosophy. Associate Professor at University of Southern Denmark, affiliated to the Horizon Europe project: EXPECT_Art: https://www.expectart.eu/ Previously, I have held different positions at Aalborg University (associate professor), Aarhus School of Architecture (assistant professor), Copenhagen University and University of Southern Denmark (external lecturer). https://orcid.org/0000-0002-2484-5900 Scopus Author ID: 57212878612

Delusions about the human in the Anthropocene

1. Introduction

The Anthropocene is an appealing title for the global scale of current environmental crises when it suggests the problem is one of a nature-human conflict with the responsibility placed on one protagonist of the Anthropocene, the anthropos. It probably makes sense to discuss a biological species’ global impact on the environment within the natural sciences where also competing categories exist (Vernadsky 1945; Steffen et al., 2011; Lewis & Maslin 2015; Bonneuil and Fressoz 2016), but it is problematic in philosophical, social and political contexts because both “nature” and “human” are generalising and ambiguous. As such they are more of a political and ideological character than a descriptive.

I share a concern about the Anthropocene voiced from more sides – for example, by Françoise Vergès who writes that the Anthropocene’s “apocalyptic narrative is an ideological strategy that blames out-of-control forces rather than structures of power” (Vergès 2017, n.p.). The blindness to structures of power gives a false perspective that preconceptualises the problem (Moore 2017, I, 621). As Jason W. Moore writes, “The Anthropocene has become the most important – and also the most dangerous – environmental concept of our times” (Moore 2018, II, 237). A danger is that it frames some of the post-anthropocentric responses that identify human exceptionalism as responsible for environmental crises which is a reductive understanding of the nature-human relation. Different approaches, such as the Plantationocene, Capitalocene (Haraway 2015) and the Racial Capitalocene (Vergès, 2017; Loscialpo 2023) will point out that it is not humanity as such we must approach but a specific human activity.

With inspiration from these discussions, I suggest changing focus from what we do to the environment – which undeniably is a problem – to what we do when we determine what it is to be a human being. This is not to deny that the nature-human relation in Western thinking is problematic, but it is to question a single narrative of that relation which reduces the different practices that form the relation to a single and also extreme narrative then used as representing Western thinking as such. This is more of a political act than a scholarly or philosophical one. When one does philosophy with the belief that it is philosophy but is blind to the political implications, one’s work is ideological. Neither nature, nor human can be unambiguously characterised, and one should be careful about confusing biological agency of human (singular) as a species with political agency concerning humans (plural).

The problem with the Anthropocene can be demonstrated by contrasting how it states that coal transformed the world to the Capitalocene saying that capital and sciences transformed coal, i.e. turned nature into a mere resource for human activity. If coal were the only source of transformation, one would need to ask why the use of coal in medieval China did not become a transforming event (cf. Wagner 2001; Hartwell 1966, 56 f.). It is changes in practices that lead to changes in our interpretation of nature and human, and we do not find a single narrative about centuries of practices in Europe and consequently no simple diagnosis for managing – a revealing notion used in the Anthropocene discourses – the nature-human relation.

The aim in the following is to focus on changes in structures important for what makes sense to us as humans, including for our understanding of what it is to be human. The latter points at the central role of education which is about what we believe is implied in becoming human. The first part of the paper, consisting of two sections, raises some critical issues about the Anthropocene and some forms of post-anthropocentric thinking. It points at how a reductive understanding of nature and human conceals complexities in this relation, and, consequently, it becomes ideological in form. The second part, also in two sections, addresses practices that form our view on human and nature in relation to social roles, production and capital which problematise the line drawn between human and nature and points at how “[t]he question of who is – and who is not – Human is therefore at the core of the climate crisis” (Moore 2022, 14).

Part I.
1. Anthropocene preconceptualisation

The Anthropocene preconceptualises the discourses of environmental problems by reducing the geological Anthropocene to a timeline where “[p]opulation, urbanization, economic growth are all reduced to empirical “indicators” of an abstract globalization” (Moore, 2021, 4). Complex events become a simple narrative in which the invention of the steam engine and the use of coal are the causes of climate changes due to the emission of CO₂ thus framing further discussion by stating that something is the case without asking how it has come to be the case. With a logic of problem-solution we stumble into discussing solutions before critically investigating what makes the problem the problem it appears to be, i.e. by ignoring if it is what it appears to be. The Anthropocene conceals the complexity of the matter and appears as an ideological notion.

The Anthropocene narrative explains that climate changes are the result of human activities and the outcome of a process beginning when our hominid ancestors began to master the art of making tools and the control of fire which helped grow a larger brain allowing for the development of language (Steffen et al. 2011, 845 f.). The trick of argument here is to use “one framework (geology and climatology) to make universal claims about the world—it helps make only one world possible” (Vansintjan 2016, n.p., emphasis in original). This is a huge simplification that allows simple recommendations for policy makers about how to manage populations as we are all in it together, all sharing the same responsibility.

One world has one narrative in which James Watt’s patented steam engine is set to be the defining mark of the Anthropocene (Crutzen 2002). Even though it points at the industrialization of Europe, the blame is on humanity. Why call it the Anthropocene if it only includes some anthropoi (Malm & Hornborg 2014, 63)? In the narrative of one world, it is only accidentally that the innovative steam engine appeared in England.

The inclusion of all humans distributes a responsibility for specific activities to everyone on a planetary scale. Critics pointing out that OECD countries have been responsible for most of the global environmental impact are swept aside with reference to how the increasing impact of the developing countries is the price for bringing people out of poverty (Steffen et al., 2015, 11 f.). Third-world countries will pursue the same course as the first world; consequently, the problem is not Western but the global development we know as the Great Acceleration displayed in hockey-stick diagrams of human-driven changes to the Earth System (Steffen et al. 2011; 2015). Because everyone is believed to pursue the same goals, it becomes a mere matter of the number of individuals and the impact of their activities. In a one-world view, the task is to manage side-effects of technical driven accelerations by more technical innovation including considering the use of geo-engineering (Crutzen 2002; Steffen et al. 2011), thus emphasising “humanity’s responsibility as stewards of the Earth” (Crutzen & Schwägerl 2011, n.p.).

A trick of argumentation here is to combine scientific models, social matters and political administration: a crisis caused by population growth and scarcity of resources requires administration of the resources to prevent social instability. Crisis-management is the answer to what is considered a necessary outcome of humanity’s development, and the Anthropocene proves to be “one Environmentalist expression of neoliberal dogma: There is no alternative” (Moore 2021, 5, emphasis in original). The general notion of humanity conceals that there are specific activities we should announce as problematic, and it ignores recent years’ studies – for example, post- and decolonialism, that have problematised the talk about human and humanity in singular (Bonneuil and Fressoz 2016, 71 ff.; cf. Chakrabarty 2012). The single narrative of the Anthropocene discourse becomes instrumental in suggesting models for management of humans, and we must say “that the inauguration of the Anthropocene is thoroughly ambiguous, and thoroughly political” (Davison 2015, 299). It reveals itself as an ideological notion when the managing of specific practices is for these practices, i.e. legitimating them. Abstractions such as “human” as well as “nature” are not neutral; they are “ruling abstractions”, i.e. they have material force and become “building blocks of hegemonic ideologies that trickle down to the folk concepts of everyday life” (Moore 2023, 10).

Instead of human stewardship, others suggest humanity – we also find generalisations in post-anthropocentric thinking – should have “loved nature enough to restrain a fatal technological lust” (Davison 2015, 300). The lack of love can be seen as the result of an idea of human exceptionalism, the idea that there is “a difference in kind between humans and non-humans and not just a difference in degree” (Descola 2015, 14). Such a belief in human uniqueness is supposed to blind us to the perspectives of other beings. To understand humans, we use specific attributes considered “distinctive to humans – language, culture, society, and history” in a process in which “the analytical object becomes isomorphic with the analytics” (Kohn 2013, 6). A shift to a more-than-human perspective is suggested to enable us to break “open the circular closure that otherwise confines us when we seek to understand the distinctively human by means of that which is distinctive to humans” (Kohn 2013, 6), and to acknowledge the multiple other agents in the Earth System. This perspective should enable a different understanding that “links human cultures with nonhuman natures” (Åsberg 2017, 186) which is needed because we “can no longer afford the modern divide of non- or subhuman and human, nature and culture” (Åsberg 2017, 194). The more-than-human becomes here an umbrella term for including non-human agencies, the human entanglements with ecosystems and establishing multispecies justice (Fieuw et al. 2022, 2; cf. Lawrence 2022).

Human exceptionalism is seen as related to a Cartesian dualism that places the human subject, culture and reason against objects, nature and matter (Conty 2018, 74). Such a confrontation is the occasion for ideals of knowledge through a rational representation of the world in and by a human mind seen to form “the basis for privileged ontological status” (Benson 2019, 259). However, this only suggests that exceptionalism and the ontological dualism are keys to the environmental crises, not how they have come to appear as such. It merely says dualism instead of coal transformed the world and that the solution is to close the gap between humans and other beings with, for example, a new materialism.

New materialism is an example of post-anthropocentric thinking. New materialism covers more variations, for example, negative, vital, and performative new materialism (Gamble et al. 2019; cf. Conty 2018; Rosa et al. 2021, 2 f.; Truman 2019), but common is the claim that matter is not “dead” and exists to be manipulated by a human agent, a view seen to come from Descartes’ epistemology and Newton’s mechanistic view on nature (Barad & Gandorfer 2021, 16; Benson 2019, 257; Truman 2019). Instead we must understand matter has agency that is distributed indiscriminately between all there is, and the exceptional position of humans is thus eliminated by understanding how we are, in a world of vibrant matter, “an array of bodies, many different kinds of them in a nested set of microbiomes,” paving way for a hope that we will start asking questions of the following kind: “if we were more attentive to the indispensable foreignness that we are, would we continue to produce and consume in the same violently reckless ways?” (Bennett 2010, 112 f., emphasis in original; cf. Benson 2019, 260). However, it raises a precarious question. If we are more of an assemblage of bodies with agency, a consequence seems to be that “[m]any contemporary Earth dynamics may be inherently human in origin, but they are not thereby exclusively human, […] Contemporary climate change, then, is anthropoflected, not anthropogenic” (Davison 2015, 303). Furthermore, an increased awareness of the environment seems to presuppose the subject that the environment is environment for and an acting subject capable of changing attitude.

Some forms of new materialism pursue the Anthropocene’s crisis-management when they propose the solution to the problem is to regulate interpretation, thus emphasising “humanity’s responsibility as stewards of the Earth”. It comes without investigating the competences of the reason issuing this interpretation, and some will argue that this is a return to pre-Kantian thinking (cf. Cole 2015), i.e. a neglect of a critical reflection on the capacity and legitimacy of our faculties of knowledge which should prevent us from confusing epistemic thinking with wishful thinking. New materialism criticises the Kantian critical reflection for fostering human exceptionalism because it should imply that a correlation between being and the human subject makes only what the subject can think of matter. However, this ignores that Kant was motivated by investigating reason to establish the limited competences of scientific knowledge and preventing the intellectual harm of materialism, along with fatalism and atheism (Critique of pure Reason B XXXIV) leading to false and dogmatic views of the world. In fact, it is New materialism that is in danger of subscribing to an immodest confidence in human knowledge issuing claims about the character of nature (cf. Boysen & Rasmussen 2023, 12 ff.). Kant wanted to save the world from reason’s imperialism insisting on limiting reason to what is reasonable; New materialism, unhappy with not engaging us in the world beyond human capacities, embarks on a conquest of the world with uncritical postulates of what it is.

Hence, a peculiar consequence is that post-anthropocentric critique of an exaggerate belief in human agency can propose an immodest intellectualistic solution to manage and empower human agency. To avoid the ideological blindness and philosophical inconsistency in such proposals, we should instead give more attention to how changes in practices – such as engineering techniques, accounting, mapmaking, juridical practices, mining, trade, medicine etc. – gradually formed a modern Western world-view and required interpretations that could explain and legitimate these practices along with making explicit their implicit assumptions. Among them is a dualism of nature and man/spirit to which we may ask for “not the metaphysical mystery of conjunction, but rather the practical and political mystery of separation” (Agamben 2004, 16). We must ask for what made coal become a resource and not merely stating that the use of coal is the cause of climate changes to which the answer is new technology to manage human production maintaining the very same system of production. Likewise, we must ask what made dualism an interpretation of the nature-human relation and not dogmatically state it is a false worldview only to offer an alternative in form of a universal idea to manage the mindset of humans globally.

2. New practices, new world-interpretations

This section is a brief interlude to add nuances to the Anthropocene narrative of the scientific revolution and the birth of modernity in the 17th century as the cause of transformation of nature into resources to exploit and of the human subject into an exceptional being confronted with nature represented in a human mind. While we can say that such views appeared although there are competing interpretations of both nature and human to be found, we also have to say how it has been possible to understand nature as a resource and to discard a view on nature as God’s creation in which we also found moral guidance.

Changes in interpretation of world and nature cannot be simply dated to the scientific revolution and to specific discoveries, debates and writings. The changes must be interpreted in relation to several practices that required new explanations. Among them were social changes emerging from crafts people and merchants like when the introduction of bookkeeping in late 14th century moved from merchants’ organisation of their commerce and into the management of the political world: “In the past seven centuries bookkeeping has done more to shape the perceptions of more bright minds that any single innovation in philosophy or science” Alfred Crosby writes (1997, 221). Peter Sloterdijk suggests that the main protagonist of modernity is not Copernicus but Magellan; what forms the modern world is not the idea that the Earth circulates around the sun, but that money circulates around the Earth (Sloterdijk 1999, 56; 856). The entrepreneurs of European trade and colonial expansion, he writes, are no longer rooted in a world with historical points of orientation and in their natal landscape with its significant locations; they move in the abstract places of points and lines on paper, in a mappamundo in which the making of maps transform the concrete world into abstractions where every point is a potential for capital (Sloterdijk 1999, 828). The practices of new sciences also accommodate new institutions and political culture as we can learn from, for example, the debate between Thomas Hobbes and Robert Boyle (Shapin & Schaffer 1985).

The modern sciences discarded a worldview where natural phenomena were signs making something absent become present. The language was one of similitude and resemblance, like in a Wunderkammer, and the Bible the key to interpret the signs. When, “by the end of Renaissance Humanism, language had withdrawn from the world, closing itself up in the abstract space of representational signs” (Esposito 2015, 74) because new sciences offered an ideal language of geometry, resemblance was substituted with representation of order (Foucault 1966/1994, 50 ff.), an order with its own structure and logic representing by “standing for” what is absent instead of “making it present”. Representation now became an independent model, a copy of the original where what connects signs was “a bond established, inside knowledge, between the idea of one thing and the idea of another” (Foucault 1966/1994, 63, emphasis in original). The legitimacy of knowledge was no longer in the order of resemblance in the world, but in the models of representation (Foucault 1966/1994, 78; cf. 218 and Arendt 1958/1998, 290 f.); in the order of a logical structure guaranteed by clear and distinct concepts and secure methods.

However, the limits of this model of representation revealed a new problem and with it a new change in the mode of thinking at the end of the 18th century. We cannot represent the act of representing in a representation. The subject which is the foundation for representation cannot itself be represented in the representations. The subject reflects the world, but the mirror reflecting cannot reflect itself. The sciences about human life, wealth and language – biology, economy and philology, i.e. the topics of what produces the human subject – view the human subject as an object, but the conditions for these sciences reside outside representation (Foucault 1966/1994, 239; cf. 244). Human sciences are no longer about what “man is by nature” (Foucault 1966/1994, 353), but about what enables the concrete forms of human existence. Hence, human sciences are for the analysis “of norms, rules, and signifying totalities which unveil to consciousness the conditions of its forms and contents” (Foucault 1966/1994, 364). Consequently, should this way of thinking disappear, its object, man, will disappear with it (Foucault 1966/1994, 387).

To “unveil to consciousness the conditions of its forms and contents” – to make us conscious about what it is to be conscious and what we are conscious about, or, to know what the subject that cannot represent itself in a representation is, are philosophical questions that have occupied a large number of philosophers since the end of 18th century. This interest in subject and subjectivity gives priority to studies of the human subject but does not necessarily imply man has an exceptional position against nature – nature appears along with the interest in subjectivity in more forms including as drives, feelings, and sentiments that are challenging any idea of an exceptional position. It is not false to say there is a conflict between nature and human, but it is a very reductionist view of Western history of ideas to see human entrepreneurship and its technical use of natural resources as the only characteristics of humans. This only suggests that there is a false understanding of nature and human without explaining how such an interpretation has appeared.

Part II
1. Cheap nature

It is insufficient to say that the environmental crises today are caused by the introduction of fossil fuels with the industrial revolution in the 19th century and that other defining events are the scientific revolution in the early 17th century and an ontological dualistic view on nature. These components are not insignificant but must be accompanied by explaining how they have come to play the role they do. The Anthropocene suggestion of managing human activities globally can have an effect, but the neglect of the structures causing the environmental problems and of the political premisses of this management reveals the ideological character of the management of the planet’s population. Moreover, regulating the exploitation of nature to avoid collapse is still exploitation.

A study that explains what has led to current environmental crises must address the complexity of causes for changes in practices. This requires comprehensive empirical studies and only two significant suggestions can be made here: (a) new technical inventions caused different practices that were articulated and enhanced by the new sciences, leading (b) to changes in economic structures necessitating a devaluation of nature and the relocation of large numbers of humans into a cheap nature.

(a) The transition from medieval to early modern world in the 15th century witnessed “the greatest landscape revolution in human history” with respect to “speed, scale, and scope” (Moore 2016, 91). It not only transformed the landscape but caused “a new pattern of environment-making” (Moore 2016, 97). New machines, new agricultural methods, new chains of production appeared in the outgoing Middle Ages and made, over centuries, machines, like the steam engine, accelerators of this process. It has led to how we today find that “[a]griculture is now the mechanized food industry” (Heidegger 1977 [Die Frage nach der Technik], 15).

The technological innovation transformed nature from something we work with to something that works for us (Moore 2017, I, 613). A nature put to work is not only a nature domesticated through deforestation and expansion of agricultural land; nor is it one of providing different means for specific products such as metals for tools. It is a nature that can be subject to planning and control through division of labour, where a process of production can be reduced to a number of specialised partial events distributed in a chain of production where each part can be optimised for their contribution to the total outcome – a nature of which regulating and securing are chief characteristics (Heidegger 1977 [Die Frage nach der Technik], 16).

Such a view on nature corresponds to the new sciences of the 17th century that discarded a view on nature as one that reveals a meaning for our existence in a language of resemblances, analogies, allegories, and other literary figures for one that subsists human existence. The nature of sciences is described in a language of mathematics compatible to a mind of accounting, map-making and administrative technologies (Moore 2016, 112), and it is beneficial for practices such as the trans-Atlantic expansion with its monoculture and slavery that emerged in the 16th century. Likewise, it relates to productive aspects of intellectual investigations opening a field of research “through the projection within some realm of what is – in nature, for example – of a fixed ground plan of natural events” (Heidegger 1977 [Die Zeit des Weltbildes], 118). Not experience, but models of representation conceiving conditions for experiments constraining “the anticipatory representing of the conditions” (Heidegger 1977 [Die Zeit des Weltbildes], 121, cf. 124 and 129 f.) characterises the modern sciences. The methodological investigation of nature through experiments matters, not experiences (Koyré 1973/1992, 169).

The success of modern sciences is not merely due to beneficial explanations of phenomena, but also to their use for productive and administrative purposes explaining how to construct artefacts that make nature work for us. The explanations correspond to changes due to, for example, new agricultural technologies and medicine, new instruments for measuring and discovering the world, and new inventions transforming daily living. New practices discarded the metaphysical interpretation of the world that guided human existence and emphasised a responsibility for what we have been given a user right to but no ownership of. Instead, they could offer means of intervention through models of representation.

Simultaneously with the landscape revolution of the 15th century, feudalism was confronted with becoming economically and ecologically unsustainable because of decreasing revenues due to an increasing population on exhausted soil causing deforestation, geographical expansion and urbanisation which put further pressure on land (Moore 2003, 106 ff., also pointing at how different structures made Europe and China develop differently 121 ff.; Federici 2014, 61 ff.). An answer to the crisis was “land privatization and the commodification of social relations” (Federici 2014, 66); hence, the modern age “began with the expropriation of the poor” (Arendt 1958/1998, 61; 254 ff.) when the commons that had served as social security were privatised. With the commons disappearing, more people were forced to work for money. Substituting an economy of product-exchanges with money-economy changed social relations by creating an abstract relation of value separated from the direct production, and transformed “human activity into labor-power, something to be “exchanged” in the commodity system” (Moore 2016, 85; cf. 2003, 130 f.). Instead of land productivity for sustaining life, labour productivity for accumulation of wealth became central, and with it “an irresistible tendency to grow” (Arendt 1958/1998, 45) enhanced by transforming consume into something non-satisfied (Arendt 1958/1998, 124; cf. 143 and Böhme 2017).

(b) The economic crisis of feudalism in late medieval times made it of importance that labour, food, energy, and raw materials were devalued to accumulate value (Moore 2017, I, 611; cf. 2016, 101 f.). A central component in the relation to nature since late 15th century has thus been to make it cheap “understood as work/energy and biophysical utility produced with minimal laborpower” (Moore 2016, 99). A nature made cheap is one of “relocating many – at times the majority of – humans into Nature, the better to render their work unpaid, devalued, invisibilized” (Moore 2018, II, 242; cf. Vergès 2019; Schmelzer 2023). One group relocated were women confined to the unpaid or cheap labour of reproduction; another group the increasing number of enslaved people. Along with relocation came a need for regulation and control. A mean is through social norms, like the sanctuary of the family, and political regulations, such as criminalization of contraception (Federici 2014, 92). An extreme form was the witch hunt that Silvia Federici explores for its role “in the development of the bourgeois world, and specifically in the development of the capitalist discipline of sexuality” (Federici 2014, 197).

The Anthropocene assumption of a nature-human conflict and human exceptionalism ignores this relocation. The mastering of the environment through human enterprises does not place humans as such against nature as exceptional beings, but it addresses a perpetual question in Western philosophy of who is – and who is not – human which is a matter of social position and power. When ignoring this, the idea of human exceptionalism becomes itself an instrument for these powers, a ruling abstraction, i.e. ideological.

The prevalent definition in Western philosophy of man as animal rationale, as a synthesis of the living being and reason, expresses a relation and a task of balancing the necessities of life such as to liberate reason and live accordingly, i.e. not to enslave reason to necessities. The task is educational; it is to learn to become human, and it is expressed in legal discourses of recognising another as human. Labour provides us with the material conditions for our existence and is thus, traditionally, related to the necessities of nature, i.e. to the animal element different from the distinctively, or exceptional, human activity: the political, the sphere of the free. One is free from necessities when one owns things necessary for providing for one’s existence. The opposition of freedom and necessity appears related to practical matters, to how we must learn to deal with necessities because they qua necessities cannot be dealt away with. Thus, the composition, or relation, of animality and rationality poses a constant challenge as to what composition it is. Answers are multiple, whether a Roman of thing and person, a Christian of flesh and spirit or a modern of (physical) body and (psychological) soul (Esposito 2015). “In our culture, the decisive political conflict, which governs every other conflict, is that between the animality and the humanity of man” (Agamben 2004, 80). The conflict is political as it is decisive to how we relate to another – who is considered true human and who is not.

2. Being human, an educational task

Relocating some, i.e. many, humans into nature captures well the ideological implication of reducing the nature-human conflict to one of a simple dual opposition of an active human spirit confronting a passive material world constituting human exceptionalism. Not only does this reductive view of exceptionalism (a) miss the complexity of the nature-human relation, it also (b) misses the different mechanisms of including and excluding individuals into an understanding of what human is.

(a) The standard reference to a dualism of Cartesian philosophy is reductive in the sense that it pays little attention to other influential traditions in the 16th to 19th century with different views on human existence and capabilities, for example Christian meditations like Ignatius Loyola, Renaissance humanists such as Lucrezia Marinelli, and Baroque thinkers like Baltasar Gracián. Thus, Pascal: “What a chimera is man, what novelty, what monster, what chaos, what subject of contradiction, what a prodigy, judge of all things, feeble like a worm, disposing of truth and a cesspool of uncertainty and error, the glory and the scum of the universe! […] Know then, proud man, what a paradox you are to yourself! Humble yourselves, impotent reason! Be silent, ignorant nature! Learn that man is only man and hear from your Master your true condition that you do not understand. Listen to God!” (Pascal 2000, §164, my translation) – not exactly a praise of exceptionalism. The new sciences did also not display a unison picture. For example, Alexander von Humboldt wrote in 1844 (Entwurf einer physichen Weltbeschreibung) how his treatise was motivated by an effort to understand the appearances of physical objects in their coherence and to conceive nature as a living entity moved by its inner forces out of a concern for how partial investigations of nature would make us forget the human endeavour of contemplating the spirit in nature (Ritter 1989, 152). His contemporary, Auguste Comte, described the sciences as only a tool for humanity: “Science unassisted cannot define the nature and destinies of this Great Being with sufficient clearness. […] it leaves inevitable deficiencies which esthetic genius must supply” (Comte 1848/1865, 360). The “fundamental doctrine of Positivism” we read is “that the Heart preponderates over the Intellect” (Comte 1848/1865, 340).

This is only to exemplify the complexity of the nature-human relation in modern philosophy that inherits Greek philosophy, Roman law, and Middle Eastern, notably Christian, theology all often intertwined in modern mind where to new sciences add yet another perspective. We cannot reduce this complex narrative to only a human-nature conflict. We have to pay attention to the components in forming relations to the world implying both changes in the physical environment through new practices and new ways of perceiving nature and humans.

(b) A persistent element in understanding humans as humans is the necessity-freedom conflict. A true human is considered to be one who is not enslaved to external conditions, in particular the necessities of nature. Considering that many individuals have been relocated into nature like women, indigenous (cf. German Naturvolk, i.e. nature people) and enslaved people, we must ask for the logic of relocation to understand who is included into being human and who excluded. Because we are (also) animals it matters how we differentiate human from non-human, what Giorgio Agamben (2004) calls the anthropological machine. It is obviously a question with political implications as it implies how to recognise fellow beings’ humanity.

To be human in a Western philosophical tradition is to be something different from nature, but it is not to reject nature, only to reject being nothing but nature. It is a matter of balancing natural drives with spirit, and of finding guidance regarding humanity. Classical metaphysics integrated man into nature in the belief of an affinity between the world’s order and mind, the premise questioned in late 18th century. New experiences were of environment-changing interventions into nature followed by a question of how to understand new world-transforming practices of material accumulation and destruction of the environment. Following Marx, capitalist production developed the technique and combination of social process of production that undermined the sources of wealth: the soil and the worker (Marx 1962, 529 f.).

Soil and worker, i.e. the physical environment made cheap, and some humans relocated and made invisible enable excessive accumulation of wealth. Made invisible is an equivalent to necessity – some are made invisible because their work is a necessary evil for providing services for others, for example the, often brown, people cleaning the spaces and maintaining households for the “neoliberal and finance capitalism to function” (Vergès 2019, 1). There is a remarkable parallel to the ancient anecdote of the Roman senate turning down a proposition that slaves should dress uniformly in public as too dangerous, not because they would “be able to recognize each other and become aware of their potential power,” but because of the “appearance as such” (Arendt 1958/1998, 218n), i.e. the visibility of what is not worthy to be seen.

To conclude, let me return to the end of the introduction where Moore was quoted for stating that “the question of who is and who is not human is at the core of the climate crisis.” This inclusion and exclusion is driven by different motives – above Agamben was quoted for the importance of asking for “the practical and political mystery of separation” in dualism rather than for a conjunction. Therefore, ideas of healing or ending a nature-human division by turning to more-than-human approaches in non-Western traditions may prove to be wishful thinking if it is not accompanied with awareness of what it is that creates the separation. We may find that inclusion and exclusion is also at work in some of the interpretations considered as more-than-human.

Take, for example, an Amerindian perspectivism, a cosmology that builds on a spiritual unity and corporeal diversity, a view in which people see animals as ex-humans. This is contrasted to a common Western idea of a natural unity and different cultural manifestations (Viveiros De Castro 1998, 472). When animals are ex-humans, a differentiation must exist to avoid “confusing hunting with warfare and commensality with cannibalism” (Kohn 2013, 119), a differentiation that can turn living beings into objects. Likewise, beginning from a spiritual unity, when, for example, people in the Runa village Ávila in Ecuador’s Upper Amazon “recognize many animals as potential persons with whom, on occasion, they have “personal” interactions” (Kohn 2013, 153), the problem is not to establish intersubjectivity but the opposite: how not to connect. Other spirits, with whom we connect, appear in different bodily forms from which their experiences emanate. Consequently, it becomes important to distinguish problematic forms of entanglement, emphatically expressed in an example from Mapuche people in Chile about meeting the Devil (Course 2013). The danger, the details wherein the Devil is, is that while sharing spiritual bonds with the other living being, i.e. speaking the same words, different bodily origin and education means the words have different references. When animals are ex-humans “they see their food as human food (jaguars see blood as manioc beer, vultures see the maggots in rotting meat as grilled fish, etc.)” (Viveiros De Castro 1998, 470). The other is not lying to us, but the truth in one bodily world does not correspond with the truth in another.

No conclusions about non-Western more-than-human practices can be drawn from a few examples, but they can draw attention to the importance of the dynamics forming our relation to the environment. Instead of pointing at a nature-human conflict as the origin of environmental crises we should look at the sense-making which unfolds between humans as well as between humans and the environment to understand how specific nature-human relations appear. Active self-regulatory interaction of an organism with the environment is a process that gives direction for a human self-determination between the necessity of the environment and its possibilities, i.e. freedom. We can, with Arnold Gehlen, understand human as the not determined animal which has as its task to become human, i.e. not merely to live but to lead one’s life (1950/2004, 16 f.).

We engage in a process of forming the environment to our needs and ourselves to our environment in a process of practices and interpretations (Gehlen 1950/2004, 338; cf. De Jaegher 2021). This is a process of education, and a process in which the world can come to appear as a second nature (Gehlen 1950/2004, 348) – as something that has its own necessity determined by cultural norms of, for example, sexuality that have been transformed into controlled forms of reproduction, gender relation, and acceptable forms of sexual pleasure. What appears as “natural” is the outcome of a cultural and educational process of the human being.

Practices make sense in practice, but we need to make explicit what it is that makes sense in them to understand what brings the sense-making about. The dialogues with the environment unfolded in practices, and the dialogues in making them explicit are what contribute to make us understand what it is in our environment-relation that create conflicts ending in crises. This is why the approaches of human sciences appearing in late 18th century invite us to “unveil to consciousness the conditions of its forms and contents” as described by Michel Foucault. We must ask for the implicit views on what it is to be human and what gives meaning and direction to human existence at work in current cultures, of what appears as necessity and freedom, of what we include and exclude for the recognition of the other. This points at investigating the sense-making of the concrete interactions between humans and their environments that result in ways of seeing and ways of making the world, a task taken upon by a number of different disciplines such as philosophical anthropology, critical theory and critical phenomenology, to name a few that have also been the foundation for this text. What they offer are investigations into how an “anthropological machine” is at work in determining our understanding of what the education to become human is.

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I would like to thank Tinka Harvard for proof reading

Identity and Aesthetics. Atmosphere as an approach to the appearance of the concrete person

Discussing someone’s identity can become a delicate matter because it touches upon the others’ self-perception. I suggest that sensitivity directed to forming and perceiving identity helps us approach this delicate situation. It is a matter of dedicating attention to the appearance of oneself and others and of developing our sensitivity towards nuances in a person’s appearance. I assume such sensitivity can prevent unproductive discussions caused by being too prejudiced and judgemental.

While this is hardly a surprising suggestion, it is more controversial to say that sensitivity relates to the forming of both identity and perception. I call this sensitivity aesthetics. To illustrate my focus, we read in the Baroque writer Baltasar Gracián’s reflections, Oráculo manual y arte de prudencia (The Oracle. A Manual of the Art of Discretion) from 1647: “Things do not pass for what they are but for what they seem. To be worthy and to know how to show your worth is to be doubly wise: what is not seen is as though it did not exist. Even reason itself is not revered when it lacks the semblance of reason” (Gracián 1953, § 130). “Most things in life depend upon right choice: it implies good taste and the most accurate judgment, for study and intelligence are not enough” (Gracián 1953, § 51).

This may sound like an argument in favour of how one should judge the book by its cover, contrary to the saying. My point is indeed that one should not underestimate the cover but improve the sensitivity to it. Ideas of identity may cause conflicts and disputes because we are too occupied with the idea of identity and consequently ignore how the identity is present in what appears which, and this is the point, is more complex and sometimes different from what we have an idea of.

1. Introduction

Fundamental to Western philosophy is the discrepancy between idea and appearances having also consequences for our view on identity. We are formed in relation to the environment – cultural, social and natural – we grow up in. What this means can be illustrated with what Pier Paolo Pasolini writes: “The education given to a boy by the objects, the things, the physical reality – in other words by the material phenomena of his social conditions – makes this boy bodily to whom he is and will be for the rest of his life” (Pasolini 10 April 1975, my translation). The bodily formation mentioned here is not merely an isolated component in forming one’s identity. We embody social relations as well as perception and sensorial relations to ourselves and the environment the way we have learned to. Because we cannot pay attention to everything influencing this learning, two opposing reactions appear. One is to reduce complexity and its ambiguities; another is to tolerate it. I will address this in Section 4. The answer to this opposition is not a choice of side but one of awareness of how identity is a reduction of complexity in which we should avoid losing our sense for what appears and is present as complex.

The two intervening sections seek to characterise this conflict by investigating the complexity of identity and a sensitive approach to our sensorial and bodily presence. I do not intend to engage in discussions on ideas and ideals of identity, their importance, legitimacy, origin or similar matters. This is not out of a rejection of the importance of such ideals, but because my intention is to draw attention to how appearance matters more than just as a cover to look behind. In Section 2 this is discussed in relation to some difficulties in talking about person and identity, while in Section 3 the discussion is of aesthetics as a matter of sensorial perception that supplements the reduction of complexity in a conceptual identification. Finally, in Section 4 I turn to some current discussions where the sensitive dimension is emphasised, namely with the concept of atmosphere according to Gernot Böhme and a ‘pathic aesthetics’ according to Tonino Griffero. Introducing these perspectives is not simply to avoid the uncomfortable situation of touching upon delicate issues in discussing identity. Rather, it is to draw attention to how consequences of strong ideas of identity prove not only to be insensitive and prejudiced but can result in neglect and dehumanisation of individuals.

2. Difficulties with person and identity

A very short answer to a question about one’s identity is given by showing officially authorised papers of identity, like a passport. However, it is usually not our passport we have in mind when we think of our identity and showing papers of identity is a formal situation meant to be void of sensitive matters. Nevertheless, it should be mentioned because we cannot underestimate how much is in fact said with this ultra-short life story (Ultrakurzgeschichte, Lübbe 1977, 147) of identity papers. Likewise, we must acknowledge the importance of the legal protection implied by being identified as belonging to a national, i.e. juridical, community. However, inquiries about identity are not always from officials, but can also be from a friend asking what the national is and what it means for my identity. These are the questions I pursue here.

The difficulty with the question of identity may prove to have a parallel to the two questions St. Augustine asks in the tenth book of his Confessions. One is ‘who are you?’, which he can answer with ‘a man’ – parallel to us showing our identity papers. But the other question, ‘what are you?’, is more than he can answer. What man is, the Creator knows, but not the creation. To get an answer from the Creator is as difficult as answering questions about the community we are identified as belonging to. For instance, I can look in my passport to learn that I am Danish, but this does not give an indication of what it is to be Danish. Public debates demonstrate that the question provokes strong opinions and feelings, along with political implications. Perhaps the delicacy of discussing identity lies here: identity is a political topic as well as one of how individuals perceive themselves. Perhaps it is the perception that is politically informed and for that reason some become hypersensitive or insensitive to some approaches.

The parallel to Augustine emphasises a difference, perhaps a conflict, between the complexity of my life-long education and my idea of who I am. We find discussions of this conflict in more forms such as Martin Heidegger’s concept of facticity (e.g. Groβheim 2012) and Arnold Gehlen’s characterisation of man as a non-determined animal subject to overtaxing (Gehlen 2004, 16, 36). I take this conflict between our complex education and our idea of who we are as motivation for suggesting an improved sensitivity. Not instead of, but as supplement to our understanding of ours and others’ identity.

The complexity of the cultural background, the experiences, educational ‘institutions’, i.e. schools, work-life, family and other institutionalised ideals, exceeds what one can possibly be fully aware of. Moreover, the history that has formed someone we talk to has – as long as we can talk – not ended both in terms of the person being alive and the continuing interpretation of one’s life-story (Lübbe 1977, 169). In response, we can develop a sensitivity for the appearances of the education and background embodied in someone’s physical presence. However, developing sensitivity becomes problematic when one’s perception is a misperception. It can lead to the point of becoming a delusion if we are too occupied with our idea of identity at the cost of a sense of how the identity appears to us.

To give an example: I may perceive myself as an open-minded and critical intellectual with a global outlook, while others may say I am a typical representative of cultural chauvinistic, Western oppressors. Perhaps others misjudge me. It is then a question whether the misjudgement matters to me or not. Maybe I am indifferent to it. Maybe I become indignant because I find the misjudging insensitive and ignorant to my appearance. Perhaps, it is a minor incident when it concerns my academic self-perception but different when it is about national, religious, and sexual identities. Perhaps it is no misjudgement. Instead it is me that is mistaken in my self-perception because I ignore how I embody physically, linguistically, and ideologically, a culture that has formed me. I may convince myself about my self-perception, but not others, because my appearance shows them something different. I may be so deluded by my self-perception that I am unable to see that my open-mindedness is in fact very limited.

This example touches upon a line of difficulties related to how we wish to appear, are asked to appear, and are judged in appearance – examples dealt with in, for example, Erwing Goffman’s studies of playing and displaying social roles (Goffman 1956). Appearance is the keyword. While the question of self-perception is one of interpretation and understanding, there is also a question of how this self-perception is performed and made apparent to others and even myself. The roles we play, i.e. the person we appear as, are many-faceted. They are necessary for social interaction but also sometimes problematic for upholding social ideals and ideologies. They can prove to conceal inherent conflicts between one’s role-playing and the self-delusion of engaging in becoming the role while being aware that it is merely a role. We find this addressed by Jean-Paul Sartre as bad faith [mauvaise foi] (Sartre, 1984, 86 ff., 349). Bad faith illustrates the difficulty in being aware of our presence, hence the limits to our sensitivity.

Here, awareness of the sensorial aspects of the formation of an individual, of the individual’s self-perception and perceptual skills in general, come in. It is an awareness of elements in the forming of an individual’s identity related to the influence of the environment such as dress-codes as they are used in work-life or public appearance and at special occasions. It is attention paid to the cultural and sub-cultural environments one moves in; it is our performing of body-language, gestures and facial expressions we see in people we live among and we imitate. Such examples are about how the environment matters because we are guided and influenced by cultural artefacts like Pasolini’s boy above. We discuss such different cultural artefacts when critically reviewing their qualities important for taste and aesthetic judgements. I suggest, we understand taste and aesthetic judgement as attention to the forming of our senses and body, i.e. to the forming of our appearance and perceptual skills, rather than a critical evaluation of certain qualities. Before turning to aesthetics, I will take the examples above one step further to emphasise why the discussions about identity can become so sensitive and difficult.

When identity relates to self-perception, it concerns how we wish to perceive ourselves and how the forming of us through upbringing has been a determining factor for how we are formed and what we are able to perceive – Pasolini’s boy did not chose the things around him. This can cause conflicts. A Western teenage life can demonstrate it in cases when the formation of an identity becomes a struggle between imitating desired ideals and the realisation of how one has already been formed by family and the surrounding culture. From others’ judgements one learns the efforts are not always in accordance with how one desires to be seen.

The gap revealed between what one believes and what others see, which can reveal one’s illusions or prejudices, is the gap that makes the matter delicate. It is one thing to be wrong in my opinions about different things, but it is something different to be wrong about myself when confronted with other’s insistence on perceiving me differently from what I believe about myself. We may take this insistence as insensitive or disrespectful. The discovery of how we have perceived ourselves differently from others’ perception of us may lead to existential questions like those played out in Luigi Pirandello’s novel Uno, nessuno e centomila (One, No One, and One Hundred Thousand) from 1926. For the protagonist this also becomes a question of his own identity – what he comes to know about himself makes it impossible to go back to his old identity.

The questions about my identity require a small digression to prevent misunderstandings. I am not discussing personal identity related to what constitutes the identity of a subject. Many will recognize what initiates these discussions as childhood puzzles like how I know I am the same after I wake up from sleep when I was not aware of myself in the meantime. Or what identity shift is there between me as child learning to read and me today writing about identity? If my mind constitutes the identity, what if there are discontinuities like experiencing dramatic events that affect and change memory and personality, like Pirandello’s protagonist does? What about diseases like Alzheimer? And what identity is there when the physical components of my body have been exchanged over time?

Such questions belong to a different focus. They are largely about how I can know that I am me over time and events – the implication expressed by Derek Parfit in an iconic text for these discussions: “Whatever happens between now and any future time, either I shall still exist, or I shall not” (Parfit 1971, 3). I ask instead, how I can know that you are you?

Returning to the passport, it is used to identify a person and I now deliberately use person – this digression is also about personal identity. My official document identifies what establishes the legal protection of my person. Person is a legal notion identifying a legal unit which can also be a corporation or a state. The person is not just the individual being in front of me, but an individual identified as a person. Herein lie difficulties.

We can consider a person to be someone formed by particular experiences and history, someone with a character who uses ‘I’ (German ich) as a pronoun, which is different from using ‘an I’ (German Ich) as a noun where we can say it is a singular of a kind. Despite difficulties about the concept of a person, it suffices here to rely on this difference taken from Manfred Frank and a classical German tradition. The difference between a character and a singular (Frank 1986, 25 and 64 f.). Furthermore, a person is present in an individual body. We can say, like Peter Strawson, that a person is of “a type of entity such that both predicates ascribing states of consciousness and predicates ascribing corporeal characteristics, a physical situation &c. are equally applicable to a single individual of that single type” (Strawson 1990, 102, emphasis in original; Frank discusses Strawson in Frank 1986, 99 ff.).

One particular difficulty is about the composition of this person present to us; a composition used in characterisations of man in Western philosophy. It is the composition of animal and rationality repeated often with the Latin animal rationale. The difficulty of this characterisation proves to have political implications when the animality is excluded from what man really is (Esposito 2012). Western thinking can be characterised by what Roberto Esposito calls a ‘dispositif of the person’: “a role productive of real effects […] based on the assumed, continuously recurring separation between person as an artificial entity and the human as a natural being, whom the status of person may or may not befit […] the terrifying constitutive power of this dispositif lies […] in the zones of  indistinguishability it creates at their boundaries” (Esposito 2012, 9). The problem of what animal and rationality are, about the components of our understanding of a human person, and how we have come to have these concepts is a different study from my focus (see Agamben 2002 and Esposito 2012). However, it will form an implication that reappears as a question that Simone Weil radicalises below.

Returning to social roles and person makes also the parallel to Augustine and his ‘who are you’- question reappear. We can answer it by referring to the legal status and self-perceived identity – like Augustine I can answer ‘a man’. But confronted with the question of who I am as a person it becomes complex. It becomes the role or character that I want to be known for. But which role? We may play more roles and are not interested in sharing any role with anyone – having a drink with colleagues after work may become a different situation if the boss or one’s students show up and we prefer to keep up a façade of work life. Sometimes others may insist on knowing the ‘true’ character of a person, but we may be pending between roles, between the face we show at the front answering what is required, for instance, in professional life and then the face when we are backstage (see Goffman 1956, front 13 ff., backstage 69 ff.). Showing one’s true face may be thought to be what is revealed when the façade goes down, when we are ‘off’, but it may in fact turn out to be yet another face. The ‘true’ face may even prove to be one of self-delusion like experienced by the protagonist of Pirandello’s novel. In his case it is the physical features of his face that others have perceived different from himself, but it could also be about cultural, national, ethnic, sexual or similar identities with their roles and faces.

It is these concrete and complex appearances I suggest meeting with sensitivity. Identity cannot be related only to our ideals of the person we see and we wish to be seen as. If we determine identity only in relation to the person and not bodily and physical appearances, we run into a difficulty. Weil draws attention to the difference between saying ‘your person does not interest me’ which is critical and impolite and ‘you do not interest me’ which is offending and cruel (Weil 2005, 70). It is not the person but the concrete individual that is inviolable and sacred to me in a man passing by. “If it were the human personality in him that was sacred to me, I could easily put out his eyes. As a blind man he would be exactly as much a human personality as before. I should not have touched the person in him at all. I should have destroyed nothing but his eyes” (Weil 2005, 71).

Weil’s critique is of the personalism of Jacques Maritain (Springsted 2009). He represents a Thomist tradition which also reflects large parts of Western philosophy. The understanding of human being is that it is a whole composed of what is spiritual and material. The spiritual is considered the true person and the material the individuality which is only “the shadow of personality” (Maritain 1946, 429). Her point has consequences beyond personalism. The reduction of the material and individual to a mere shadow ignores the importance of the concrete other in who’s eyes we look. We may for many reasons want to distinguish between spirit and body, but the spirit must appear in facial expressions and bodily acts. In discussions about identity we should not dismiss the sensorial and bodily presence of someone because more is revealed about identity in this presence than in the idea of a person. The concrete presence asks for sensitivity, and sensitivity is now to establish as a matter of aesthetics before suggesting which forms of aesthetics may offer the best answers.

3. Aesthetic approach to identity

Suggesting aesthetics requires more of an explanation than relating it to sensitivity. At least to explain why sensitivity and how sensitivity? When we read Gracián about how right choice implies good taste and accurate judgment, we are at the core of what a century later becomes the discipline of aesthetics, namely at a rhetoric-humanistic tradition coming from the Renaissance (see e.g. Franke 1972 and Talon-Hugon 2017). In the age of Enlightenment, this tradition is confronted with a different understanding of rationality where empirical knowledge and methods coming from mathematics are claimed to be the foundation for secure knowledge. While this approach proves successful in the study of nature, it is problematic in relation to moral living. This difficulty is an issue brought up, for instance by Giambattista Vico who warns about it in his opening lecture for the new academic year at the University of Napoli in 1708, De nostri temporis studiorum (On the Study Method of Our Times).

When we discuss knowledge, we should always include a question of what kind of knowledge. What is it we want to know? Knowing how to construct a bridge is different from knowing how to educate a child. While this is obvious, it is obviously not always respected. Successful strategies of giving answers, like the new methods of sciences, tempt us to apply the methods also where they should not be used.

We find here a parallel to the difference between identity on paper and the concrete appearance of the other. Since the 18th century, increases in migration from the countryside to the cities in Western Europe has created difficulties in identification (Sennett 1992, 45 ff.). While medieval people would travel – craftspeople were usually required to travel to educate before being allowed a position at home – they would be identified by, for example, their profession and place of origin. With migration to the cities, other means of identification are required for identifying others, not least as others often will be strangers (Sennett 1992, 65 ff.). When old forms collapse, like dress codes, and become subject to free play the rules of identification change. “Whether people were in fact what they wore was less important than their desire to wear something recognizable in order to be someone on the street” (Sennett 1992, 67). Being someone is not to come from this town or working in that profession; it becomes appearing as the person one wants to appear as.

However, some, for instance criminals, would try and benefit from such role playing and from the anonymity of the cities making a method for identification necessary. Interestingly enough, a method in the spirit of new sciences and techniques appears in late 19th century: fingerprints. It provides an answer to the practical problem of identifying an individual when there is no one around to identify. Everyone has a body and instead of identifying someone by other peoples’ testimony we can identify the body with a print in ink or later a code of nucleotides. It serves to identify someone, but it is something no one identifies themselves with. Identity comes here without a person (Agamben 2011, 48 ff.). At best, we get an answer to who someone is by identifying that someone as an individual but not an answer to the question of who that person then is. While we are the one with the fingerprints, we are not our fingerprints.

The fingerprint solves one problem of identity in a context of mobility and urban anonymity; however, it does not answer our questions of a person’s character for which sensitivity towards the appearance of the concrete, bodily presence of the person is required. The body is not seen as the essential and defining component of being human, at the same time we cannot think a human without. Western philosophical tradition has struggled with relating the bodily and the spiritual that form the two components of man as animal rationale. Nevertheless, we experience meeting points between them. For instance, when we are among other people and the body reacts contrary to our will, like in blushing. In this case, the body reveals something about our identity that conflicts with how one believes or desires it to be. We are, perhaps, not more in charge of forming our person than the body allows us when it reacts despite intentions and reveals how the social environment has taken control and is embodied. Something seems to act independently of the identity of the person we relate to the mind. This something and this bodily reaction relates to the complexity of our background, to our facticity or overtaxed non-determination. It is a meeting point where aesthetics appears.

The act of blushing is a bodily reaction to the norms of the social environment that we have learned to perform. The norms have been embodied throughout our education. This education appears in the performance of a character in taste, in what we can call aesthetic education when we understand this education as a training of sensitivity as such and not of making judgements about specific aesthetic artefacts (see Moreau 2019 and my Friberg 2017). We learn what is considered an appropriate behaviour through exercising instructions coming from other people and from the organisation of the physical and social environment. “Tastes are imparted by personal intercourse and are passed on by frequenting the society of one’s fellows” (Gracián 1953, §65). The rhetorical-humanistic tradition that forms aesthetics is about forming social skills leading to ‘good taste and accurate judgment’ through which one shows one’s worth. A century after Graciàn, Lord Chesterfield instructs his son in becoming a man of good sense by paying attention to how people appear as “[t]he world is taken by the outside of things” (Lord Chesterfield 2008, 185 (26 November 1749)). The first impression one makes is crucial; it may vary but “it will never totally change” (Lord Chesterfield 2008, 108 (29 October 1748)). Appearance is everything and one must learn that “manner, in everything, is at least as important as the matter; and that the latter never can please, without a good degree of elegancy in the former” (Lord Chesterfield 2008, 331 (16 April 1759), emphasis in original).

Lord Chesterfield would undoubtedly hope for his son to blush of embarrassment if he should act with bad manners in front of his father at a social event, hence revealing bodily that he knows better than he acts. Critical voices will call it a mere superficial play of social roles and point out how problematic it is to reproduce and maintain specific social roles – we can think of Lord Chesterfield’s contemporary Rousseau. This critique may be justified but introducing aesthetics in this context is not for the judgement of good and bad taste, or of superficial and authentic identities; it is for the importance of this sensorial and bodily aspect of our social interaction and formation for identity. Whatever identity or crisis of identity anyone experiences, the point is that identity is embodied in us and appears in any social presence we make.

The relation between aesthetics and identity should be apparent when recognising the relation to the forming of senses, feelings, and body. Aesthetics was and is related to education and formation to become the person one is within a community, to acquire an identity within this context. Discourses on identity in our age relate often to being an independent person as a member of a community while also being true to oneself. Independence can take many forms. It may be to resist or oppose ideals of identity imposed on one like ideas of cultural origin and heritage, social status and roles, and ideas of gender. But in general, one can probably agree when Theodor Adorno says that “education is impotent and ideological when it ignores the intention of adaption and does not prepare people for making them deal with the world” (Adorno 1971, 109, my translation). A crucial question is to the dialectic of following while not following others blindly without a critical sense. We cannot simply trust someone with good manners and taste also to be a good person. The other can be what Kant, in Kritik der Urteilskraft (Critique of Judgement), calls a virtuoso of taste (§ 42). Classical education and fine cultural environments do not make a good character alone as Adorno warns us; it makes mere followers (Adorno 1971, 93).

Here is a reason for combining identity with aesthetics – for combining ideals with a sense for the complexity of what appears. The idea of identity one forms is never a mere instruction for acting (Lübbe 1977, 225). Acting is about judgement and judgement is to have a sense of what to do, when to do it, and how to do it. It is about becoming ‘a man of sense’, about tact and flair, about Fingerspitzengefühl which is not about fingerprints, but about sensitivity required for performing social roles. While the examples above have largely been related to the age of introducing aesthetics to maintain the educational ideals of a rhetoric-humanistic tradition challenged by Enlightenment critique of these ideals as superficial and insincere as well as obscure and oppressive, we should insist that any age has its set of roles to play. Here it must suffice to compare Richard Sennett’s description of 18th and 19th century with Erwing Goffman’s of the 20th (Sennett 1992; Goffman 1956). One can criticise any set of roles as insincere, but one cannot pretend there are social relations without any. The question of identity of the fingerprint may answer requests of a role-free relation, but it is, as said, an identity one does not identify with. A reduction of roles to only an ideal of a person is what brings back Weil’s exhortation that we must recognise the concrete person present who is looking at us. In our need of identifying the other we must avoid the danger of misjudging by judging only from what we know; it makes our judgements become prejudices. Aesthetics with sensitivity and presence as the focus is an offer of steering around this danger.

4. Neo-baroque and atmosphere as aesthetic strategies

In the introduction I suggested two reactions to the complexity of our environment, one of reducing complexity and another of tolerating it. This is taken from an essay of Thomas Bauer where ambiguities are the focal point (Bauer 2018, 13 ff.). In some periods and cultural forms, he finds tolerance of ambiguities becoming more prevalent, an example is the Baroque age. In other periods reduction dominates, like the age of ideologies of the 19th and 20th centuries (Bauer 2018, 21). He finds our age to be characterised by reduction (Bauer 2018, 30). With reduction comes intolerance due to an obsession with truth, rejection of conventions, and an ideal of purity (Bauer 2018, 44). We can relate this to an idea of identity that reduces the complexity and ambiguity of, Augustine again, what we are by holding on to a simple answer to who we are. Identity can be reduced to an ideal related to specific narratives becoming pivotal for self-perception as well as the perception of others. The ultrashort life-story of nationality and gender derived from the passport can become the decisive story.

A reduction of ambiguity parallels the discrepancy between the plurality of appearances and their reduction to ideas by which we can identify what is essential in the multiplicity of sensuous appearances, i.e. to the model of knowledge. This model prioritises the reductive strategy of rational discourses over sensuous perceptions. Baumgarten introduces aesthetics to add to the intensity in conceptual clarification a parallel in the extensity of sensorial perception (see Franke 1972, 107 f. and 113 f.). Aesthetics is about a sensorial abundance that compensates the reduction of intellectual views. When looking for the acknowledgement of sensitivity today, we find that the rhetorical-humanistic tradition and Baroque culture reappear in what has been called Neo-baroque.

Both Mario Perniola and Gernot Böhme associate some contemporary cultural forms to the Baroque. The use of Neo-baroque should not be confused with stylistic forms of especially late 19th century; it is a philosophical idea concerned with an attention given to senses and sensitivity that one could ascribe to Baroque culture. It is an attention rejected by the Enlightenment with its idea of throwing light over obscure formations in culture. Following Perniola’s reading of Gilles Deleuze’s Le pli – Leibniz et le Baroque (The Fold. Leibniz and the Baroque) from 1988 (Perniola 1995, 5 ff.), we find here a characteristic that also resembles a critique raised by Romanticism. That the idea of knowledge as throwing light over the world faces the problem that when light is cast on things, it also casts shadows. Using the fold as a metaphor, Baroque thinking, according to Deleuze and Perniola, keeps in mind that when we try and unfold something, it folds again; when something is brought forward, something else disappears into the shadow. We can also say that the Enlightenment is an ideal of a vertical thinking, where light from above will enlighten the world, in opposition to a horizontal way of thinking of a permanent interplay of folds where anything made apparent will leave something else obscure. This is what also parallels Bauer’s dialectics of reducing and tolerating ambiguities.

The Neo-baroque appears along with what is known as the Postmodern and a parallel between them is the postmodern rebellion against fixed forms and identities. A Danish publication from 1999 calls the young generation at the turn of the millennium the ‘sampled generation’ not least because of the play with identities explained in interviews: “Everyone wants to create a concept around one’s person. One works on an image of oneself, but there is usually no story behind what one wants to tell. You just know you must express the image” (Heuseler & Staun 1999, 18 my translation). With a striking resemblance to Sennett about 18th century above, ‘whether people were in fact what they wore’, the turn of millennium is an age of images where “the form is as important as the content” (Heuseler & Staun 1999, 86, my translation). While the decades before the turn of millennium display a free play with identities the decades following seem more often to be about recognition and defence of an identity related to cultural origin, gender, national communities and the like.

There is no reason not to believe both agendas always coexist or that reduction and tolerance are mutual but one often more dominant. Which one is dominant and when is an empirical question; philosophically the interest is in the corresponding forms of perception. Here, Perniola draws attention to a “thinking which is characterized precisely by a suspension of the subjective and the private, by an opening up of enigmatic areas and by an experience that by definition goes beyond the logic of identity” (Perniola 1995, 40). He uses Baroque figures of thinking to reverse the idea that thinking comes from within a subject, like in psychological and transcendental subjectivity. Instead, he emphasises being receptive to what comes from without: “The mind is suspended, silent, listening out for something coming from outside” (Perniola 1995, 98). He draws a parallel to Ignatius Loyola’s Spiritual Exercises from the mid-16th century. In an enigmatic and folded world, sensitivity is suggested as a better approach than insisting on one’s limited and flawed knowledge.

Böhme also draws a parallel to the Baroque when he introduces atmosphere as a fundamental concept of aesthetics (Böhme 1995, 14). In opposition to the domination of judgement and interpretation of art in discourses on aesthetics, he asks instead for an investigation of perception. He suggests aesthetics as a theory of perception, where “perception is understood as the experience [Erfahrung] of the presence of people, objects and environments” (Böhme 1995, 25, my translation). Perception is the way in which one is bodily [leiblich] related to something and how one is affectively present [sich befindet] in the environment (Böhme 1995, 47 f.). In a way that also sounds similar to the Baroque sense, Tonino Griffero suggests a ‘pathic aesthetics’, i.e. a sensitive reception of the environment in which “pathicity means valorizing the ability to let oneself go […] one could sum it up as the ability to be a means of what happens to us rather than subjects of what we do”; it is about being “as faithful as possible to the “presence”, to the way in which appearances resound in our felt body” (Griffero 2019, 415).

Atmosphere is a phenomenological investigation of perception that challenges the dominant understanding of perception as object-oriented and object-determining. Atmosphere precedes the fixation we seek when we reduce phenomena to something answering our ‘what-is-it’ question. In this sense, it is about tolerating the ambiguity and suspending judgements in what is also a change of focus from the perceiving of atmosphere, like when we characterise an atmosphere of a place, to perceive atmospherically. Such a perception is one that concerns “chaotic-multiple situations endowed with their own internal significance” (Griffero 2014, 32). Of course, we often wish to establish what something is by identifying it as something specific. We perceive an object as a ‘one of a kind’ which we express by saying ‘this is a vase’. However, we also relate to the same something in more ways. We point at the vase and ask the child: ‘what is it?’ and the child may answer: ‘it is blue!’. True, the vase is blue, but we teach the child that there is an order in how we describe it: ‘it is a vase and it is blue’. I know I have this blue vase on the table, but it may matter more to me that it is blue than knowing it is a vase. It is this order of thing and qualities, vase before blue, within perception that is questioned. Likewise, the idea of evaluating qualities called aesthetic are questioned. When these qualities are about the vase being made by a recognised designer and with qualities of proportions and material considered artistic, they form a discourse of taste with ideals of interpretation and validation of qualities. However, they limit aesthetics to an ideal instead of attention to what is present – now establishing a parallel to perceiving someone’s identity from an ideal of it and not the concrete person present.

When Böhme introduces atmosphere, he asks for a perception that integrates all the elements of sensing and being bodily affected. He comes to the concept of atmosphere through speaking of ecology, which should not be mistaken for a suggestion of nature as the guiding principle for aesthetics, but as a discipline of the integration of elements into an organic environment [Umwelt] (Böhme 1995, 13 ff.). While one comes across ideas of distance in many discourses on aesthetic judgement, emblematic with disinterestedness, the countermove with an ecological approach is the integration of elements which also includes the human being as a sensorial and bodily being affected by its surroundings. The approach here is no determination of objects or evaluation of their specific qualities but a matter of presence. As Griffero phrases it, “the phenomenological “that” reveals to be irreducible to the cognitive “what”” (Griffero 2014, 32).

Moving from ‘what’ to ‘that’ makes presence essential. Furthermore, it is about one’s presence in the world characterised as an affective felt-bodily attention towards what happens to us, to the states we are in (Griffero 2019, 418). The affecting of our senses and body, which is necessarily a part of perception, takes us from characterisations of atmospheres as something we can talk about in daily language to a more fundamental relation to the world. It is at this point we change the focus from perceiving atmosphere to perceiving atmospherically. In everyday conversations about atmosphere we may largely refer to them as something we experience. We can talk about an intimate atmosphere of a gathering or a hectic atmosphere in the street as if there is something there that appears with the people, the arrangements of objects, movements and talking. We may also, in everyday conversations, relate to atmosphere as a mood caused by what we encounter, as a psychological state. But using the example of the blue vase, atmosphere is not a feeling caused by the vase; causality will be a false category to use. Atmosphere is the blueness that occupies the space and puts me in a felt-bodily state when the reality of the perceived is perceived as a sphere of presence and the reality or the perceiver is bodily present in a specific way (Böhme 1995, 34). “An atmosphere is an influential presence inextricably linked to felt-bodily processes” (Griffero 2019, 419).

Presence is thus essential; our own presence as well as what is present to us. And coming back to identity, the presence is about the presence of the other person. We want to know who the other is and to answer this question we apply forms of reduction such as asking for documents and other social markers used for identifying. Obviously, there is no presence in the documents and likewise there is little presence when we try and look behind the façade, the mask, to the person who is behind – when we try to move beyond the presence as not to be fooled by the virtuoso of taste. However, this is where a balance should be kept. If we read the advices of Lord Chesterfield only as a concern for playing along with the different roles in social life, we neglect that they are for knowing how to present oneself and to understand what is in others’ presence. The point is to avoid a one-sided reading, seeking behind the person’s presence in the belief there is a true character to find and it is to acknowledge that we cannot do different, we are obliged to appearances: “[S]ince the reality that the individual is concerned with is unperceivable at the moment, appearances must be relied upon in its stead. And, paradoxically, the more the individual is concerned with the reality that is not available to perception, the more must he concentrate his attention on appearances” (Goffman 1956, 161).

Apart from doubting if we in fact know ourselves, whether we act in bad faith or not, and if we can know what we are beyond the insistence on what we want to be, we can question this vertical idea of knowledge where appearance is the appearance of something like an essence. Böhme asks if the idea of essence is feasible (Böhme 1995, 195), a question that can relate to the previous comments about the animal-rational distinction and the ‘dispositif of the person’. ‘Rational’ is not unproblematically established as the essence of what a human is. When established, it may prove to be a political act rather than a knowledge-driven definition. In response to Weil’s warning that the concrete individual we look into the eyes is in danger of annihilation when we see only the person, Böhme establishes that the other is a body, and this body is no mere appearance of the person. It is presence of the bodily other that we bodily react to (Böhme 1995, 197, 200). We have the descriptions Jean-Paul Sartre gives of the look, in mind; how we react to the other looking at us (Sartre 1984, 340 ff.). The blushing, mentioned as a meeting point between identity and body where aesthetics appears, is revealing because it is no performance given, but is what the blushing person is; “the bond between my unreflective consciousness and my Ego, which is being looked at, is a bond not of knowing but of being” (Sartre 1984, 350, emphasis in original).

While sensitivity does not prevent the delicacy of discourses on identity, it can prevent overly prejudiced and judgemental approaches. While a critical voice may suspect it becomes too much of a receptive approach disabling a critical stance, the point, as emphasised by Griffero, is that it “is a chance to see affective involvement as potentially leading to emancipation rather than to occult and alienating mediation, as our paranoid culture seems instead to be obliged to claim” (Griffero 2019, 416). Whether the chance is also a chance of success is then a further discussion to take.

5. A concluding reflection

The delicacy of discussing identity comes from holding views on identity one resists having challenged, and it is due to a neglect of the complexity of our sensorial and bodily constitution. When we reduce complexity and ambiguity to help us in orientation and understanding we also arrive at frames for interpretation that it is tempting to stick with. The small child is not unhappy about being told it is wrong; the world is still boundless and confusing and small steps in reductions of complexity welcome. Later in life, when we begin to have fixed points of orientation and ideas of interpretation, we are less prone to acknowledge that we are, sometimes, wrong. Especially when it is to be wrong about oneself.

This may sound like a matter of psychological constitutions, even as normative and biased when calling it tolerant and reductive. However, a different phrasing could also find the sensitivity suggested here as an incapacity regarding analysis and decision-making – an incapacity in growing up.

The intention is not to characterise psychological figures but to address how to deal with identity. However, any such addressing has motives and I have had two. One is that discourses on identity currently can become delicate to the point of heated. Identity today is often a political matter and while there is an inevitable political element in questions of identity, we should be aware of both what is politically motivated, hence a discourse on power and what the political implications are. The latter relates to the other motive that comes from the problem of Weil’s blinded man. It points beyond difficulties of heated debates and to questions that, in dramatic ways, ask for giving account of the understanding of individuals and persons we build our political thinking and legal system on.

In relation to this problem, I suggest the inclusion of aesthetics to enhance the sensitivity of understanding to prevent one-sided and prejudicial views on other people that as consequence may neglect the concrete other. Concerning the one-sided views, we cannot escape how elements beyond what we are aware of affect us in forming us throughout life. In that sense we are, in Gehlen’s characterisation, overtaxed and we should be careful not to reduce the concrete other to an ideal only, even if the ideal is of a moral and spiritual being.

I would like to thank Laura Reininger for help with the language.

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Site-specific Perception. Philosophical reflections on the impact of environment on perception

The question raised here is about the differences in perception between people due to different environmental backgrounds. The assumption is that we learn to perceive and that the environment is essential for this learning. This is discussed by taking a classical philosophical view on perception from Leibniz and Baumgarten’s aesthetics, recently revived in the concept of atmosphere, as proposed by Gernot Böhme. The conclusion points to questions of the consequences of the environment for our perception as well as to the importance of aesthetic education in training perception.

Continue reading Site-specific Perception. Philosophical reflections on the impact of environment on perception